De Filippo

Temple With Sphinx from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De

by Filippo De Grado in the 18th Century. Good conditions. Signed in the lower. The etching belongs

Filippo De Grado in the 18th Century. Good conditions. Signed on the lower. The etching belongs to the

by Filippo De Grado in the 18th Century. Good conditions. Signed on the lower. The etching belongs

The Citaredo near the Sea is an artwork realized by Filippo De Pisis (1896, Ferrara - 1956, Milano

Oil Lamp With Decoration is an Etching realized by Filippo de Grado (1705-1780). The etching

of Paris by Filippo De Pisis, realized during his long stay in Paris after 1925. This period is

Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780). The etching belongs to

Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780). The etching belongs to

Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780). The etching belongs to

Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780). The etching belongs to

Ancient Roman Fresco "Antiquities of Herculaneum Exposed", is an etching realized by Filippo de

Ancient RomanFresco "Antiquities of Herculaneum Exposed", is an etching realized by Filippo de

Ancient RomanFresco "Antiquities of Herculaneum Exposed", is an etching realized by Filippo de

Ancient RomanFresco "Antiquities of Herculaneum Exposed", is an etching realized by Filippo de

Filippo De Grado in the 18th Century. Signed on the plate. Good conditions with some folding. The

Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Filippo de Grado e

an etching realized by Filippo de Grado in the late 18th century. Signed on The plate Good

paper realized by Filippo de Grado in the 18th century. Signed on the plate. Good conditions. The

realized by Filippo de Grado in the 18th century. Signed on the plate. Good conditions. The etching

paper realized by Filippo de Grado in the 18th century. Signed on the plate. Good conditions. The

paper realized by Filippo De Grado. Signed on the plate, on the lower right. Very good conditions

Ancient Roman Fresco "Antiquities of Herculaneum Exposed", is an etching realized by Filippo de

Filippo De Grado in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the

paper realized by Filippo De Grado after Vanni in the 18th century. Signed on the plate on the lower

. Tibertelli de Pisis in 2006. Filippo De Pisis was an Italian painter-poet who was born Luigi Filippo

Oil painting on Masonite realized by the Artist in 1948. Includes a coeval wooden frame. Artist paints the Hotel where he used to live in Paris during those years. Note, title, date ...

Studio in Milan, via Rugabella. Filippo De Pisis was an Italian painter-poet who was born Luigi Filippo

pencil on paper by filippo de pisis from 1931, 21 x 30 cm, authentic pandolfini with auction

Italian culture during the early thirties. Alberto Savinio, pseudonym of Andrea Francesco Alberto de

Vintage Photo of Painting - Still Life is a vintage photograph realized in the early 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously ca...

Happy Easter Card by Gianni Granzotto, to the Countess Anna Laetitia Pecci-Blunt. Bologna, Easter, 1937. In Italian. One page, single-sided. With wishing autograph notes by a great...

Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De

-designers, such as Gio Ponti, Guglielmo Ulrich, Melchiorre Bega and artists such as Filippo De Pisis, Bruno

, and artists such as Filippo De Pisis, Bruno Saetti, Gino Severini, Roberto Aloi.  

Filippo Tibertelli de Pisis. In 1936 he moved to Tenero-Locarno, in Ticino Canton, Switzerland; during

, with a lacquered interior. Wear consistent with age and use. Literature: Filippo Alison, Renato De

under the bottom Very Good Condiction bibliography: Filippo Alison, Renato De Fusco, L"Artidesign, il

United States, by the Ministry of Education. In the same year he was in Paris, where he met Filippo de

Campigli, Giorgio de Chirico, Alberto Magnelli, and Filippo Tibertelli de Pisis. In 1936 he moved to Tenero

Campigli, Giorgio de Chirico, Filippo De Pisis, Renato Paresce, Alberto Savinio and Gino Severini. Tozzi

Campigli, Giorgio de Chirico, Alberto Magnelli, and Filippo Tibertelli de Pisis. In 1936 he moved to

Domenico Morelli. Among his colleagues was Eduardo Dalbono. There he also interacted with Filippo Palizzi

", is an original etching realized by Filippo de Grado in the late 18th century. Signed on the plate

. It was bought by Marchese Filippo Sassoli de' Bianchi de Medici over 120 years ago with the contents

caliber, from Filippo de Pisis, a family friend, to Gio Ponti, with whom she collaborated in the mid-1960s

. Between 1944 and 1947 he moved to Venice, where he attended the studio of Filippo De Pisis, whom he had

Spazzapan, who became a sort of mentor for the younger artist. It was another painter, Filippo De Pisis, who

Magnelli, and Filippo Tibertelli de Pisis. In 1936 he moved to Tenero-Locarno, in Ticino Canton

Pictor, Filippo De Pisis, Igor Strawinsky, Hernest Hemingway. Above all, three women Caterina Cornaro

", is an original etching realized by Filippo de Grado in the late 18th Century. Good conditions. The

paper realized by Filippo De Grado in the 18th century. Signed on the plate on the lower right Good

, Alberto Savinio, Gino Severini and Filippo De Pisis. Extended visits to the Louvre deepened Campigli's

an original etching realized by Filippo de Grado in the late 18th century. Signed on The plate Good

Dôme he consorted with artists including Giorgio de Chirico, Alberto Savinio, Gino Severini and Filippo

age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study

art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family