Classical Frieze

and folds back to reveal a striking fitted green baize playing surface raised over a classically

A fine George II design mahogany console table. The fine selected mahogany top above a frieze

technique lacks the sophistication of, for instance, classical Greco-Roman friezes, the artist still

harmony and culture. The rectangular marble top rests above a carved frieze adorned with classical

classical antiquity. The frieze is decorated with rectangular faux marble panels framed by gilt borders

the frieze, classical allusions to Cupid and the arts of love so beloved by French craftsmen of the

central to the myth. Below the principal sculpture, a secondary frieze presents additional classical

Wedgewood milk jug with classical decorated frieze. Circa 1880 H 13cm x W 13cm x D 17cm

formal elegance. The front and side panels are adorned with finely detailed classical reliefs: the

garlands, ribbon motifs, and classical ornamentation across the frieze and central door panel, reflecting

a central frieze with classical motifs. Its striking front columns, crafted from brown-toned jasper

Shaped pediment presenting three turned finials A tiled band to the frieze decorated with classical urns

Empire-style gilt bronze frieze adorned with classical motifs and musical emblems, reflecting refined

frieze of dancing classical figures, creating a harmonious and visually cohesive ensemble. An elegant

architectural design, are enhanced by gilt bronze mounts decorated with an egg-and-dart frieze, a classical

interiors, with trompe-l’œil perspectives, classical figures and ornamental friezes. The vibrant red tones

A very good late 18th century carved pine neo-classical chimneypiece. The frieze with a fielded

Wasmuth A.G. in Berlin around 1910. The sheet illustrates three horizontal friezes inspired by classical

symmetry and classical restraint. The giltwood frieze is enriched with a scrolled foliate carved apron

are richly moulded in high relief with a continuous frieze of Classical figures in a luxuriant

Louis XIV style with gilt-bronze mounts and classical ormolu embellishments throughout. The central

illustrate a continuous frieze of classical figures in motion, including scenes of hunting, dancing, and

, adding vertical rhythm and classical balance. A clean, moulded frieze spans the width of the piece

hand-carved in the classical tradition. The pierced guilloche frieze is accented with a stylised ribbon

surface. Raised over a classically simple shaped serpentine frieze featuring a stunning scallop shell

surface. Raised over a classically simple shaped serpentine frieze featuring a stunning scallop shell

. Having a frieze drawer, classical ormolu mounted classical columns to either side. The fall front opening

classical motifs carved into the frieze and corner blocks. Beautiful vertical fluting on the jambs, refined

, demonstrating Edwards & Roberts’ mastery of decorative inlay and paintwork. The center frieze drawer features

panels—an opulent color pairing that highlights the era’s reverence for symmetry, luxury, and classical

Emilio Vasarri in 1909. The piece features a scene from classical antiquity and depicts a seated

exceptional bookcase is a stepped cornice adorned with a dark painted Greek key frieze — a classical

, Swedish Grace fused the geometry of Art Deco with classical and folkloric motifs. This national aesthetic

serpentine shaped inlaid specimen marble top. Raised on four classical cabriole supports, the frieze with

raised over a carved frieze of classical decoration, the long central drawer finely carved with

frieze in classical architecture, and it's so-called because of the angular channels in them

, pinks and cream against green ground. Raised over a classically simple inlaid frieze with lovely

classically simple deep frieze, supported on elegantly tapering square leg with applied ankles. Mahogany

classically simple frieze with eight drawers fitted with decorative finely cast brass ring pulls with foliate

, supporting tiers of Baccarat crystal bowls adorned with intricate grape vine friezes inspired by classical

table, with classical motifs, sphinxs to the frieze and winged Lion supports, termintaing in claw feet

classically simple frieze fitted with cockbeaded drawers and decorative finely cast brass ring pulls

folds back to reveal a fitted green baize playing surface. Raised over a classically simple frieze

by carved brackets of classical form. The frieze carved with carved classical urn to centre above a

carved with rich patination and grain. The well figured, moulded top is raised over a classically simple

foliate ormolu mounts to the frieze, classical monopodia supports, a single door to each with inset

surmounted by a shaped frieze with classical harp and leaf sprays, over base with two long, narrow drawers

embellishments. This classical style mantel with decorative frieze features a central tablet displaying a female

each corner, the upper corners surmounted by classical urns, the top with a large classical urn over an

by a classical relief frieze of acanthus and anthemion motifs in the Louis XVI style, finely chased

. The pierced upper band is mounted over a gilt frieze of alternating classical foliage and anthemia

decoration of the clock features gilded bronze friezes, inspired by classical elements such as the head of

Decorated with a frieze of classical figures between a berried vine border and upright acanthus

shouldered form with flaring neck, painted with a frieze of classical Greek warriors spearing a

admiration for antiquity. Ivy branches—symbols of vitality in classical tradition—run across the frieze

-snape urn-form; its down-turned bezel over its body, decorated with an anthemion frieze of classical

surmounted by carved end blockings with classical finials. The frieze with matching fluting, with urn to