Copperplate Engraving

The intricate linework and shading reflect the high skill of 18th-century French engraving techniques, specifically copperplate engraving, which allowed for fine details and depth in...

The technique used for this print is copperplate engraving, a method popular in the 18th and early 19th centuries for its ability to produce fine lines and intricate details.

Technique: Hand-colored copperplate engraving Maker: Engraved by S. Watts after E.D.

The artwork was crafted using copperplate engraving, a meticulous technique renowned for its ability to capture fine details, such as the intricate patterns of Subramanya's jewelry, ...

He produced nearly all the copperplate engravings for the first four editions of the Encyclopædia Britannica, contributing 160 plates for the 1st edition, 340 for the 2nd, 542 for th...

For a more classical finish, slim gilt frames complement the botanical detailing and create a sophisticated display. Technique: Copperplate engraving with original hand coloring Mak...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving captures the dramatic and devotional essence of this foundational Christian event.

Created around 1735 for a large illustrated family Bible, this copperplate engraving vividly portrays the scene set within a classical architectural interior with columns and arches.

Chauderie and Pagotin Temples, India – Sonnerat Voyage Engraving, 1806 This antique copperplate engraving titled "I.

Leaving the plate impression visible enhances authenticity. Technique: Copperplate engraving with original hand coloring Maker: James Sowerby, London, c.1830

Framing tips: Displays exceptionally well in dark walnut, museum black, or lightly gilt frames with a generous ivory mat, complementing the warm hand-coloring and refined Baroque cha...

The artwork was crafted using copperplate engraving, a meticulous technique renowned for its ability to capture fine details, such as the intricate patterns of Parvati's jewelry, the...

These hand-colored copperplate engravings were created by Pierre Jean François Turpin, one of the most accomplished botanical illustrators of the 19th century, and were based on stud...

The structure is elevated on a platform with steps leading to the entrance, and a large rectangular tank or sacred pool is depicted in the foreground, often used for ritual purificat...

This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerde...

Technique: Copperplate engraving Maker: Matthäus Merian the Elder, Frankfurt, circa 1654

Ideal for placement above a sofa, console, or in a library or hallway. Technique: Copperplate engraving Maker: After Matthias Diesel; engraved by Carl Remshard; published by Jeremia...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving portrays Thomas standing with dignified presence on a stone pedestal, symbolising his apostolic au...

For a more classic style, slim gilt frames enhance the botanical detailing and add a refined historical touch. Technique: Copperplate engraving with original hand coloring Maker: Ja...

For a traditional look, slim gilt frames add contrast and elegance. Technique: Copperplate engraving with original hand coloring Maker: James Sowerby, London, c.1830

Museum glass advised to preserve line clarity and paper tone. Technique: Copperplate engraving Maker: Dominique Vivant Denon, Paris, 1802

A two-row grid of four prints makes an ideal presentation. Technique: Copperplate engraving with original hand coloring Maker: James Sowerby, London, c.1830

Technique: Hand-colored copperplate engraving Maker: J. Grasset de Saint-Sauveur (designer), J.

This antique bird print from the Vienna edition of Bertuch's Bilderbuch shows five colourful exotic birds, an original hand coloured copperplate engraving headed Voegel LXXIV. The sp...

Created around 1735 for a large illustrated family Bible, this copperplate engraving portrays an angel with radiant light emanating from behind, opening the heavy prison doors to lea...

Created around 1735 for a large illustrated family Bible, this copperplate engraving portrays Matthias standing on a stone pedestal, symbolising his elevation to apostolic authority.

A copperplate engraving of Gerrit Reynst, who was the Governor-General of the Dutch East Indies.

Caernarvon Castle in North Wales – Antique English Engraving by Alexander Hogg This atmospheric copperplate engraving titled "Caernarvon Castle, in North Wales" was published by Ale...

The artwork was crafted using copperplate engraving, a meticulous technique renowned for its ability to capture fine details, such as the smooth contours of the Lingam and the ornate...

