Classical Frieze

The elegant Neoclassical design is characteristic of Wedgwood, with a continuous frieze of classical and mythological figures surrounding the upper section of the bowl.

The carved frieze with classical figures throughout. Breakfront moulded shelf above, 18th century.

Elegantly proportioned, each urn features a flared rim with beaded trim above a richly molded narrative frieze depicting classical allegorical figures framed by foliate decoration.

The fluted jambs surmounted by urns of classical form. The frieze with matching flutes, interspersed with rosettes with carved urns and foliage.

Every decorative element is rendered with extraordinary clarity, from the ornate friezes and classical vase motifs to the subtle veining of the marble steps.

The fluted jambs surmounted by carved end blockings with classical finials. The frieze with matching fluting, with urn to centre block carved with rams heads, leaves and drapery.

A 19th century Italian marble fireplace in Carrara marble. The finely carved frieze with classical scene depicting swans drinking from urn fountain.

Reeded handles, floriate campana bodies, cast with friezes of classical figures on fluted pedestals.

The jambs with cascading foliage and Anthemion motifs, surmounted by classical urn. The frieze with Anthemion motifs throughout, English, 18th century.

Each console features a finely carved and pierced giltwood frieze decorated with classical Louis XVI ornament, including beaded borders, guilloche motifs, rosettes, and carved ribbon...

Belgrave Square post-dates the fireplace by about 40 years so it is quite possible that this fireplace was in the original Georgian Capesthorne. The frieze with classical figures to ...

A large pair of antique or vintage early 20th century Louis XVI style gilt stucco single arm sconces or 'appliques', ornately cast with classical urn, Greek key frieze, quatrefoil a...

The moulded jambs surmounted by shaped frieze featuring carved classical Anthemion leaf to centre.

The center is filled with a continuous frieze of classical subjects set around an oval reserve of laurel within a palmette border.

Features of this antique Louis XVI fireplace mantel Origin: France Period: 19th century Style: Louis XVI (Neoclassical) Material: Solid limestone Color: Light beige / natural limest...

The fine selected mahogany top above a frieze supported by classical fluted tapering legs terminating on block feet.

Its rectangular frame is adorned with finely detailed palmettes, stylized floral motifs, and delicate ornamental friezes inspired by Classical Antiquity. The refined decoration is en...

The top section is elegantly adorned with a carved frieze showcasing a classical Greek key or meander pattern, providing a subtle decorative flourish to its otherwise clean, rectilin...

A strongly molded cornice crowns the cabinet above a finely carved frieze arranged with classical swags, rosettes, geometric borders, and restrained architectural detailing.

The moulded and hinged top of D-end form is beautifully crossbanded with rosewood and folds back to reveal a striking fitted green baize playing surface raised over a classically sim...

Piero Fornasetti Coffee Table, Bordo Bassorilievo Pattern, Milan, Circa 1955 This rectangular coffee table by Piero Fornasetti carries his Bordo Bassorilievo (low-relief border) pat...

Each vase is symmetrically adorned with highly detailed ormolu friezes depicting classical allegorical scenes of figures and playful putti interacting around an altar, framed by swee...

He specialized in the low-relief friezes of classical mythological subjects such as tritons, nereids, and centaurs that decorated the many palaces and hôtels particuliers in and arou...

A substantial stepped and molded cornice crowns the entire composition, establishing an immediate sense of structural majesty and classical symmetry. Below, the carved frieze featuri...

While this technique lacks the sophistication of, for instance, classical Greco-Roman friezes, the artist still achieves a sense of depth and perspective while providing space in whi...

The rectangular marble top rests above a carved frieze adorned with classical ornamentation. The central support takes the form of a sculptural lyre, complete with delicately rendere...

Each console features a rectangular faux porphyry top, richly colored in deep red tones to imitate the prized imperial stone used in classical antiquity. The frieze is decorated with...

A super decorative mirror with a pale sage green finish Displaying classical overtones throughout Later mirror plate in good order Shaped pediment presenting three turned finial...

An elegant 19th-century style marble fireplace, adorned with delicate carved details and crowned by a central frieze with classical motifs. Its striking front columns, crafted from b...

Below the principal sculpture, a secondary frieze presents additional classical scenes and figures derived from antique reliefs, reflecting Montfaucon’s scholarly method of comparing...

This exceptional 19th-century circular mirrored table runner features an incredibly detailed frieze chased with classical rosettes, floral motifs, and acanthus leaves, resting on thr...

