Column Capital

Sophisticated silver-plated Table Lamp with brass details. Classic column with Corinthian capital

forming a circle around a column topped with a capital, France second half of the 18th century Height: 100

, Ballarat, Victoria, circa 1970. Decoratively turned central columns support a simple capital and wax pan

Design style. The upper portion of each candlestick features a plain cylindrical capital. The

drawers, to each side is a substantial column with a carved Ionic capital, the cabinet is raised on tall

detachable. They may be unscrewed and breakdown into the base, column, arm, drip pans, capital and nozzles

column decorated by a meandering capital and matching collar, its graduating plinth base centered with a

architectural fragment: the column and the capital. The work uses in this case a green chromatic treatment, on a

architectural fragment: the column and the capital. The work uses in this case a green chromatic treatment, on a

. The top capital of both columns display Giltwood rosettes which flank a panel with decorations similar

, faceless suns, Roman capital columns, lyres, and other squares of geometric patterns on transparent glass

columns with brass capital, and tapered spade feet. Designed for those who value fine craftsmanship, it

plinth below an Ormolu rosette and a top richly chased Ormolu capital. The two columns support a top

glass font above a corinthian capital column with base metal standing on an ornate stepped square base

silvergilt, each ionic capital over tapering column, raised on square plinth. Stock ID: D3107.

continue on the side. The legs are carved as a column with rich curled capital. Original from the 19th

Pair of English Adam-style (19/20th Century) brass andirons with column design and Corinthian

central fut column with a scrolled capital and surrounded by four graces. The four graces are tastefully

square tapered column with a Belgian black capital supporting the patinated Bronze statue. The statue

. Each with a six-light tazza form candelabrum atop a shaped column with stiff-leaf capital and acanthus

Pair of columnar-form table lamps, of carved alabaster, each a round, fluted, tapered column, with

Pair of table lamps, of carved alabaster, each a round, Neoclassical, fluted column, surmounted by

elements and a circular capital. From these columns, the curved armrests originate, decorated at the top

by Turned and Fluted Columns with Corinthian style Capital. The Top of The Cabinet Having a Pretty

. Eight day French movement with a grid-iron ormolu pendulum. Four supporting columns with ormolu capital

Each with removable nozzle in brass above an acanthus shoulders over a brass column with lotus-leaf

the jambs, each embellished with a detached fluted column with an ionic capital resting on a square

Soft stone sculpture representing a Roman dignitary from the 1900s on a stand with a column with a

jack has a square shaped form onto four legs. The wax jack has a central column surmounted with an

decorated with rope columns with foliate and flowerhead capital and plinth motif detail, finely hand carved

pie-crust edge supported on a profusely carved 'blind-fret' base with fluted column carved to both the

three intricately decorated stylized feet. The tapering cylindrical columns are reeded, featuring

mirrored. Columns with capital and bases. Finely engraved bronze fittings. Moulded lions masks and ring

warm rich beautifully figured mahogany, rising on three column supports with gilt bronze capital mounts

Large Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a

edge top with protruding corners above leaf carved capital and reeded column supports, with an

corinthian capital columns, sculpted acanthus leaf ornamentation, gessoed polychromed, brillant gold leaf

A grey and red marble birdbath. It rests on a shaft in the form of a ringed column. The capital of

the column is a capital and a top circular spray with an egg and dart outer band. All original gilt

tapering cylindrical column is reeded with capital and base decorated with acanthus, a double motif

candelabrum head of each is supported atop a fluted column, complete with a foliate capital. The base of each

capital and have column-shaped, inverted cone-like, fluted stems. Very decorative and versatile in use, it

sterling silver wax jack has a circular shaped form. The wax jack has a plain central column surmounted

architecturally formed and mirrored columns with capital and base. Finely engraved bronze fixture. (L-Sam-160).

foliage medallion carvings, flanking corner acanthus foliage carvings, flanking marble capital columns

sides and four ebonized fruitwood columns with richly chased ormolu capital and plinths. Above rests the

similar decorations with their arbalest shape and Ormolu edges. The body has protruding Tulipwood columns

important religious niche compartment built into the wall, flanked by classical Corinthian capital turned

clear glass column with a frosted glass capital. Stripes of tightly clustered bubbles are included in

with a cross band on the lower rim and an egg-bar frieze on the upper rim, on top a fluted column piece

decoration and brightness to the whole. The four legs are composed of columns with capital in gilded bronze

solid specimen of green marble. A capital column resting on acanthus leaves supports it at the center

similar moldings; the corners of the door areas are enhanced by Solomonic columns with smooth capital

produced by Gufram. Its pop subversion of the classic Greek ionic capital and column is a fitting homage to

is formed from an acanthus leaf wrapped fluted column, upon which, as a capital, sits a lyre, the

bases beow: the handle is formed from an acanthus leaf wrapped fluted column, upon which, as a capital

round Doric capital-capped columns on high bases. A traditional star adorns the internal face of the