Émile GALLE (1846-1904) "Paysage Vosgien" Glass Lamp circa 1900

Émile Gallé (1846-1904) Impressive Gallé French Cameo Glass Vase Large vase cone shape on pedestal Cased glass, opalescent, colorless, yellow and blue, acid-etched design with "Big...

Émile Gallé (1846-1904), Art Nouveau Cameo Glass Vase « Gladioli Flowers » Large piriform vase on heel with long collar in dark blue and blue multi-layered glass Cased glass, opales...

Émile Gallé (1846-1904) Extremely Rare Baguier shaped tree trunk blue “light blue moon” (Clair de Lune) glass enameled designed with two grasshoppers, an ant and a fly. Signed E.Gall...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase « Anemones » circa 1900 Rare Galle French cameo glass vase in dark blue over yellow Blue Anemones flowers design Signed in cameo Gallé Émile Gallé was born in Nancy on 4 May 1846, the only son of Charles Gallé...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Eu-rope, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Breathtaking French Art Nouveau table lamp by Emile Gallé early 1900 model: ''Vosges Paysage'' simply exquisite. Multilayer glass lamp with engraved decoration in brilliant reserve of a blue and green Vosges landscape, on the foot, and on the hat of eagles in flight, on an opaque yellow background. Gilded bronze mount with three claws and two lights. Signed "Gallé" in reserve, on both elements. Looks amazing when lit, museum worthy Art Nouveau piece and a must have for any collector This original Emile Galle lamp...

Émile Gallé is one of the most highly regarded names in French glassmaking, and his cameo lamps are among his most coveted creations. Delicately etched with a motif of blossoms and l...

This exquisite Émile Gallé table lamp is engraved "Calthas Marsh." It features a chiseled gilt bronze base with stylized leaf motif with a frosted co...

This Pagoda Cameo glass lamp is a highly rare and coveted example of Émile Gallé's mastery of glassmaking. Layers of vibrant color, from golden yellows to mauve, radiate from a backg...

Art Nouveau glass table lamp by Émile Gallé French, c. 1900 Height 58cm, diameter 22cm This striking Art Nouveau lamp is by one of the style’s le...

This exquisite Galle bat lamp is crafted from three-color cameo glass, featuring a delicate lavender-hued shade adorned with a golden finial, held aloft by th...