El Greco

"El Greco #7 of 30" is a bronze sculpture created by the talented sculptor, Scott P. Gentry. The

"El Greco #10 of 30" is a bronze sculpture created by the talented sculptor, Scott P. Gentry. The

Interested in painting’s possibilities rather than its history, Mel Davis explores the fundamental properties of the medium through works that range from monochromatic canvases to al...

influence of El Greco, Original Restored Condition Originally $ 12,000.00

York and the fashion world. In Opening of the 5th Seal, a study of an El Greco figure is the source

are each playfully canned. Each jar is filled with the memories of Leonardo, Titian, El Greco, Ingres

) "Like El Greco's, Wah elongated figures fit into his circular compositions. In the artist's view, they

with the memories of Leonardo, Titian, El Greco, Ingres, Picasso, Matisse, de Kooning, Pollock, Kahlo

playfully canned. Each jar is filled with the memories of Leonardo, Titian, El Greco, Ingres, Picasso

ages (Mantegna, Guercino, El Greco, Rubens, Van Dijck, etc.). In 1911, a musical play called 'Le

personal connection, even blood ties, with the art and culture of the country of El Greco. Rapoport began a

personal connection, even blood ties, with the art and culture of the country of El Greco. Rapoport began a

personal connection, even blood ties, with the art and culture of the country of El Greco. Rapoport began a

personal connection, even blood ties, with the art and culture of the country of El Greco. Rapoport began a

personal connection, even blood ties, with the art and culture of the country of El Greco. Rapoport began a

personal connection, even blood ties, with the art and culture of the country of El Greco. Rapoport began a

, confirming a sense of personal connection, even blood ties, with the art and culture of the country of El

interest in the works of El Greco and Velasquez and primarily, Goya. From this experience, Lorjou began

expressionism reflecting influences as varied as Toulouse-Lautrec, Van Gogh, Cézanne, Goya, Velázquez and El

memories of Leonardo, Titian, El Greco, Ingres, Picasso, Matisse, de Kooning, Pollock, Kahlo, Warhol and

by artists over the years. Of course, by Rubens, Caravaggio, El Greco, Jacob Jordaens, Fra Bartolomeo

mannerist portraits allows Picasso's admiration for the art of El Greco to shine through. The etching, which

work. Benton was also greatly influenced by how lines and forms were used by Spanish painter El Greco

greatly influenced by how lines and forms were used by Spanish painter El Greco (1541-1614). Returning to

reminiscent of El Greco. A fire in 1960 destroyed the church and the painting. In 1955 he received a two

reminiscent of El Greco. A fire in 1960 destroyed the church and the painting. In 1955 he received a two

reminiscent of El Greco. A fire in 1960 destroyed the church and the painting. In 1955 he received a two

reminiscent of El Greco. A fire in 1960 destroyed the church and the painting. In 1955 he received a two

Christ and was painted in a style reminiscent of El Greco. A fire in 1960 destroyed the church and the

: Guido Reni, Pieter Bruegel the Elder, El Greco,  Meindert Hobbema , Caravaggio, Rembrandt van Rijn

said the El Grecos he saw proved to be most influential in his work. While traveling, he paid his way

: Claude-Joseph Vernet,Cornelis van Haarlem, Pieter Bruegel the Elder; El Greco; David Teniers the Younger

names as: Pieter Bruegel the Elder (Flemish 1525-1569); El Greco (Spanish 1541-1614); David Teniers the

del Greco: "El entierro del Conde de Ordaz", que lo mandó realizar Andrés Nuñez de Madriden 1586 y que

El Greco black 04. Greek fisherman’s light. Black enamel pendant light with clear glass. White

El Greco purple. Greek fisherman’s light. Deep purple enamel pendant light with clear glass. White

El Greco black 03. Greek fisherman’s light. Black enamel pendant light with clear glass. White

El Greco black 05. Greek fisherman’s light. Black enamel pendant light with clear glass. White

El Greco black 01. Greek fisherman’s light. Black enamel pendant light with clear glass. White

El Greco black 02. Greek fisherman’s light. Black enamel pendant light with clear glass. White

be followed from the paintings of El Greco to the election of Doge and hence a natural motif for the

Clausen Bjerg (26 January 1886 – 17 February 1955) was a Danish sculptor who worked primarily in the El

can be found, for example, in paintings of St. Francis in ecstasy by El Greco. The subject of St

survives in the Morgan Library (Inv. 1982.39). El Greco would later also reference this composition in

World War II, Levine was exposed to the mannerist style of El Greco, and he started creating figures

, and El Greco, Cortland Butterfield established himself as a modern master of the portrait.

developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something

. Inspired by books on Rembrandt, Vincent van Gogh, El Greco, and Paul Gauguin, as well as documentaries on

lived and worked. Inspired by books on Rembrandt, Vincent van Gogh, El Greco, and Paul Gauguin, as well

. Inspired by books on Rembrandt, Vincent van Gogh, El Greco, and Paul Gauguin, as well as documentaries on

. Inspired by books on Rembrandt, Vincent van Gogh, El Greco, and Paul Gauguin, as well as documentaries on

of Renaissance art masters such as El Greco. He studied at the National School of Ceramics, where he

of Renaissance art masters such as El Greco. He studied at the National School of Ceramics, where he

such as the National Museum of Decorative Arts of Madrid or the House of El Greco de Toledo. • Size

Velázquez or El Greco. In the early years his work shows a colorism where the influences of his teachers are

Baroque artists. He makes a tribute to El Greco using the theme of the knight's hand on his chest. During

Baroque artists. He makes a tribute to El Greco using the theme of the knight's hand on his chest. During

Tuscan Master (17th century) - Raising of the Cross. 52 x 45.5 cm without frame, 69 x 62.5 cm with frame. Antique oil painting on panel, in a carved, gilded and painted wooden fram...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm good conservation conditions ...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna hol...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorent...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting ...

Beautiful big bucket vase with two steel handles, Famille verte. Excellent decorated with women and young boys in a walled garden and princess on horseback. Elegant precious Chinese...

ITALIAN SCHOOL "TOBIAS AND THE ARCHANGEL RAFAEL" 18TH CENTURY Oil on canvas made in the 18th century, It represents the moment in which the archangel Raphael instructs a young Tobit...

Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632). Provenance: Private Collection, Uruguay, since the 1930s. The eldest son of Jan Breughel the Elder, Jan the...

Provenance: Achillito Chiesa, Milan Luigi Albrighi, Florence, by 1 July 1955 with Marcello and Carlo Sestieri, Rome, 1969 Private Collection, Connecticut Exhibited: Mount Holyoke C...

Discover a unique and exceptional piece of religious art with this impressive gilded silver Orthodox cross, dated 1750. An object of devotion and sacred art that carries a rich histo...

Matteo Bonechi (Florence, Italy, 1669 - Florence, Italy, 1756) Title: Presentation of Jesus Medium: Oil on canvas Dimensions: without frame 75 x 49 cm – with frame 89.5 x 65 cm Shap...

Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...

OUR LADY OF GLORY WITH ORATORY Brazilian sculpture of the 19th century , in polychrome and gilded wood. Oratory in painted and gilded wood. Small defects. Dim.: (sculpture) 42 cm; (...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf K...

Elevate your collection with this breathtaking oil painting, "Adoration of the Magi," skillfully rendered on a magnificent 51x40 cm Cotognino Alabaster panel. This extraordinary piec...

Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...