Cressent Charles

Ce type de meuble à caractère ancien ( style Régence, vers 1720 ) sont souvent attribuables à Charles Cressent ( Musée du Louvre, Paris ), surtout lorsque les bronzes sont puissants ...

We know of similar examples, one made by André-Charles Boulle and three others by Charles Cressent.

This wonderful cabinet completely reflects the production of Sormani, that was not only limited to the glorious style of the French 18th century but also to replicate in a surprising...

The winged figures very fashionable under the Regency come directly from drawings by Nicolas Pineau, they clearly recall the most beautiful creations of Charles Cressent. Yet the ha...

Cressent came from a long lineage of accomplished craftsmen: his father was François Cressent, appointed sculptor to the King of France, and his grandfather was Charles Cressent, a f...

Louis XV style gilt metal mounted mahogany parquetry desk or bureau plat, in the manner of Charles Cressent (French, 1685 - 1768) with shaped rectangular top banded in gilded metal, ...

Louis XV Style Ormolu Mounted Kingwood Bureau Plat, after a model by Charles Cressent (French, 1685-1768), the rectangular serpentine top with inset gilt-tooled green leather above ...

A very fine late 19th century gilt bronze mounted kingwood bureau plat Surmounted by a shaped gilt-tooled leather writing surface, the front fitted with three frieze drawers, the ...

A Regence / Louis XV-Style, gilt-bronze-mounted kingwood and marquetry tall-case grandfather clock, 19th Century. After a Model by Charles Cressent (French, 1685-1768). A fine ...

A Regence / Louis XV-Style, gilt-bronze-mounted kingwood and marquetry tall-case grandfather clock, 19th Century. After a Model by Charles Cressent (French, 1685-1768). A fin...

A Regence style gilt bronze mounted kingwood and trellised parquetry commode in the manner of Charles Cresscent, France, ca. 1900

A beautifully carved Louis XV style open armchair the frame in walnut, made in the manner of Charles Crescent one of the more famous 18th century French chair makers. The chair has a...

18th century French Louis XVI style and period mantel clock pendulum Style: Louis XVI, Georgian, Antique, French, Neo classical Material white marble, Mercury gold gilded bronze, Cer...

Design: In the manner of the 18th century chippendale, George Hepplewhite, Charles Cressent, Bernard Van Risenburgh. Origin: Europe France or Italian, 19th century Technique: Hand ...

Thanks to posterity, we recognize today a piece of furniture from him as we recognize a piece of furniture from André Charles Boulle and Charles Cressent, the french Prince regent's ...

This example follows the celebrated Charles Cressent model, one of which forms part of the renowned collection at the John Paul Getty Museum in Los Angeles.

Magnificent late 19th century tall case clock in the French Louis XV style with gilt bronze mounts over case with kingwood veneer after the original model by Charles Cressent (French...

After the famous 18th century model by Charles Cressent.

As the second son of François Cressent, sculpteur du roi, and grandson of Charles Cressent, a furniture-maker of Amiens, who also became a sculptor, he inherited the tastes and aptit...

It measures 71 in – 180 cm wide, 38 in – 96 cm deep with a height of 30 ½ in – 77 cm and is in the manner of Charles Cressent.

The original bureau plat, created by Charles Cressent, was at the Palace of Versailles in 1919, upon which the signing of the Peace Treaty of the Great War was done.

The anecdote of stealing the nest was also taken up by Charles Cressent (1685-1768) for the highly sculptural mounts of a wooden chest of drawers which is presently exhibited at the ...

This is a fine and rare antique ormolu mounted French kingwood bureau plat after Charles Cressent, circa 1860 in date. It has highly decorative ormolu mounts and the underside bea...

Like the greatest Parisian watchmakers of the time, the Lenoirs had privileged commercial links with certain large merchants and collaborated with the best craftsmen for the creation...

Like the greatest Parisian watchmakers of the time, the Lenoirs had privileged commercial links with certain large merchants and collaborated with the best craftsmen for the creation...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

The aristocracy made the decoration of their Parisian homes a lifetime occupation. Jean Berain, Charles Cressent, Robert de Cotte, and the painter Antoine Watteau, whose pictures wer...

The aristocracy made the decoration of their Parisian homes a lifetime occupation. Jean Berain, Charles Cressent, Robert de Cotte, and the painter Antoine Watteau, whose pictures wer...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent fusion of the Rococo with the liveliness and the fluidity of the 'art nouveau'.

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Louis XV style giltwood console table with white marble top. Elegant carved details include shell and leaf forms, flowers and other Rococo ornamentation.

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

A grand 19th century Italian marble-top console table with an apron carved of wood to mimic a swaged cloth and large classical face in the centre, all painted a wonderful museum oliv...

Alexandre Chevrie, a museum quality French ormolu mounted mahogany Royal Executive "Empire" Desk, circa 1875. Double sided desk with six solid bronze lions paw feet, framed ormolu...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tracery decoration, the movemen...

A pair of two patina bronze torcheres attributed to V. Paillard. Each modelled as a pair of putti holding aloft a large foliate shaft issuing eleven berried-acanthus scrolled branche...

Rare, Spanish Demi-Tester, Baroque Bed With Carved, Green Painted & Gilded Posts 181cm, 6ft High, Floral Painted Leather Headboard, sold with custom made box spring mattress base, ac...

This Italian giltwood console is from the late 1600’s to the turn of the 18th century. It has a cream and beige colored inset marble top. This type of piece, with cabriole legs and s...

A very fine and palatial Italian 18th century Rococo style giltwood carved console table with a castracane marble top of serpentine outline, the frieze with a pierced cartouche decor...

This lavish American oak and walnut tester bed exhibits superior craftsmanship and detail. The design is embellished by elaborate carving throughout in a neoclassical motif the inclu...

A very fine and impressive pair of French 19th century Louis xv style gilt bronze-mounted kingwood, satinwood and tulipwood floral marquetry two-drawer bombé commodes attributed to F...

A French Empire table clock, first half of the 19th century. Measures: Width 30, depth 11, height 38 cm. Key included. Later added hatch at back. Function not tested but can restored...