Carlo Scarpa Cornaro Sofa

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the carlo scarpa cornaro sofa you’re looking for. A carlo scarpa cornaro sofa — often made from fabric, wood and velvet — can elevate any home. There are 17 variations of the antique or vintage carlo scarpa cornaro sofa you’re looking for, while we also have 1 modern editions of this piece to choose from as well. Your living room may not be complete without a carlo scarpa cornaro sofa — find older editions for sale from the 20th Century and newer versions made as recently as the 21st Century. When you’re browsing for the right carlo scarpa cornaro sofa, those designed in mid-century modern styles are of considerable interest.

Prices for a carlo scarpa cornaro sofa start at $6,988 and top out at $70,461 with the average selling for $23,650.

Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass. 

In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production. 

The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration. 

When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director. 

In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano. 

Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers. 

At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini. 

In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain. 

Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later. 

The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.

On 1stDibs, vintage Carlo Scarpa glass and lighting are for sale, including decorative objects, tables, chandeliers and more.

(Biography provided by Ophir Gallery Inc.)

Black leather, silk velvet cushions, breathable bouclé fabric — when shopping for antique or vintage sofas, today’s couch connoisseurs have much to choose from in terms of style and shape. But it wasn’t always thus. 

The sofa is typically defined as a long upholstered seat that features a back and arms and is intended for two or more people. While the term “couch” comes from the Old French couche, meaning to lie down, and sofa has Eastern origins, both are forms of divan, a Turkish word that means an elongated cushioned seat. Bench-like seating in Ancient Greece, which was padded with soft blankets, was called klinai. No matter how you spell it, sofa just means comfort, at least it does today.

In the early days of sofa design, upholstery consisted of horsehair or dried moss. Sofas that originated in countries such as France during the 17th century were more integral to decor than they were to comfort. Like most Baroque furnishings from the region, they frequently comprised heavy, gilded mahogany frames and were upholstered in floral Beauvais tapestry. Today, options abound when it comes to style and material, with authentic leather offerings and classy steel settees. Plush, velvet chesterfields represent the platonic ideal of coziness. 

Vladimir Kagan’s iconic sofa designs, such as the Crescent and the Serpentine — which, like the sectional sofas of the 1960s created by furniture makers such as Harvey Probber, are quite popular among mid-century modern furniture enthusiasts — showcase the spectrum of style available to modern consumers. Those looking to make a statement can turn to Studio 65’s lip-shaped Bocca sofa, which was inspired by the work of Salvador Dalí. Elsewhere, the furniture of the 1970s evokes an era when experimentation ruled, or at least provided a reason to break the rules. Just about every area of society felt a sudden urge to be wayward, to push boundaries — and buttons. Vintage leather sofas of that decade are characterized by a rare blending of the showy and organic.

With so many options, it’s important to explore and find the perfect furniture for your space. Paying attention to the lines of the cushions as well as the flow from the backrest into the arms is crucial to identifying a cohesive new piece for your home or office.

Fortunately, with styles from every era — and even round sofas — there’s a luxurious piece for every space. Deck out your living room with an Art Deco lounge or go retro with a nostalgic '80s design. No matter your sitting vision, the right piece is waiting for you in the expansive collection of unique sofas on 1stDibs.