Metal Metalwork

A charming set of four miniature antique bronze censers, finely cast with substantial, heavy weight and a rich dark patina with warm copper highlights. Each is modeled after a differ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Antique Central Asian Turkmenistan silver Gold Amber bead Necklace Quality Turkmenistan silver and gilt pendant with rustic amber beads Nice wearable antique piece pendant siz...

Rare Qing dynasty gilt-bronze seated Buddhist figure depicted in Namaskara Mudra (the devotional prayer posture) - this gesture typically belongs to a Bodhisattva or a devoted discip...

This is a cast bronze hanshō (fire bell), thought to have been made in Japan during the Taisho era to early Shōwa period, roughly the first half of the 1900s. A hanshō is a smaller ...

Antique Kashmiri Indian Silver Meenakari Enamel Hexagonal Box c1900 A finely worked antique silver hexagonal box from Kashmir, dating to the late 19th / early 20th century. Decorated throughout with crisp hand-chased floral and foliate designs, highlighted with rich blue and turquoise enamel panels in the traditional Kashmiri manner. The hinged lid opens to a fully gilded interior, with matching chased decoration to the underside of the lid, indicating a good quality piece. The workmanship is sharp and consistent across all panels. Condition: Very good antique condition with minimal wear; enamel remains bright and intact. Dimensions: Height 6 cm; Width 5 cm; Depth 7 cm Weight: 93 grams A scarce and attractive example of Kashmiri enamelled...

Antique Large Chinese Cloisonné Enamel Round Lidded Box on Fitted Wood Stand, depicting floral patterns. 10" in diameter n 6" in height, wood stand is 2 12" high.

Fine Thai Silver Repoussé Box with Nāga Decoration Exceptional Thai silver lidded box, richly worked in deep repoussé and fine chasing with power...

A hand-hammered copper vase (tsuiki-doki) by Gyokusendo, in jar form (kame), decorated with a hammered raindrop pattern (tsuchime kame tarefumon). Comes with the original wooden box ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A distinctive set of four antique Chinese bronze miniature censers, each finely cast in a different traditional vessel form and remarkably substantial in weight for its diminutive sc...

Pair Chinese cloisonne enameled vases, each 26 inches tall and 16 inches across, depicting exotic birds, foliage and flowers.

Chinese patinated bronze censer with fine cloisonne inlaid enamel designs of a red dragon on imperial yellow ground in the Kangxi dynasty style measuring 16 by 19 by 12.5 inches and ...

This is an old Japanese iron puppy figurine, made during the Shōwa period (circa 1950s–1970s). It radiates a presence that is both powerful and warm, as if the skill of the foundry c...

ANTIQUE AND COLLECTABLE DECORATIVE JAPANESE SIGNED KATANA SWORD. Comprising a Japanese katana signed. The blade is signed "Ikeda Kishinmaru Kunishige" 池田鬼...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 17" x 10" with...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A large masterpiece of Ando Jubei wireless cloisonné vase at an exceptional 10" height. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis...

An exceptional palatial quality pair of 19th century Chinese cloisonné Fu dogs featuring gold gilding over copper. Chinese cloisonné o...

Chinese Archaistic gilt bronze ritual bell with raised panthers on the sides, a stylized mask on front and back, incised and relief geometric decoration. With a wonderful verdigris p...

A sculptural Mid-Century Japanese bird-form incense vessel, beautifully crafted in patinated metal and inspired by the refined traditions of Japanese incense culture. The piece takes...

This impressive 19th-century Persian Qajar tray is crafted in tinned copper and richly embellished with hand-engraved decoration. At its centre, an intricat...

Rare brutalist bottle holder designed and produced by art3 in Spain in the 80s. Brass and aluminum structure that can hold 6 bottles. Design objects that will decorate your interior ...

FREE WORLDWIDE SHIPPING This Japanese Cloisonné Enamel Vase by Ando Jubei dates to the Meiji period (1868 to 1912), circa 1900. Of petite squared and tapered form, the vase rises wi...

19th Century Dated Persian Qajar Tinned Copper Ewer Ablution Basin Set, Dated 1878. A complete two-piece Islamic ablution set comprising of a tall, elegant ewer (aftabeh) and its m...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features an imprinted/hammered repeating pattern of stars or cherry blossoms design perhaps. The piece has a gorgeous patina that is acquired from age and handling/use It is quite an appealing work. The piece is likely from the mid Edo Period (1603-1868). The Tsuba has a nice feel and wonderful aged texture to it. Would be a great addition to any Tsuba or Japanese Asian sword...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Fantastic quality antique Victorian large copper samovar having a fantastic quality antique Victorian large copper samovar with ornate detailing, with a lift off lid and the original...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size: Height 15.3...

A fine bronze tribute drum (Heger Type III), Pazi (Burmese), pam klo’ (Karen). This unique lost wax casting of a drum is ornamented with 8 frogs with bulging eyes placed in stacks o...

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold. It is rare to find a cloisonné e...

A charming trio of antique Chinese miniature solid bronze incense burners, each displaying a distinct traditional form inspired by ancient ri...

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

This elegant pair of Persian brass vases dates to the Qajar period of the 19th century and demonstrates the rich decorative language of Islamic metalwork from the era. Finely engrave...

A remarkable pair of Thai Ayutthaya period bronze crowned Buddha mounted on wood display stands. Thailand. 17th/18th Century Dimensions: (approx) Head: 15" High, 7.75" Wide, 6" Deep (tallest) Overall: tbd Provenance / Acquisition: Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 March Fine & Decorative Asian Art Signature Catalog Auction #8155 Lot #78357 Condition Report: Attractive pair with beautifully aged patina, condition commensurate of age, use, and exposure. Scattered areas of desirable verdigris green patina and oxidation throughout to each. Minor loss to front shell point of one example. Small holes scattered throughout and scews/nails through each fixing both examples to wooden bases. Both well preserved and present superbly History: The first Crowned Buddha images or Jambupati Buddha statues are known to have been originated from the Pyu, where the Indian influence of Buddhist arts and non-Theravada Buddhism was extremely felt in those days. There may have been various background stories behind the crowned Buddha statues in the course of history but one of the most popular stories goes by the legend of Jambupati. This particular legend is not known in the home of Buddhism India, however the crowned Buddha statues have been attached to the name Jambupati as the Buddha is believed to have humbled a boastful and arrogant king Jambupati. The story goes on about how the Buddha transformed himself into a mighty king with a crown and jewelry and set himself a majestic yet incomparable palace. Seeing this, the king accepted the great ability of the Buddha and submitted himself to the Dharma and became a Buddhist monk. This particular story has gained a lot of popularity and stood the test of time in Burma as the number of Crowned Buddha statues in Burma is considerably great in amount. There are also other versions of the background story of crowned statues...

Antique Chinese cloisonne enamel jar with lid with Arabic reference to Allah on lid has a Qianlong dynasty mark on underside and is in excellent condition. Measures 4 1/8 inches acr...

Burmese bronze bell with clapper inside with stand. Age: Burma, 19th century Size: Height 15.2 C.M. / Width 8.8 C.M. Size including stand: Hei...

A modern-art copper vase by Gyokusendo, decorated with a nunome-uzumon (linen-textured spiral) pattern. Worked entirely in the tsuiki technique — hand-hammered from a single sheet of copper — the surface bears a fine cross-hatched linen texture throughout, with three raised medallions of spiral and concentric-circle motifs where a red undertone shows through the hammered surface. The neck is finished with a lacquered red rim. The meticulous handwork and contemporary pattern give the piece a striking modern character, while its overall mood recalls the texture of ancient Jomon pottery...

Japan Meiji era-Taisho era (around 1868-1910) Made of brass and decorated with lotus flowers. it's very beautiful. The shape of this vase also spreads from bottom to top like a fl...

Cloaked in allover verdigris oxidization, this petite Chinese bronze mirror has the simple beauty and undeniable texture of an ancient object. Though an exact date is unknown, the mi...

Vintage Japanese iron bird incense burner, circa 1960s. The piece has a removable vented piece for burning incense, a wonderful patina and measures 6.5"...

FREE WORLDWIDE SHIPPING ON ALL OUR COLLECTION - MORE IMAGES AVAILABLE UPON REQUEST MEIJI PERIOD (1868-1912)  From our Japanese collection we are delighted to present this exceptio...

Fine antique 19th century Malaysia Southeast Asia .900 silver box in the form of a pumpkin. Wonderful shape and form. Has repousse relief around the box. Opens and closes as it shoul...

A Japanese bronze flower vase titled "Midori Utau" (Singing Green), cast in mottled purple bronze (madarashido) with a rich variegated pati...

A heavy traditional bronze temple bell (bonshô), boasting a bright green patina and a resonant sound. The top handle (ryûzu), is beautifully sculpted into the form of twin dragon he...

A fine 19th-century Nepalese oil lamp, cast in brass and copper and richly adorned with symbolic detail. The sculptural form features an elegantly raised hand—suggestive of a protect...

Cambodian Silver Elephant Box. A traditional sturdy crouching elephant form with front legs tucked beneath him and the hind kneeling underneath. The ha...

This is an exceptionally beautiful, heavily detailed Japanese bronze incense burner, known as a koro (香炉), dating to the Meiji Period (1868–1912). While it bears a Japanese maker's mark on the base, the visual identity of this pot is intentionally styled to look like an ancient Chinese ritual vessel...

This is an old iron deer object, not of Japanese origin, although its exact country or region has not been definitively identified. The date of production is also unclear, but judgin...

FREE WORLDWIDE SHIPPING Japanese bronze and mixed metals koro by Nogawa, dating to the Meiji period circa 1890. The koro is of octagonal form raised upon elongated bracket feet, ex...

This antique Persian water kettle is shaped from silver-plated brass and was once used to boil water for tea and other hot drinks. The body is decorated with repoussé and chased desi...

WAH HING LUNG (华兴隆 - Retailer - based in Canton and Hong Kong) - SHAO JI (紹記 - Master Artisan Workshop - based in Canton) - Extraordinary and exceptionally rare pair of Chinese expor...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 16.5" x 10" wi...

An exquisite Ando Jubei wireless cloisonné vase. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis vine under the glaze. On Musen-jippo b...

A Magnificent Japanese Meiji Period Silver-Wire Cloisonné Enamel Vase with Pheasants and Maple Leaves, Attributed to Inaba An exceptional Japanese cloisonné enamel vase from the Mei...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Presenting a supper large and beautiful Chinese cloisonné enamel egg with intricated patterns of "hundred birds" made by hand seating on a tripod bronze stand, from the Mid-20th Cent...

Oriental rain drum in bronze, richly decorated with oriental characters and frogs on top. Approx. 1880. Dimensions Height approx. 41.5 cm. Island approx. 56 cm. This type of drum i...