The right-hand Vase Cordelier carries a broad antique gold frieze of classical figures inspired by the excavations at Herculaneum and Pompeii, above a gadrooned lower body, flanked b...

The front and side panels are adorned with finely detailed classical reliefs: the principal frieze depicts an allegorical scene of instruction or philosophy, featuring seated and sta...

A very good late 18th century carved pine neo-classical chimneypiece. The frieze with a fielded panel featuring repeating swags and paterae, conforming tapering fielded panels to th...

It is set upon its original cylindrical pedestal of green-glazed majolica, adorned with a moulded relief frieze of dancing classical figures, creating a harmonious and visually cohes...

The sheet illustrates three horizontal friezes inspired by classical Etruscan wall paintings and ceramics.

The rectangular top features an elegant faux-marble painted geometric design, centered by a circular medallion motif framed within painted borders of subtle symmetry and classical re...

The granite plinths, of sober and architectural design, are enhanced by gilt bronze mounts decorated with an egg-and-dart frieze, a classical ornamental motif that reinforces the pie...

This exceptional piece features a richly detailed architectural motif reminiscent of Pompeian interiors, with trompe-l’œil perspectives, classical figures and ornamental friezes. The...

The cabinet is richly detailed with acanthus mounts, classical masks, and pierced ormolu friezes, all retaining a fine aged patina.

A very good quality 19th Century French Mahogany marble topped Empire style Secretaire Abattant. Having a frieze drawer, classical ormolu mounted classical columns to either side.

The moulded, well cast brass hinged top of rectangular form folds back to reveal a fitted green baize playing surface. Raised over a classically simple shaped serpentine frieze feat...

The moulded, well cast brass hinged top of rectangular form folds back to reveal a fitted green baize playing surface. Raised over a classically simple shaped serpentine frieze feat...

They are richly moulded in high relief with a continuous frieze of Classical figures in a luxuriant landscape, the scenes finely enamelled in a vivid polychrome palette with extensiv...

The surround features fluted jambs that rise to crisp square capitals, adding vertical rhythm and classical balance. A clean, moulded frieze spans the width of the piece, topped by a...

A one-off re-edition by La Maison London, this French Louis XVI–style demi-lune console is finely hand-carved in the classical tradition. The pierced guilloche frieze is accented wit...

Smaller horizontal enamel panels near the base illustrate a continuous frieze of classical figures in motion, including scenes of hunting, dancing, and gathering.

A striking 18th Century carved gilt wood Venetian console table, having a wonderful original serpentine shaped inlaid specimen marble top. Raised on four classical cabriole supports,...

A George III period mahogany side table in the neo-classical Adam style. The moulded serpentine top raised over a carved frieze of classical decoration, the long central drawer finel...

A scheme suitably tinged with the glamour of Art Deco, yet firmly lodged in a plethora of classical typologies. For example, the frieze enwrapping the central desk, and the ornate me...

The scene includes other classical elements consisting of a frieze made up of putto in the background located beneath a wide Greek Key border along with a large black-figure terracot...

The statuary marble elements — crisp white with delicate grey veining — create a stunning contrast, bringing forward the decorative reliefs and classical motifs carved into the friez...

The well figured moulded top of demi-lune form with striking line inlay and exqusite marquetry radiating fan motif detail to the central reserve is raised over a classically simple d...

These panels are framed with delicate Adam-style gilt accents, satinwood stringing, and inlaid borders, demonstrating Edwards & Roberts’ mastery of decorative inlay and paintwork. T...

The Triglifo column was released in a limited edition of a 50-pieces series, this series was inspired by the iconic elements of ancient greek and roman classical architecture. Trig...

Each tazza is grounded by a solid bronze base, supporting tiers of Baccarat crystal bowls adorned with intricate grape vine friezes inspired by classical motifs. These hand etched cr...

The moulded top of circular form is fitted with a striking brown leather writing skiver surface raised over a classically simple frieze with eight drawers fitted with decorative fine...

The jambs with Greek key panels surmounted by carved brackets of classical form. The frieze carved with carved classical urn to centre above a reeded shelf.

A very good quality pair of 19th century ebonised pier / side cabinet, with gilded scrolling foliate ormolu mounts to the frieze, classical monopodia supports, a single door to each...

A fine George III gilt wood mirror, circa 1775-1800, of grand size, the frame with a flower head in each corner, the upper corners surmounted by classical urns, the top with a large ...