20th Century Louis XVI Style Museum Pedestal Clock after Jean-Henri Riesener

Piano black polished veneer on solid pinewood. Sides engraved with wide brass strips. Deck plate with graduated veined marble. Conical body ending in lion's paws, on three sided, ret...

Podest. Sides with paneled parquet engraved with grid forming, broken through, wide brass strips. Conical body, ending in Lion's paws on three sided retracted plinth, ending in “toup...

Commode after the original model from Jean Henri Riesener in transition style. Lightly modified model after an original by Jean Henri Riesener (1...

Bronze of exceptional quality. Marble panel, over frieze drawer and a large barrier door flanked by corner fittings with acanthus volutes and garlands, with amaranth, bergahorn and c...

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (inv. OA 5501 In Louvre Museum). 19th Century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulateur is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Foliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) the cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642–1732) and Charles Cressent (1685–1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben's death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...

20th Century Commode/Console after Jean Henri Riesener, gold Commode after the original model from Jean Henri Riesener in transition style. Lightly...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

Spectacular mahogany grandfather clock, decorated with numerous high quality gilded bronze fittings. The dial is surrounded by superb gilded bronze frames representing three cherubs ...

This exquisite gilt bronze-mounted pedestal clock is the creation of the famed French clockmaker Paul Garnier (1801-1861). Garnier worked in Paris during the first half of the 19th C...

Piano black polished veneer on solid pinewood. Exceptionally fine floral, bronze. It takes place in a magnificent gilt decor of three winged children playing with garlands on clouds.

A good quality 19th century French gilded, Louis XVI style ormolu mantel clock. Having a gilded wreath and arrow sheath above a white marble top, ormolu four glass case, with a white...

An enchanting 19th century Louis XVI style gilded Bacchus influenced ormolu mantel (fireplace) clock depicting three putti rolling a barrel on the back of a cloven hoofed putti. The ...