Rugs

20Thc Navajo Yei Indian weaving in colorful pictorial.The condition is very good.

A 19th-century American rag rug, hand loomed in two panels and finished with bound tan edges. Repeating bands of raspberry, blue, tan, and black run the length of the rug, with thin ...

A celebration of botanical beauty and contemporary textile art, this hand-tufted rug depicts an abundant bouquet of white blossoms resting on a painterly draped fabric. Delicate ivor...

An early 20th-century American hooked small square rug Details rug no. j5169 size 2' 10" x 3' 2"

This contemporary hand-tufted rug celebrates a vibrant botanical composition, blending artistic expression with soft, inviting textures. Featuring a lush cluster of stylized white bl...

This is an Antique & Unique Sarkoy (Sharkoy or Şarköy) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave in...

This is Central Anatolian Antique Kilim, from the Isparta region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and ...

This is a Western Anatolian Modern 'New' Fine Kilim from the Manisa region with a rare and beautiful color composition. This kilim is woven according to traditional kilim technique...

This rug features an abstract, modern design with an organic, freeform shape. The color palette includes earthy tones like beige, terracotta, deep green, gray, and cream, creating a ...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

Floral Echoes is a textured mix of colors and shapes that feel like petals, leaves, and landscapes woven together. Soft blues and greens resemble flowing rivers and lush fields, whi...

One of a kind large square room size with a happy-go-lucky large camel sitting on an ivory ground. The wool on this is phenomenal. it's soft on the feet. The hump on the camel has a ...

This is a rare antique Sewan Kazak Rug from the Sewan / Sevan region in the southwest Caucasia. This is another handsome example of the “Sewan” Ka...

Decorative and exceptionally large Burchell's zebra skin (Equus quagga burchellii). The skin displays the species' distinctive striped pattern in warm dark brown and cream tones, ma...

Winter Rose captures the quiet poetry of nature in hibernation a soft bloom frozen in time. This sculptural rug blends abstract floral gestures with geological layering, rendered in ...

This vintage Yahyali runner from the Kayseri region of Central Anatolia presents a bold and expressive example of Anatolian village weaving. The composition is defined by a vertical ...

This is an Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word Kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting Kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this Soumak, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian Kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak which has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice Kilim under a long wooden dining table.

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

rare square shaped tribal Persian Gabbeh rug from the 2nd quarter of the 20th century. The signature reads "order by reza" and dated 1940 in farsi. It must have been custom made duri...

Antique East Anatolian long runner rug. A great antique village rug from Eastern Turkey with considerable age and a highly unusual and intriguing design. The pile of the rug is knotted in angora (mohair), rather than wool, another unusual feature. Fantastic color palette with superb natural dyes. A top-flight collectible item that should be of interest even for the seasoned connoisseurs. Well preserved and complete after minimal professional repairs. As a valuable antique...

A beautiful American hooked runner from the 2nd quarter of the 20th century Details rug no. j5212 size 2'2" x 9'

This is a South Anatolian Vintage / Semi-old Handwoven Runner Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are...

Misshapes Dune Form explores the beauty of unstructured design through an organic, free-form silhouette inspired by nature’s slow transformations. This sculptural rug blends soft des...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

A vintage Turkish cicim mini kilim featuring an earth brown field with crisp geometric lattice motifs and richly textured raised embroidery. The composition is grounded and architect...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

A handmade mini-size American hooked rug from the middle of the 20th century showing a duck Measures: 2' x 2'6''.

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

A radiant example of early American textile artistry, this monumental antique hooked rug, circa 1900, captivates with its romantic floral composition and exuberant color palette. Han...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

This is Central Anatolian Antique Kilim from the Konya - Obruk region with a rare and beautiful color composition. This highly collectible antique kilim has a wonderful special col...

These Amish Braided & crochet area rugs are very hard to find in good condition.They were made in Lancaster County,Pennsylvania in Amish country.Its a mix of wool and polished cotton.

This is an antique Central Anatolian Kilim from the Yahyali region in Kayseri with a rare and beautiful color composition. The earliest recorded occupation of Kayseri dates back to ...

A beautiful antique hand-knotted Chinese Nichols Art Deco large room size wool area rug China, Circa 1920s Tan and soft mauve field, with navy blue and brown floral design Measure...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...

This is a Central Anatolian Old Kilim from the Sivas region with a rare and beautiful color composition. Sivas In the third century, Sivas was a Roman city known as Sebastea, the capital of Armenia Minor. Flourishing under Byzantine rule, Sivas reached a peak of prosperity under the Seljuks, only to be plundered in the fourteenth century by Tamerlane, as it was an important venue on the Persian and Iraqi trade routes. The Sivas region is inhabited by Turkish and Kurdish people, and until the genocide wrought by the Turks early this century, many Armenians dwelt there as well. Sivas gained certain fame as the site for the Sivas Congress of September 1919, convened by Mustafa Kemal...

This is Central Anatolian Vintage with a rare and beautiful color composition. It is a long and thin runner that reaches up to three meters. What is amaz...

This is a large Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which new weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak Kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this sumac, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak. It has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice kilim under a long wooden dining table.

A vintage Turkish Anatolian carpet from the mid-20th century with cotton highlights.

