Clay Craft

This exquisite 20th-century Anatolian terracotta jar is a stunning example of traditional Turkish craftsmanship. Originally used for storing grains or water, this piece highlights th...

young boy, signed “Sendelbach.” The sculpture is crafted from clay and finished in gold paint. The piece

learning how to craft preserved moss, clay and natural elements into beautiful abstract compositions

The pichancha or Tlalchiquihuite is a clay pot with small holes, which is used to wash the nixtamal

A wonderful Scandinavian Modern Brutalist bowl by the famous artist Ulla Viotti made of white clay

Stainless steel clay disc S3 by Onno Adriaanse. Hand-sculpted, 2022. Edition: limited edition of

This natural color ceramic piece is a faithful copy of an old blown glass bottle, used as a container for wine, mezcal or schnapps. Omar designs this piece highlighting its imperfect...

Italy 1955 head of woman in painted clay signed TZ55 attributed to Tono Zancanaro from Padua

traditionally made pottery of Atzompa. Although she was already known for her flower pots in natural color clay

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

rustic chamotte clay with bright shiny red from top to bottom and black glaze on the inside with a small

Take tradition to evolve, transform, and innovate are all part of Omar Hernández’s work. Born in a pottery town he was taught from a young age the fundamentals. It was later when Oma...

Beautiful large Oil Jar with handles in a light blue / turquoise color , make Pacific in bottom .This is an amazing piece for indoors or outdoors , even could be an umbrella stand .

qualities of the clay and materials stand front and center. "Each handmade vessel has a very individual

developed natural patina, with warm earthy tones ranging from deep clay brown to lighter sun-baked

Produced by Taller Maya in collaboration with artisans of the Yucatán Peninsula, this hand-crafted

?Title : Triple candle rock in stracciatella clay with sheer glaze 2021s / Belgium Size : W240 x

He Classic crochet granny square takes a contemporary twist in this large floor cushion. Two squares form the cushion which are than sewn together with bespoke outdoor webbing. It ex...

The Esencial 02 is decorative clay vase part of The Esenciales Collection that comprises a series

A small bowl in speckled clay + matte midnight blue glaze 2022s / Belgium Size : f80 h35 mm

Cup in grey speckled clay with white speckled glaze (has a meandering line carving) 2022s

for her flower pots in natural color clay, this vivid approach of decorating with lucid turtle figures

pieces are from burnt clay.

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

learning how to craft preserved moss, clay and natural elements into beautiful abstract compositions

your space with sophistication and distinctive style. Every item is crafted individually, with the

Suzanne Öhlén (1985) stoneware vase, white clay, and relief decor. Designed in the 1980s at the

Description: This 20th-century Anatolian terracotta jug exemplifies traditional Turkish craftsmanship. The piece is distinguished by its elegantly curved handle and warm, earthy tone...

This contemporary ceramic wall art was created by Heather Allen Hietala. The finely crafted wood