Del Moro

The crisp lines trace lines around her features, where he ‘paints faster than he can think’, tapping into a meditative stream of consciousness that eliminates the possibility of seco...

Innesti Contemporanei, Associazione Il Salotto di Milano, Galleria Vittorio Emanuele II, Milano. 2004 Silenzi, La natura morta contemporanea tra l’Italia e i Paesi Bassi, Galleria Ro...

Large sculpture named Moro del Sinc by spanish artist Ricardo Morales, Spain, 1980's.

Carlos Aquilino, “En Casa del Moro,” 1991. Oil on canvas. Signed and dated on the front and reverse.

He initially trained under Tommaso Redi and Lorenzo del Moro, then in Bologna under Giovanni Gioseffo dal Sole.

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

Once thought to be by an artist from Verona, the drawing bears an old attribution to Battista del Moro. Philip Pouncey dated the work to the second half of the 16th century, suggesti...

Alex Katz began painting portraits of Ada Del Moro when they met in 1957. Ada Del Moro soon became Ada Katz, his wife and timeless muse.

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del Moro, who had studied biology at New York University, at a g...

Trevi Fountain Rome – Antique Hand-Coloured Italian View by Gigli (c.1850) This finely hand-coloured 19th-century view shows the celebrated Fontana di Trevi in Rome, rendered with c...

Italian Neo-classic style prints of various ancient Roman historical scenes matted in a green painted and gold trim frame (part of a set of 15; associated pieces: 040102A-O)

18th century Italian capriccio depicting ruins based on the Roman Temple of Vesta being visited by a group of Grand Tour travelers. With an arched bridge and another columned structu...

This is an engraving, in colors. With a large frame in wood. Representing an architectural place. It has been made in Italy in the 19th Century.

A 19th Century Watercolour of the Roman Forum in central Rome. An enthralling view from inside the ruinous remains of the Roman Forum, long before any protections or reconstructions...

This is an engraving, in colors. With a large frame in wood. Representing an architectural place in Nancy. It has been made in France in the 18th century. The engraving has no glass...

Framed watercolor drawing of a fountain in a Annecy town in France.

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...