This striking hand-woven Kente cloth is an authentic West African textile created within the revered Ewe–Asante (Ashanti) weaving tradition of Ghana, celebrated for its vibrant color, symbolic geometry, and extraordinary craftsmanship. Woven from a luxurious blend of silk and cotton, this piece exemplifies the artistry and cultural depth that have made Kente one of the world’s most recognized and collected textiles. The design features a dynamic palette of turquoise green, golden yellow, warm brown, and glowing orange, arranged in rhythmic bands and geometric motifs. Each color carries traditional meaning—green for renewal and growth, yellow for wealth and vitality, and rich earth tones for grounding and stability—creating a composition that is both visually captivating and culturally resonant. Kente cloths were historically worn by royalty and used for important ceremonial occasions, making them powerful expressions of prestige, heritage, and identity. Today, they are prized by collectors and interior designers alike for their bold graphic presence and textural richness, whether displayed as wall art, draped over furniture, or incorporated into curated interiors. Dimensions: 83” x 118” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Ghana, Africa Material: Silk, Cotton Condition: Good The Persian Knot Gallery, SKU: 2322 African Kente Cloth, Ewe Kente Textile, Ashanti Kente, Hand Woven African Textile, Ghanaian Kente Cloth, Silk And Cotton Kente, African Wall Hanging, Tribal Textile Art, Vintage African Fabric, Ghana Textile...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awi...

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani ...

This is a South Eastern Anatolian antique Kilim from the Malatya region with a rare and beautiful color composition. Malatya is Turkey's main kilim production area, and there are many variations. This is one of them, a runner-type kilim. The thread is thin, and the weave is very fine and dense. Some metallic threads are used in this antique kilim, which is rarely seen in Anatolian kilims. Red, navy blue, and gray are the colors that determine the impression of this kilim. Other colors, such as brown, yellow, and light blue, are also used in the patterns. The wavy horizontal striped pattern, plain pattern, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern of the motif and the pattern of the wave are about the same amounts, giving a lively impression without getting busy. The deep shades of colors and patterns that are familiar to each other are unique to antiques. However, it still retains good coloring, which makes it hard to believe that it is an antique. The runner type is a good type to make this kilim unique. Also, for those who want to create a different kind of home, the use of runners is very effective. Malatya is a town built on one main street that continues for several miles. It is situated in the Tohmasuyu River basin, which is encircled by the high peaks of the eastern Taurus Mountains. This is a fertile agricultural region, particularly for apricots, and has been a prolific weaving area for many years. The modern town was established in 1838; old Malatya, which is close by, was once an important city in Armenia Minor. In Roman times it was important as a garrison town on the eastern frontier, and the settlement came under Ottoman rule in the early fifteenth century. Considering the number of kilims woven in this region there is a surprising lack of diversity in design, especially in the larger kilims; this is possibly a direct result of the Kurdish tribal tradition of weaving only one type of design. Small prayer rugs...

Navajo rugs and blankets are textiles produced by Navajo people of the four corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade...

Rare American Hooked rug with a happy colorful motif. Dated 1963 and initialized IEV. Not sure whose name is in the initials Measure: 30'' round.

This fine hand hooked horse & rider rug is in a black frame and mounted ready to hang in your home. It is wired for hanging and in pristine condition. Its been prof. cleaned.

Oushak rugs, also known as Ushak rugs, are woven in Western Turkey and have distinct designs, such as angular large-scale floral patterns. They usually evoke a calmness and peacefuln...

Navajo rugs and blankets are textiles produced by Navajo people of the Four Corners area of the United States. Navajo textiles are highly rega...

This is a Central Asian Old Tekke Bukhara Turkmen Carpet from the Turkmenistan Bukhara region with a rare and beautiful color composition, high-quality materials like; wool & dyes. ...

Vintage Andean Peruvian Manta Cloth South American Vintage Textiles. A very fine Vintage Manta cloth from the Pisac near Cusco in the High Andes region of Peru Woven in came-lid fibr...

This fine large Navajo Indian weaving rug is in pristine condition and has been professionally cleaned.This geometric eye dazzler has great colors & most unusual pattern.

Celebrate the charm of American folk art with this exceptional vintage hand-hooked rug, crafted in the late 1800s in the historic New England region. Featuring a striking geometric p...

This Navajo Indian weaving has a saw tooth border and most unusual colors.The weaving is in pristine condition.

This is Eastern Anatolian Old Vintage Kilim from the Mut, Adana region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colo...

A handmade one of a kind American Hooked Rug from the 3rd quarter of the 20th century with an irregular checkerboard pattern Measures: 3' x 5'7''.

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This vintage square carpet presents a disciplined yet visually compelling composition, centered around a precise focal point from which concentri...

This is an old vintage kilim from the Kars region in northeastern Anatolia. The old sector and newer southern districts of Kars are joined by a bridge built by the Seljuk Turks over...

This amazing hand hooked mounted rug with multi braided borders is 19th century and in very good condition. This fantastic work of art comes from Ex Stephen Score Antiques Inc. colle...

a mid-20th-century green Turkish Deco Runner Details rug no. r4494 size 1' 10" x 7' 7" (56 x 231 cm)