Found Object Assemblage

"Brick 2, Crown of Thorns" is a one-of-a-kind piece created by Eustace Mamba. This oil sticks, oil paint, wire, and sewn mixed media on found brick sculpture measures 5.5”h x 2.5”w ...

"Delivered and Discarded (positives) #2" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

Roni Nicholson (American, XX), "A Life #1", Mixed Media on Linen with Assemblage Elements, 1998, signed, titled, and dated verso, unframed. 52.25" H x 54" W x 1.25" D. Provenance: ...

A textural oil painting by Darius Yektai (b. 1973 / Southampton, NY) made up of a motley of flowers, from Roses, to Hydrangeas, to Babys Breath and more. Affixed to an oil painting w...

This sculpture titled "You Are Here: Green" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. The piece measures 4"h x 4"w x 1.75"d. Kelly Kozma is...

He creates textured collage paintings and found-object assemblage sculpture. He has had solo exhibitions at Martos Gallery, New York; the Journal Gallery, Brooklyn; Shoot the Lobster...

In December, the Butler Institute mounted a second show, devoted to the found-object assemblages and collages that Ms. Harmon made intermittently in the 1960's and 70's.

Milgrim’s sculpture practice is restless by nature, evolving every few years and incorporating new materials and concepts. She utilizes a diverse range of industrial, found, and dist...

Milgrim’s sculpture practice is restless by nature, evolving every few years and incorporating new materials and concepts. She utilizes a diverse range of industrial, found, and dist...

Milgrim’s sculpture practice is restless by nature, evolving every few years and incorporating new materials and concepts. She utilizes a diverse range of industrial, found, and dist...

Milgrim’s sculpture practice is restless by nature, evolving every few years and incorporating new materials and concepts. She utilizes a diverse range of industrial, found, and dist...

Milgrim’s sculpture practice is restless by nature, evolving every few years and incorporating new materials and concepts. She utilizes a diverse range of industrial, found, and dist...

Szabó’s practice occupies an interesting territory between contemporary assemblage, found-object art and traditional metalworking.

His practice occupies the intersection of contemporary figurative sculpture, assemblage and found-object art. His sculptures have been presented in exhibitions in Hungary, and he is ...

His practice occupies the intersection of figurative sculpture, found-object art and assemblage.

The assemblage comprises objects relating to the history of design, seen in the wider sense of the human tendency to manipulate nature.

Rod Lathim’s Cantabile transforms a repurposed cello into a radiant sculpture where light and music converge. Painted in luminous white with edges subtly traced in black, the instrum...

Rod Lathim’s Euphonic Flame transforms a repurposed trombone into an illuminated sculpture that blurs the boundaries between object, sound, and spirit. Rising vertically like a ritua...

Rod Lathim’s Glowgrass transforms a vintage wooden dobro into a fusion of sculpture, sound, and spirit. Rooted in the traditions of American folk, country, and bluegrass, the dobro h...

Beyond Baroque Literary Art Center Gift direct from the Artist Consigned to ViCA

Artist Commentary: Made from post consumer can-tabs. Can-tabs can be found in a rainbow of colors according to their brands. The blue are from Michelob beer and the pink are from Whi...

Artist Commentary: Aluminum can-tabs chained together with safety pins are layered, massed and attached to an MDF backing creating a dense sparkling texture. The can-tabs are reflect...

This sculpture created by Ken Butler is part guitar part surfboard. It is made in the spirit of absurdity many surrealists embraced using found objects in functional scenarios. signe...

This guitar-sculpture designed by Ken Butler features a compilation of dials, gauges, wires and knobs. The body of the guitar is an actual plastic drill case. This sculpture has a st...

“Grist” 2017 Fabricated wood, steel, reclaimed wheels, paint 47 h X 31 w X 35 d (inches) Signed Provenance: The collection of the artist Born in Jamaica, West Indies, and raised ...

A unique contemporary found object assemblage tapestry made of Pepsi with Olympics logo, Sunkist, Budweiser Beer, Seltzer, Coca Cola Classic, White Rock and Hawaiian Punch aluminum s...

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide.

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide.

Created following a trip to the Caribbean, it integrates found objects—shells, sand, and organic fragments—into an impasto surface that evokes a marine fossilscape.

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide.

Created following a trip to the Caribbean, the piece integrates found objects—shells, sand, and organic fragments collected along the shore—into an impasto surface that evokes the te...

A native of working-class suburban Detroit, Kelley studied at the California Institute of the Arts before developing a heterogeneous practice spanning found-object sculpture, textile...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

He also has built what he termed "electro sculptures," assemblages of found objects and electrical parts.

Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio.

Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects.

Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects.

Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects.

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

Joseph Cornell & Box Constructions There is also resonance with Joseph Cornell’s shadow boxes — poetic assemblages of found objects that suggest memory, longing, and narrative.

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

He was inspired by Cubism and Dada, appreciating their use of found objects, text, and assemblage to express anarchy, humour, anti-war sentiments, while flirting with conceptualism.

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional...

In my art, I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional...

In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional...

Playful as well as confrontational, Quick’s work challenges socio-political, historical and religious themes,integrating vintage crankshafts and found objects into narrative assembla...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotiona...