Clay Relief

Suzanne Öhlén (1985) stoneware vase, white clay, and relief decor. Designed in the 1980s at the Rörstrand company.

Textural lunar relief in self-hardening paste and acrylic on fir wood, a circular wall sculpture that foregrounds moon imagery and sculpted crater topography. This mixed-media wall s...

Pair of French Abstract Relief Panels in Black Slate and White Clay by Jean-Paul Chablais 2001 These artworks are an interplay of textures and materials such as wood, slate, and clay.

"Portami Al Mare"is a coastal mixed media wall sculpture by Vera Vizzi that combines material relief, color and narrative to evoke a longing for the sea. Executed on a 40 cm Ø wood p...

The lower part of the outer surfaces is left intentionally unglazed, juxtaposing the light glaze color and semi-glossy texture and matte, earthy clay medium. The asymmetrically place...

A rare Art Deco bowl richly detailed with the figure of a leaping deer in a lush, tropical environment, this piece was no doubt designed by Enoch Boulton for the Crown Devon company ...

The lower section is crafted from air-dry clay with a textured relief surface, creating a balance between the chaotic energy of the upper composition and the calm geometry of the base.

She self describes her art as using "colored clay engobes in conjunction with relief carving & sgraffito on durable stoneware clay."

Cylinder shaped anthracite clay with squiggly relief lines and pink, blue, green and cream colored accents.

A striking large-scale Mid-Century Modern ceramic table lamp featuring a richly saturated orange glaze over dark clay. The body is decorated with a geometric relief pattern exposing ...

The sculptural ruffles, formed from clay, create an expressive relief that evokes movement, softness, and the fluidity of fabric.

Monumental abstract color field painting Acrylic on board Signed Martellacci Frosinone, Italy circa 1970s Horizontal landscape inspired composition in a clay tones with low relief t...

The surface is animated by stylized vegetal motifs, incised and scarified into the clay, creating a subtle relief that interacts with the glaze and enhances the depth of the piece.

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

Vertical trails of pale, cratered glaze run down the surface like controlled drips, catching light and emphasizing the clay body’s rough relief. Small protruding nodes interrupt the ...

Vertical trails of pale, cratered glaze run down the surface like controlled drips, catching light and emphasizing the clay body’s rough relief. Small protruding nodes interrupt the ...

• Ceramics offered Picasso a new field of exploration, allowing him to extend his pictorial language into three dimensions, combining drawing, painting, engraving, and sculptural r...

Each planter is formed from solid terracotta clay and features deeply molded relief decoration, highlighted by expressive classical mask motifs framed within scrolling architectural ...

Partially glazed, it reveals the raw material of the stoneware, in this case chamotte clay with an interesting relief on the circular ring in the centre.

He then began to produce reverse reliefs in clay and also formed assemblages of various materials, including wood, textiles, and plaster subsequently cast in metal.

Handmade vintage ceramic vase with matte light green and clear glaze over sand colored clay. Lined relief patterns on top part. Signed under base.

The pink sheep is always smiling and has a good character, it is handmade in white clay and reliefs with colored crystalline cooked on high fire.

Unique stoneware vase made by Danish artist Jørgen Mogensen at Royal Copenhagen in the 1960s. Chamotte clay with relief decor and thick blue glazing. Signed "JM" underneath and the t...

Handmade rustic brown ceramic table lamp by Danish manufacturer Sejer in the 1960s. Rustic chamotte clay with organic cream glazed relief decorations on three sides.

A set of pottery vases in delicate white glaze revealing the red clay underneath. Both decorated with relief motifs.

When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps. When the empire fell, Barye briefly studied with the scul...

When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps. When the empire fell, Barye briefly studied with the scul...

Today, Newell’s primary medium is clay, creating dimensional sculptures and relief tiles, while continuing to paint and work with mixed media.

In addition to the effective gradient glaze, in particular slip painting, which is based on the pâte sur pâte technique of porcelain design, in which colored clay is painted onto the...

In addition to the effective gradient glaze, in particular slip painting, which is based on the pâte sur pâte technique of porcelain design, in which colored clay is painted onto the...

Today, Newell’s primary medium is clay, creating dimensional sculptures and relief tiles, while continuing to paint and work with mixed media.

Today, Newell’s primary medium is clay, creating dimensional sculptures and relief tiles, while continuing to paint and work with mixed media.

The company grew during the whole 19th century and produced various items realized with a clay paste garnished with relief ornaments. Pieces produced were usually small-sized, full o...