Found Object Assemblage

Rod Lathim’s Glowgrass transforms a vintage wooden dobro into a fusion of sculpture, sound, and spirit. Rooted in the traditions of American folk, country, and bluegrass, the dobro h...

The assemblage comprises objects relating to the history of design, seen in the wider sense of the human tendency to manipulate nature.

Beyond Baroque Literary Art Center Gift direct from the Artist Consigned to ViCA

Artist Commentary: Made from post consumer can-tabs. Can-tabs can be found in a rainbow of colors according to their brands. The blue are from Michelob beer and the pink are from Whi...

Artist Commentary: Aluminum can-tabs chained together with safety pins are layered, massed and attached to an MDF backing creating a dense sparkling texture. The can-tabs are reflect...

This sculpture created by Ken Butler is part guitar part surfboard. It is made in the spirit of absurdity many surrealists embraced using found objects in functional scenarios. signe...

This guitar-sculpture designed by Ken Butler features a compilation of dials, gauges, wires and knobs. The body of the guitar is an actual plastic drill case. This sculpture has a st...

“Grist” 2017 Fabricated wood, steel, reclaimed wheels, paint 47 h X 31 w X 35 d (inches) Signed Provenance: The collection of the artist Born in Jamaica, West Indies, and raised ...

A unique contemporary found object assemblage tapestry made of Pepsi with Olympics logo, Sunkist, Budweiser Beer, Seltzer, Coca Cola Classic, White Rock and Hawaiian Punch aluminum s...

Created following a trip to the Caribbean, it integrates found objects—shells, sand, and organic fragments—into an impasto surface that evokes a marine fossilscape.

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide.

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide.

Created following a trip to the Caribbean, the piece integrates found objects—shells, sand, and organic fragments collected along the shore—into an impasto surface that evokes the te...

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide.

A native of working-class suburban Detroit, Kelley studied at the California Institute of the Arts before developing a heterogeneous practice spanning found-object sculpture, textile...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio.

He also has built what he termed "electro sculptures," assemblages of found objects and electrical parts.

Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects.

Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects.

Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects.

Joseph Cornell & Box Constructions There is also resonance with Joseph Cornell’s shadow boxes — poetic assemblages of found objects that suggest memory, longing, and narrative.

He was inspired by Cubism and Dada, appreciating their use of found objects, text, and assemblage to express anarchy, humour, anti-war sentiments, while flirting with conceptualism.

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional...

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional...

In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional...

Upon his return to Israel in 1961, he became a driving force behind the break from the charismatic monopoly of lyric abstraction there. Tumarkin created assemblages of found objects,...

Playful as well as confrontational, Quick’s work challenges socio-political, historical and religious themes,integrating vintage crankshafts and found objects into narrative assembla...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

He also began to build assemblages of found objects and materials that maintained a continuous flat surface, which were simultaneously sculptures as well as being blocks for prints.

He also began to build assemblages of found objects and materials that maintained a continuous flat surface, which were simultaneously sculptures as well as being blocks for prints.