Technique: Copperplate engraving Maker: Cornelis Galle the Younger (after Anselmus van Hulle), Antwerp, circa 1650

The technique employed is copperplate engraving, a method prized for its precision and ability to capture intricate details, such as the scales of the serpent and the elaborate ornam...

The artwork was crafted using copperplate engraving, a technique renowned for its ability to render fine details, such as the boar's facial features, ornate jewelry, and flowing garm...

The artwork was crafted using copperplate engraving, a meticulous technique renowned for its ability to capture fine details, such as the intricate patterns of the deity's jewelry, t...

The artwork was crafted using copperplate engraving, a meticulous technique renowned for its ability to capture fine details, such as the intricate patterns of Ganesha's jewelry, the...

Baroque Garden View Schwöbber, Volckamer Hesperides Engraving, 1708 This exceptional early 18th-century copperplate engraving presents a detailed and highly decorative view of the g...

Framing tips: Displays exceptionally well in dark walnut, museum black, or lightly gilt frames with a generous ivory mat, complementing the warm hand-coloring and refined Baroque equ...

Technique: Copperplate engraving with original hand coloring Maker: John Lodge (after George Henry Millar), London, circa 1782–1785

Technique: Hand-colored copperplate engraving Maker: J. Grasset de Saint-Sauveur (designer), J.

Condition Report: Uncolored copperplate engraving on laid paper. Light toning and several small marginal stains.

Keywords: Pieter Mortier, antique engraving, apocalypse prints, Book of Revelation, New Jerusalem, Lamb of God, angel engraving, biblical visions, Dutch Baroque print, Amsterdam circ...

Technique: Hand-colored copperplate engraving Maker: Engraved by S. Watts after E.D.

Double matting enhances depth and accentuates the plate marks. Technique: Copperplate engraving with original hand coloring Maker: James Sowerby, London, c.1830

A two-row grid (4 + 4) provides a clean contemporary arrangement; slim gilt frames give a more classical finish. Technique: Copperplate engraving with original hand coloring Maker: ...

Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued.

Gerard's Herball drawings of plants and the printer's woodcuts are mainly derived from Continental European sources, but there is an original title page with a copperplate engraving ...

Technique: Hand-coloured copperplate engraving Maker: Andrea Bernieri after Giulio Ferrario, Milan, circa 1815

Antique Biblical Engravings – Dance of Salome & Beheading of John the Baptist, Pieter Mortier, ca. 1700 This dramatic copperplate engraving, published by Pieter Mortier in Amsterdam...

A wide mat margin emphasizes the engraved border and enhances the subtle hand coloring, creating a refined gallery presentation. Technique: Copperplate engraving with original hand ...

Seligmann’s technique combines copperplate engraving with meticulous hand-coloring, enhancing the vibrant details of each bird.

Technique: Hand-colored copperplate engraving Maker: Engraved by S. Watts after E.D.

Rendered in delicate copperplate engraving with original period hand coloring, the map displays refined linework and elegant typography characteristic of early nineteenth-century Lon...

Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued.

Created circa 1735 for a large illustrated family Bible, this copperplate engraving shows Philip standing with dignified authority on a stone pedestal, symbolising his apostolic role...

The Floating Batteries of Gibraltar: 1782 British Naval Power and French Engineering Innovation. Handcolored copperplate engraving from Bertuch's celebrated "Bilderbuch für Kinder," ...

Four Early 19th Century Hand-Colored French Primate Engravings by Jean-Baptiste Audebert An exceptional set of four original hand-colored copperplate engravings from Jean-Baptiste A...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving portrays John standing upon a classical pedestal, symbolising his foundational role in Christian t...

Created around 1735 for a large illustrated family Bible, this copperplate engraving depicts Christ seated outdoors in a posture of gentle authority and divine teaching.

Framing tips: Best displayed with a warm ivory or natural white mat and a dark wood or antique gold frame to complement the print’s tone and historical character. Technique: Copperp...

This original map, a copperplate engraving by Le Rouge, presents two significant areas in the Caribbean.

Description: This is a circa 1801 copperplate engraving from George Alexander Cooke's "Universal Geography" .