Classical Frieze

inlay. It is richly decorated with a detailed classical scene and frieze. A very luxurious piece that

Lilac ground. Each encircled by frieze of classical figures beneath floral swags, the largest

gadroon edge is raised over a classically simple frieze with two drawers, each fitted with brass

Each urn cast with frieze of classical figures, raised on a bronze-mounted rouge griotte square

Moroccan Set of six clear and silver overlay Moorish style glasses. Decorated with a classical

glasses are decorated with a classical arabesque gold pattern Moorish frieze. Use these elegant blue

column supports, each with gilded ormolu capitals and classical ormolu motifs to the frieze, the triform

friezes and various classical motives. Similar gilded bronze mounts are found on various pieces of

cold drink. Shot glasses very light finely decorated with a classical gold Moorish pattern frieze

. The neck of each jar is encircled with a Greek Key frieze, adding a classical touch that contrasts

inlaid marquetry to the top and frieze, depicting classical scrolls, faux wicker and foliate decoration

Gold Glasses Decorated with a classical traditional Moorish pattern gold frieze overlay. Use these

or cold drink. Shot glasses very light finely decorated with a classical gold Moorish pattern frieze

cold drink. Shot glasses very light finely decorated with a classical gold pattern frieze. Use these

round black marble plinth with bronze frieze of classical figures. Louis Valentin Elias Roberts was a

satinwood, having a shaped top intricately inlaid with floral swags centred upon a classical urn. The frieze

decorated with a classical arabesque gold pattern Moorish frieze. Use these elegant blue glasses for

. Further decorated with a cameo frieze with a classical motif, highlighted in gold leaf. The candlesticks

friezes of Classical Roman buildings as well as pictorial or armorial framed medallions all enclosed

displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play

A Giltwood Empire Mirror. Classical Frieze Decoration

relief of women that encircle the piece. This classical frieze identifies different aspects of

features egg and dart moulding across the top with a classical frieze. The mirror is surrounded by

In plaster. Framed in walnut around 1900. Roman Bacchantes Maidens Dancing.

Set of four Plaster Reductions of Classical Greek Friezes marked: Henning F. 1819 - London.

Wooden framed cement frieze

Empire antique gilt frame. It is itself an object of great beauty, featuring a classical frieze of

An 18th century pair of rare Italian pedestals of scagliola and marble, with classical

Victorian giltwood overmantel mirror with three beveled mirror plates, a frieze with applied

classical greek frieze etched.

Swedish art deco chest of drawers with neo-classical inlaid frieze. Front rendered in highly

frieze with classical gilt bronze mounts. All supported on 6 reeded gilt bronze columns, the triform base

An early 18th century Tuscan walnut credenza, intricately carved with classical architecture

The mirror, which is of an inverted breakfront form, is conceived in the neo-classical style. The

decorated with geometric and foliate brass edging and details; the table frieze features two classical cast

. Rendered in mahogany and birch wood. Inlaid friezes, depicting Mediterranean classical scenes, in rosewood

marble. The frieze with classical bronze mounts, above 2 doors with very well figured bookmatch veneers

beneath elongated corner blockings carved with classical draped ewers, the frieze panels inlaid with Siena

large marble base on circular bronze feet is surmounted by two lateral pilasters with classical style

. The bow-front variegated pink marble top is above a neat mahogany fore-edge. The frieze with Neo

tones of the Walnut with a breakfront design with neo-classical overtones, the upper frieze drawer

at the front, these both depicting classical scenes. The frieze to the front and to the sides

loop handles, the sides cast with a frieze of classical figures above an acanthus leaf decorated lower

part with a frieze inlaid with classical swags and tails, the doors framed in satinwood, enclose 24

German sculptures of medieval knights on horseback and the mythical heroes depicted in Classical metopes

German sculptures of medieval knights on horseback and the mythical heroes depicted in Classical metopes

drawers; the whole is richly decorated with gilt bronze friezes and various classical motifs. Similar

German sculptures of medieval knights on horseback and the mythical heroes depicted in Classical metopes

depicted in Classical metopes and friezes. This work also signals a significant shift in Marini’s

depicted in Classical metopes and friezes. This work also signals a significant shift in Marini’s

German silver gilt tankard with Classical frieze, ca. 1880. Tapering cylinder, scroll handle

Pair of 19th century bronze urn lamps with classical frieze motifs.

A nice late 19th century wood mantel with a neo-classical frieze on the front. Great overall patina

classical frieze.

featuring a classical frieze-like series of nude figures by Louise Abel. Scupted around 1920 and produced

Large Mirror of the Napoleon III period. The gilded frame is decorated with classical friezes and

relief Classical frieze supported by fluted rouge-marbre bases. Converted from oil to electric. Signed by