Ds Arts Et Antiquites

French 19th century jewelry casket by Alphonse Giroux et Cie Paris & J.Moigniez (1835-1894

"Coq et Lézard" a 19th century brown patina bronze sculpture by Ferdinand Pautrot (1832-1874

Jean-Baptiste Clesinger (1814-1883) et MARNYHAC à Paris A French 19th century pair of silvered

Important pair of carved walnut stools, Louis XIV style Paris, Faubourg Saint-Antoine, in the style of Fourdinois circa 1870–1890 This important pair of finely carved walnut stools r...

Desk Travelling Cartel Clock in chiseled and gilded bronze Rocaille decoration of scrolls, acanthus leaves and lyre Enamel dial signed Lenoir in Paris Plate mechanism No. 13287 and w...

Antoine Krieger et Cie. Following Antoine’s death in 1856, his son-in-law took charge, changing the firm’s

A fine 19th Century French ormolu-mounted envelope card table by Sormani Paris. The revolving fold out top enclosing a gilt tooled baize lined interior above a frieze drawer ; The r...

Decorative Arts in Paris. He works for renowned jewelers such as Boucheron, Vever and Cartier. From 1878 to

with Science et Arts Attributes on the top and, asparagus in grooves on the sides, and acanthus leaves

Fernand Ouillon-Carrère (1879-1959) Loïe Fuller A Bronze Veilleuse Lamp Designed as a Dancing Woman in the wind, inspirated by the famous contemporary dancer L. Fuller Proof in bronz...

Maison Baguès, “Urn with Flowers”Lamp circa 1950 French Glass & Gilt Metal «Vase of Flowers» two-lights Table Lamp Designed as a both faces crystal vase which crystal leaves and flo...

Two rectangular jardinieres, the mounts in blackened wood simulating bamboo in the Archaic Chinese Taste. Each one features four marble plaques around each side. Each plaque is in a ...

he received the French Order of Chevalier de l'Ordre des Arts et des Lettres. The importance of

Collectionneur by Jacques-Emile Ruhlmann during the Decorative Arts Exhibition of 1925, of which Max Blondat was

"Eros et Anteros se disputant l'amour" ( Eros and Antenos fighting for Love) A Bronze group After

trailing glass handle and on the body Signed Emile Gallé, modèle et décor depose, circa 1890.

Art, 1854-1910, Cleveland Museum 1975-1976 A.Quantin et V.Champier, revue des Arts Décoratifs

. It was in 1861 that he made his first public appearance at the Salon des Arts et de l'Industrie in

Moyen Âge au XXème Siècle", Pierre Kjellberg, Editions de l'Amateur, p 472 Fig. C Marnyhac et Cie was

Gallé on both parts Circa 1910 Bibliography : Alastair Duncan et Georges de Bartha, «Gallé Le Verre

des Arts et de l'Industrie in Paris, where he won a silver medal for his exhibited works. Recognized

. Signed J Jozon Salon des Beaux Arts and Foundry Stamp C & L Exhibited at the Salon of the Societe

appearance at the Salon des Arts et de l'Industrie in Paris, where he won a silver medal for his exhibited

. Bibliography: Alastair Duncan et Georges de Bartha : "Glass by Gallé", Thames and Hud-son, 1984, modèle

. Auguste Moreau produced mainly art bronzes. Many of his works are preserved at the Museum of Fine Arts in

rarest models by René Lalique such as “Chasse”, “Chiens”, “Papillons” or “Figurines et Branches

Fine Arts School of Bordeaux, he studied with the painters Pierre-Gustave Artus and Gustave Lauriol and

La Mort du Chevalier Bayard A Silver and Quartz Paperweight The Famous "Sans Peur et Sans Reproche

: Pierre Kjellberg, Les bronzes du XIXè siècle One piece in the permanent collections of Musée des Arts

in 1885. Already noticed at the Exposition de la Terre et du Verre in 1884, Émile Gallé was devoted

la Terre et du Verre in 1884, Émile Gallé was devoted to the Universal Exhibition in Paris in 1889 by

extended his activities to the cabi-net-office in 1885. Already noticed at the Exposition de la Terre et du

cabinet office in 1885. Already noticed at the Exposition de la Terre et du Verre in 1884, Émile Gallé was

the Hunt» and the pendant, «Diana’s resting » , both kept at the Musée de la Chasse et de la Nature in

Cassé par Aug.Moreau Salon des Beaux Arts Auguste Moreau (1834 -1917 ) Born in Dijon in the early

of David d'Angers and briefly studied at the École des Beaux-Arts. His career is distinguished by his

