Cressent Charles

Kingwood, Tulipwood and Ormolu desk, modeled after Charles Cressent. This stunning Bureau Plat desk is attributed to cabinetmaker E.

France, 19th century, modeled after Charles Cressent (France, 1685-1768). Wooden box grandfather clock in which palo santo, rosewood and others are combined, enhanced with a serie...

Paris, circa 1890. Charles Cressent (French, 1685-1768) was a French furniture-maker, sculptor and fondeur-ciseleur of the régence style.

Louis XV Style Gilt Metal Mounted Mahogany Bureau Plat, after a model by Charles Cresset (French, 1685-1768), 20th century, the rectangular serpentine top with inset leather, fitted ...

A Louis XV style gilt-bronze mounted bureau plat in the manner of Charles Cressent. French, circa 1890. With one central frieze drawer and two shaped end drawers, on cabriole ...

French gilt bronze and marquetry writing desk after Cressent. French, late 19th century Measures: height 79cm, width 134cm, depth 76cm This very fine desk was retailed by the ce...

After the famous 18th century model by Charles Cressent. One of Cressent’s first models of this desk is now in possession and on display at the Musée du Louvre.

This pair resembles the work of Charles Cressent. Opposing face parrots - ready to fly.

Superb Louis XV commode in the style of Charles Cressent, in floral marquetry in rosewood frames; exceptional ornamentation of very finely chiseled gilt bronze; beautiful veined whit...

Monumental antique bureau plat (desk) in the French Louis XV style after the original design by Charles Cressent (1685-1768), 80 by 38 by 32.5 inches, finely crafted with kingwood an...

A pair of French Louis XV style ormolu chenets, nineteenth century, after the eighteenth century originals by Charles Cressent, each with sphinx on a c-scroll rococo base, one holdin...

These candelabra are in the style of Charles Cressent. Very heavy pair. Incredible detail.

Work in the spirit of Charles Cressent.

As the second son of François Cressent, sculpteur du roi, and grandson of Charles Cressent, a furniture-maker of Amiens, who also became a sculptor, he inherited the tastes and aptit...

A fine Regence style gilt-bronze mounted parquetry bureau plat, in the manner of Charles Cressent. This fine parquetry inlaid bureau plat has a tooled leather top and sumptuous gi...

A stunning French Louis XV bombe marble-top chest of drawers commode from the 19th century, styled in the manner of Charles Cressent (France, 1685–1768), finished in luxurious Rocco ...

This fine and large bureau plat is a late nineteenth century variation of a famous model of writing table made by Charles Cressent (1685-1768), marchand-ébéniste and sculpteur.

A fine French 19th-20th century Régence style gilt bronze mounted kingwood and tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 16...

The original model for the present commode dates from the 1730s and is the work of Charles Cressent (maître in 1720; d. 1768). Entering the collection of the Dukes of Hamilton after ...

Published in 1956 by The Ceramic Book Company of Newport, Monmouthshire, England, the book presents a chronologically arranged pictorial survey of furniture by renowned French menuis...

Literature: Denise Ledoux-Lebard's - "Le Mobilier Français du XIX Siècle, Paris, 1984" page's 146-151. Charles Cressent, sculpteur, ébéniste du Régent, by A.

With two forward-looking, imposing Espagnolettes in the style of Charles Cressent. In the front two drawers, in the front and on the side walls wide framed fillings with richly intar...

The form of all of these mounts is reminiscent of those used on a series of Régence period bureau plats by the maker Charles Cressent and it is likely that the maker of our piece was...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Imposing Espagnoette style of Charles Cressent. Delivery time takes about 6-8 weeks.

The sculptural bust mounts of ruffle-collared ladies are a distinctive feature and directly reference the playful Rococo idiom of the celebrated Régence ébéniste and sculpteur Charle...

French, Circa 1890 This impressive bookcase reprises the work of the celebrated Ancien Régime cabinetmaker and sculptor, Charles Cressent (1685-1768).  

At the center of the frieze is a Bacchus mascaron, flanked by two female bust caryatids in the manor of Charles Cressent with ostrich feathers in their hair, scroll form shoulders an...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Thanks to posterity, we recognize today a piece of furniture from him as we recognize a piece of furniture from André Charles Boulle and Charles Cressent, the french Prince regent's ...

Thanks to posterity, we recognize today a piece of furniture from him as we recognize a piece of furniture from André Charles Boulle and Charles Cressent, the french Prince regent's ...

This palatial bureau plat is inspired by a famous model made by Charles Cressent (1685-1768) around 1740-45. The model is known as the 'bureau aux guerriers', referencing the busts t...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

The angle mounts of busts with laced bodices and ruffle-collars, a reference to the work of the celebrated Régence ébéniste and sculpteur, Charles Cressent, are a known Zwiener model...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke’s fusion of the Rococo with the liveli...

The overall design recalls the work of mid-18th-century ébénistes such as Jean-François Oeben and Charles Cressent, whose furniture often included similar floral marquetry and curvil...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Maker: Attributed to Joseph-Emmanuel Zwiener Date: Late 19th Century Dimension: 39(H) x 62(W) x 24(D) inches Inspired by Charles Cressent, this darling rosewood commode showcases ...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642–1732) and Charles C...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

The caryatid angle mounts are after 18th century models by Charles Cressent (1685-1768; P. Kjellberg, Le Mobillier Français Du XVIII Siecle, Paris, 2002, p. 226).

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke’s fusion of the Rococo with the liveli...

The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642-1732) and Charles Cr...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

The aristocracy made the decoration of their Parisian homes a lifetime occupation. Jean Berain, Charles Cressent, Robert de Cotte, and the painter Antoine Watteau, whose pictures wer...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

This desk is to be linked to the work of Charles Cressent (1685-1768), cabinet-maker of the Crown.

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo, the novelty, however, was Linke’s fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveli...

Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveli...