Carmen Tyrrell Art

This painting was created with energy, spontaneity, and confidence. Bold black forms layered against a warm tan background create a striking sense of contrast while maintaining an in...

Artist: Jack Graves III (American, 1988-) Title: "Broken Venus" Series: Icon *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2026 Medium: Original ...

Size: 95×95 cm (overall size with stretching 105×105 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled This painting is about the idea that everyone has their own harbor....

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

The painting is signed on the back. Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They...

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...

Figurative painting from the artist's "Figures with Edges" series. This painting is featured in the book, Figures with Edges, pg 1. Acrylic paitning is 10 3/8 x 9 7/8. Professionally...

Oliver Hazard Benson Dagon Colapesce acrylic on panel 11h x 14w in 27.94h x 35.56w cm OB0106 Oliver Hazard’s paintings are produced directly from his imagination and deals with a mi...

Figurative painting from the artist's "Figures with Edges" series. This painting is featured in the book, Figures with Edges, pg 1. Acrylic paitning is 10 3/8 x 9 7/8. Professionally...

Oliver Hazard’s paintings are produced directly from his imagination and deals with a mixture of imagery he has witnessed in his travels, dreams, and read about in literature. The ar...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

With vibrant acrylic, pastel, and watercolor, I poured raw emotion into this piece—an energetic symphony of shape and color. The swirling patterns and fragmented forms echo movement ...