Hans Eckert Art

Paul Wadsworth has a very special, innate talent for transporting the viewer into other realms. In his stunning, vibrant works from his travels on the Indian sub-continent the painti...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Summer 2024, the avenue of 130-year-old Lime trees surrounding Shizico’s new cottage Garden captivated and inspired Shizico Yi to paint on a larger scale; with t...

This painting is a gently glowing Expressionist still life. The shades Francesca Owen has used are naturalistic and warm. Now more than ever there's a p...

Unframed dimensions: 35 × 27 cm (13.8 × 10.6 in) Framed dimensions: 42 × 34 cm (16.5 × 13.4 in) Choose the black or light wood frame Certificate of authenticity provided In Lisière ...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

San Francisco’s elegant Nob Hill caught the eye of Japanese-born, Californian painter Jean Kalisch ((1912-1995). In this atmospheric cityscape, the artist has rendered the famously e...

Dick Beer (b. London 1893 - d. Stockholm 1938) A French City, 1919 (Fransk stad) oil on canvas canvas dimensions 82x66 cm frame 94x78.5 cm signed Dick ...

This original oil painting on linen is by Sophie Dumont, a French contemporary painter whose work is held in both private and museum collections worldwide. Known for her richly layer...

Medium: Oil on canvas Unframed size: 50 x 61 cm (19.7 x 24 in) Framed size: approx. 57 x 68 cm (22.4 x 26.8 in) Year: 2024 Framing: Black or natural wood floater frame available Sign...

Claude Venard (French, 1913 - 1999) Venice Canal, Italy, circa 1950-55 Oil on canvas 24 x 24 inches Signed lower center Provenance: Private Collection, Massachusetts The authenticity of this work has been confirmed by Galerie Felix Vercel. Claude Venard was a notable exponent of the French mid-century post-Cubist movement. He was born to bourgeois parents from Burgogne in Paris, on March 21, 1913. At the age of 17, he enrolled and attended the Ecole des Beaux-Arts, but remained for only two days, not adhering to the school's academic style. Instead, he spent the following six years at the École des Arts Appliqués, taking evening classes and embracing the contemporary Parisian art scene, all the while becoming recognized in its circles. Not able to support himself as an artist, by 1936 he found employment as a restorer at the Louvre, further honing his artistic skills. Paris of the period was dominated by an art trend that strongly favored abstraction. Following a group show at the Galerie Billet-Worms in 1935, art critic Waldemar George declared: "Let's be young again! Painting is not dead… Its course has not stopped. Forces Nouvelles is born." Venard contributed and initially adhered to the strict disciplines of the Forces Nouvelle group. But as with many of his fellow members, he soon abandoned it seeking individual expression. Following WWII, Venard rekindled friendships with past Forces Nouvelles members, joining Pierre Tal-Coat, André Marchand, André Civet...

Georges Dayez , born on July 29 , 1907 In Paris where he died in 1991 , is a French painter , engraver and lithographer of the new Ecole de Paris whose works have been regularly exhibited with those of non-figurative painters. Georges Dayez is the eldest son of the editor Jules Dayez, a native of the North and a son of a peasant, who in 1905 had taken over a small-size engraving studio in Paris rue des Marais, printing in particular gravure reproductions of eighteenth- century images E century. His mother, Marie Brard, was born in Neuilly in a Norman family of Bayeux . After the birth of a second son, the family settled in Vaires-sur-Marne in 1909 where Georges Dayez attended the communal school from 1913 , took refuge for two months in Bayeux in 1914 , in Tinténiac ( Brittany ) In 1918 . In 1919 Georges Dayez obtained his certificate of studies and spent his holidays in Vicq , in the mining country of the north of Valenciennes , with his grandfather, the spectacle of the destruction caused by the war impressively him, then returns to the college of Meaux . In 1924 , after spending the first part of the baccalaureate, he stopped studying to start painting, and studied phototypy and intaglio and lithography in his father's studio. He attended the Académie de la Grande Chaumière at Montparnasse and the Julian Academy in Saint - Germain - des - Prés , as well as the evening drawing courses of the City of Paris, which Adam also followed. In 1926 he was accepted as a "free pupil" in the studio of Lucien Simon at the Ecole des Beaux Arts . From 1927, he made his military service, assigned to Nanterre then to the Aeronautics Directorate of Paris, and painted in 1928 , on a permission, Le Pont du Pouliguen and Le Croisic...