Classical Ruins

A captivating 19th-century oil painting depicting classical ruins bathed in soft, diffused light

William Louis Sonntag Sr. was an American Landscape painter and a member of the Hudson River School movement. He was an Academician of the National Academy of Design. His work is in ...

among classical ruins in an ebonized frame.

Castelli Maiolica, plate with classical ruins, Nicola Cappelletti, atelier. Castelli maiolica

Painter of ruins xviii century: "capriccio with classical ruins and four figures" , pendant with

is representative of Clerisseu's approach to the study of Classical architecture and ruins, with the

A magnificent large architectural capriccio depicting an imagined ensemble of Roman ruins, animated

Landscape with classical ruins. Oil on canvas. Attributed to Giner, Vicente (ca. 1636-1681

Echoes Among the Ruins is a striking surrealist composition by Alfred W. Campbell, an enigmatic

Continental, 19th Century oil on canvas, framed Monogrammed 'WM' and dated '1868' lower right framed: 34 x 48.5 inches canvas : 29.5 x 44 inches Provenance: private collection, UK Co...

A very good pair of architectural inspired 'Grand Tour' style columnar alabaster bookends, both carved in the form of fluted columns, raised on stepped bases. Dimensions noted are th...

standing in a Greek/ Roman setting amongst ancient ruins. Stunning image - a real 'power statement' piece

Six English blue and white transferware dinner plates from the 19th century, with classical ruins

A fine pair of huge Italian 18' century Capriccio with Classical ruins, tempera oil on canvas

woodland trees, against towering classical ruins and bruising sky. Additional information: Dimensions

shepherds. Classical ruins include a fountain decorated with a lion, a triumphal arch and sarcophagus

Copy of a landscape painting showing people watching lightning strike near classical ruins.

classical ruins on a riverscape. 8.25" wide x 5.5" depth x 3.25" high

classical ruins rise behind the foliage, suggesting a romanticized landscape typical of late 19th-century

fascination with classical ruins and their integration into pastoral and maritime settings. The use of warm

wooden frame, enhancing their architectural form. Depicting classical ruins and landscapes, they capture

scene with classical ruins and castle and solitary figure of a woman in folk dress...possibly Flemish or

of Italy, especially the picturesque decay of classical ruins, and were prized as a mark of the

reverse side of the vase showcases a gorgeous landscape and classical ruins. Porcelain, Gilt Metal

paper, cm 34x46.5, including coeval gilded frame, cm 42.7x1.6x54.3 Wonderful View of Classical Ruins of

, 1693) Pair of fantastic architectural whims with classical ruins and figures Oils on canvas, cm. 47 x

combination of factors: Classical ruins, rustic modern buildings, grottoes, a plunging cascade, Salvatorean

Original Watercolor Signed by Guillem Fresquet Bardina, Urban Scene with Classical Ruins – circa

among classical ruins, dressed in an oriental-inspired costume with a gold-tasseled headdress, sheer

wth a coastal scene among woodland and classical ruins, the rim decorated with a Bacchanal or putti

and romantic landscape of Asia Minor dotted with classical ruins and distant mountain ranges. The

panels with capriccios of classical ruins and landscape on all sides. The top with a raised panel is also

decorated in puce transfer with figures amongst classical ruins. The rims also with a painted shell-edge

Lorrain; a typical scene would contain shepherds grazing their flocks among Classical ruins, bathed in a

representing the evocative ruins of fluted classical columns, inspired by ancient Greek or Roman architecture

classic architecture and monuments, with ruins in the distance, all under a large field of bright blue sky

very much in the style of a capriccio (or idealized landscape) featuring classical ruins, in demand in

landscape marquetry panels, depicting classical ruins, trees, and distant monuments. The marquetry is of

Antonio Stom (Venice 1688 - Venice 1734) - Architectural Capriccio with Classical Ruins and

figures and classical ruins set within the expansive vistas of the Italian countryside, evoking an

This is a beautiful oil painting in the Palladian style featuring a classical scene of Roman ruins

depictions of classical ruins and landscapes, and his work was highly influential in the development of the

Jan Kobell the Elder Delfshaven (Rotterdam), 1756 – 1833 Landscape with Ruins, Bridge, and River

classical ruins in a muted palette that adds depth and sophistication. The painted details are framed by

Revelry in a Classical Landscape Italian School, early 18th century (circa 1700) oil painting on

. Featuring an extensive pastoral scene with classical ruins, rolling countryside, and a serene Roman Campagna

classical ruins or seascapes. To satisfy his patrons, his pictures include gods, heroes, and saints, even

composition is framed by a delightful natural arch, drawing the eye toward the classical ruins and cascading

engages in gentle conversation amid an idyllic landscape, framed by lush foliage, classical ruins and a

or classical ruins, scaled for intimate interior display. Whether used as decorative accents on a

landscapes, framed by classical ruins and wooded backgrounds. The reverse of each piece features lush

Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...

nineteenth-century perceptions of classical ruins. It captures a moment when ancient monuments were being

, beneath a statue to the right and Classical ruins extending away in the background. The image, adorned

The Italian Classical Landscape Italian artist, circa 1800's oil on canvas laid on board, framed

classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de

. Worthy of note is the quality of the execution in the landscape, with splendid classical ruins, and the