Exposition de la Terre et du Verre in 1884, Émile Gallé was devoted to the Universal Exhibition in Paris in

, which exerted a strong influence on French decorative arts during the late nineteenth century. The

following." (La Chronique des Arts et de la Curiosité). Indeed, he collaborates quickly with Julien-Nicolas

the Ecole des Beaux-Arts in Nancy, where met and was inspired by Victor Prouvé. Andre Lhote's

Société des Marbres et Bronzes Artistiques de Paris and was established under the direction of Charles de

make a name for himself in the field of bronze arts of the Belle Époque. But it was from the 1920 Salon

Industrial Arts in 1864, he presented pieces covered with transparent enamels that were not cracked, and then

(Paris, 1865-1933), painter and sculptor, was a pupil at the School of Fine Arts of Thomas and Chapu

production hitherto confined to sculpture and which became the most powerful industry of decorative arts in

since then, it succeeded the Salon of the Academy of Fine Arts, heir to the Royal Academy of Painting

since then, it succeeded the Salon of the Academy of Fine Arts, heir to the Royal Academy of Painting

Born in Brno in Moravia, Charles Korschann (1872-1943) attended the Fine Arts Academies in Vienna and

the 15th arrondissement of Paris. In 1861, at the Salon des arts et industries de Paris, which was

decorative arts: not only the fine arts but all kinds of objects were decorated with knights’ helmets

century. The adventure began in 1912 with two Decorative Arts enthusiasts: Pierre Laguionie (1884-1978

was elected deputy mayor in the 15th arrondissement of Paris. In 1861, at the Salon des arts et

-arts de Paris as having been admitted to the lodge. In 1863 he won the second Grand Prix de Rome in

, Xavier Deck, to create his own factory in Paris in 1858. At the Exhibition of Industrial Arts in 1864, he

the 15th arrondissement of Paris. In 1861, at the Salon des arts et industries de Paris, which was

’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Indus-trie and the Société du

Romain. They exhibit together at the Vienna Universal Exhibition under the name "Paillard et Romain

Rare commode in the style of Louis Majorelle with front and sides inlaid in painted wood. Two doors on the front that hide a cabinet with open compartments and small drawers in light...

This important George III blue John urn is attributed to famed Swedish architect Sir William Chambers. The solid piece is carved entirely from rare Blue John Derbyshire spar, taken f...

This old French Limestone fountain was hand carved and installed in a French countryside home. The piece has been well preserved throughout the years and was recently reclaimed by ou...

A grand 19th century French Baccarat crystal 36-light, triple-tier chandelier. At over one meter high and wide, this large and impressive style of crystal chandelier was especially p...

Ornately hand-carved wooden table by world famous Venetian sculptor Valentino Panciera Besarel (1829–1902). Solid wood table with cupid carving in center and Italian style Venetian l...

These Palace size French 19-light torchieres are electrified and have new wiring; this exceptional pair is a rare find with the original gilding in beautiful condition. They are pho...

We offer you the chance of buying this breathtaking, rare Jaguar XK 120 which had its first road legal in february 1950. There has been built only a very little number of these cars,...

English Adam (circa 1780) gilt wood console with a carved frieze over rams head topped fluted legs with a stretcher & alabaster veneered marble top with a verde edge.

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorent...

A Substantial Walnut Partners' Desk By Holland & Sons A fully fitted partners desk with identical arrangements to both sides, constructed using finely figured walnut and with a tool...

Massive antique crystal floor standing candelabrum by Baccarat French, Early 20th Century Height 360cm, diameter 120cm This grand and exceptionally crafted floor candelabrum is a r...

Huge and very decorative castle painting. Antique oil painting. Probably 18th century. "Kings from all over the world in Bethlehem". Christian scene. Canvas relined. Big, heavy fr...

A Very Rare and Superb Quality Late 19th Century Gilt Bronze and Cut Crystal Three Piece Garniture De Table by Baccarat Compagnie des Cristalleries de Baccarat – Bronze Possibly Cas...

Carlo Bononi (Ferrara, Italy, 1569 – 1632) Title: The triumph of David Medium: Oil on canvas Dimensions: without frame 41 x 28.5 cm – with frame 57 x 46 x 6 cm Not signed Provenance...

Silver-Gilt Tea Table Maison Aucoc Circa 1904 The turn of the century was the golden age of the great international exhibitions, the venues at which artisans from across the globe w...

Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...