Cressent Charles

de meuble à caractère ancien ( style Régence, vers 1720 ) sont souvent attribuables à Charles

Boulle and three others by Charles Cressent. Vetted Antique Shows/Fairs Palm Beach

cabinets of the most famous cabinetmakers of that century, from Charles Cressent, Bernard Van Risen Burgh

Charles Cressent. Yet the hairstyle of the latter, the garlands of laurel and shape to ancient vase

drawers with ormolu mounts and scrolled sabots. After models by Charles Cressent (French, 1685-1768

Louis XV style gilt metal mounted mahogany parquetry desk or bureau plat, in the manner of Charles

Louis XV Style Ormolu Mounted Kingwood Bureau Plat, after a model by Charles Cressent (French, 1685

After the famous 18th century model by Charles Cressent The original model for this desk aux bustes

, 19th Century. After a Model by Charles Cressent (French, 1685-1768). A fine palatial clock, with

, 19th Century. After a Model by Charles Cressent (French, 1685-1768). A fine palatial clock

Charles Cresscent, France, ca. 1900

Charles Crescent one of the more famous 18th century French chair makers. The chair has a loose down

18th century French Louis XVI style and period mantel clock pendulum Style: Louis XVI, Georgian, Antique, French, Neo classical Material white marble, Mercury gold gilded bronze, Cer...

: Walnut, velvet. Design: In the manner of the 18th century chippendale, George Hepplewhite, Charles

manner of Charles Cressent, Circa 1860 in date. The shaped rectangular top has a decorative ormolu

over case with kingwood veneer after the original model by Charles Cressent (French, 1685-1768), with

Charles Cressent.

. Linke to the lower right bronze of the base. After the celebrated model by Charles Cressent. Three

the manner of Charles Cressent.

bureau plat and its matching desk chair, after a model by Charles Cressent, possibly by Francois Linke

of stealing the nest was also taken up by Charles Cressent (1685-1768) for the highly sculptural

This is a fine and rare antique ormolu mounted French kingwood bureau plat after Charles Cressent

cases of their clocks, in particular with the cabinetmakers Charles Cressent and Jean -Pierre Latz, and

cases of their clocks, in particular with the cabinetmakers Charles Cressent and Jean -Pierre Latz, and

laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

(1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo

mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the

of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still

mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the

mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the

laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

occupation. Jean Berain, Charles Cressent, Robert de Cotte, and the painter Antoine Watteau, whose pictures

laden with gilt bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still

with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent

mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the

mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the

of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still

laden with gilt bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

the decoration of their Parisian homes a lifetime occupation. Jean Berain, Charles Cressent, Robert de

laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the

laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still

of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still

(1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo

laden with gilt bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

(1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo

of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still

laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

laden with gilt bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles

mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the

A grand 19th century Italian marble-top console table with an apron carved of wood to mimic a swaged cloth and large classical face in the centre, all painted a wonderful museum oliv...

Of cartouche outline, with rock crystal baluster shaft with acanthus scroll branches of light and spires, hung with large rock crystal plaques, facetted drops and rosettes, terminate...

A fine and large French late 19th-20th century Louis XVI style mahogany, Kingwood Bandings and fruitwood marquetry armorial commode with Sycamore Marquertry and gilt bronze mounts, a...

A very fine and impressive pair of French 19th century Louis xv style gilt bronze-mounted kingwood, satinwood and tulipwood floral marquetry two-drawer bombé commodes attributed to F...

Antique Meissen 68-piece floral dinner service German, c. 1900 Largest serving dish: Height 6cm, width 52.5cm, depth 37.5cm Square salad bowl: Height 9.5cm, width 22cm, depth 22cm...

A pair of two patina bronze torcheres attributed to V. Paillard. Each modelled as a pair of putti holding aloft a large foliate shaft issuing eleven berried-acanthus scrolled branche...

Alexandre Chevrie, a museum quality French ormolu mounted mahogany Royal Executive "Empire" Desk, circa 1875. Double sided desk with six solid bronze lions paw feet, framed ormolu...

Special commission from the factory for the Brucknerstift St. Florian, a seminary located on the outskirts of Vienna. Blue crowned Bindenshield and Wien Mark, iron-red printed hash m...

Antique French marquetry, ormolu and jasperware Bureau du Roi by Beurdeley French, c. 1890 Height 151cm, width 190cm, depth 100cm The Bureau du Roi, also known as the secrétaire à ...

Vacheron Constantin Ref. 92115, an extremely fine and unique 18K pink gold pocket watch Swiss-made, October 2001, Height 9cm, width 6.5cm, depth 1.5cm Open: height 9cm, width 13cm, d...

A very fine and large French 19th century Louis XV style ormolu-mounted mahogany and kingwood three-drawer bureau plat attributed to Paul Sormani (French-Italian 1817-1877). The shap...

Massive 1880 Antique Ormolu Bronze Enameled Automaton Musical Bracket Clock An important, exhibition quality ormolu bronze bracket clock of massive proportions, the case decorated...