Framed Engraving

Coloring remains soft and well-preserved. Framing Tips: These grass engravings look excellent in thin natural-oak or birch frames that echo the pale tones of the paper.

Slight age toning and minimal foxing in margins, consistent with age. Framing tips: These engravings pair beautifully in a triptych arrangement.

Overall very well preserved for its age. Framing tips: This engraving displays beautifully in a simple walnut or dark oak frame with an ivory mat, highlighting the richness of the l...

Overall clean and well-preserved examples. Framing tips: These three engravings make a striking ensemble when framed together in matching dark walnut or gilt frames with ivory mats.

Paper retains good strength, backed with handmade paper. Framing tips: This engraving would present beautifully in a dark walnut or black frame with a light cream or ivory mount, id...

Slight edge wear consistent with age, with no major tears or losses. Framing tips: Frame this engraving with a dark wood or black moulding featuring a gold inner edge for a classic ...

Overall condition is good for a print of this period. Framing Tips: This engraving would display beautifully with a wide ivory museum mat and a gilt, ebonized, or French Empire-styl...

No tears or repairs noted. Framing tips: These engravings present beautifully as a matched set of three, either horizontally in a row or vertically in a column.

Slight edge wear consistent with age but no major tears or losses. Framing tips: Frame this engraving in a dark wood or black moulding with gold inner edging to enhance its classica...

Paper remains strong and stable. Framing tips: This evocative engraving will display beautifully in a classic dark wood, black, or mahogany frame to echo its strong lines, combined ...

Please examine all photographs carefully as they form part of the description. Framing Suggestions: This engraving displays exceptionally well in an ebonized frame with gilt liner ...

Paper is firm and stable with ample margins. Framing tips: This moving biblical engraving will suit a classic dark wood, black, or mahogany frame to highlight its deep tonal contras...

Offered as two separate folio sheets, unframed. Framing tips: These insect engravings are highly effective when displayed together.

Wide margins and plate mark well preserved. Framing tips: This engraving would look elegant in a classic oak or walnut frame with a cream or pale green mount, enhancing the earthy ...

Wide margins preserved. Framing tips: These engravings display exceptionally well in dark walnut, black lacquer, or lightly gilt frames paired with wide ivory or oatmeal mats.

No major tears or losses noted. Framing tips: Frame this engraving with a dark walnut or black moulding with gold trim to enhance its classical style.

A dark wood or antiqued gilt frame would complement the engraving’s historical character.

Plate impression remains strong, with engraved details clear and well preserved. Framing tips: Frame this engraving in a dark wood or black moulding with gold inner edging to enhanc...

The plate impression remains strong with crisp engraved details. Framing tips: Frame this engraving in a dark wood or black moulding with gold inner edging for a classic ecclesiasti...

The impression remains strong and clear. Tips for framing: This engraving would suit a classic thin gilt or walnut frame with a cream or warm grey mount to highlight its historical ...

The plate impression is strong, and engraved details remain clear and well defined. Framing tips: Frame this engraving with a dark walnut or black moulding with gold edging for a cl...

Slight edge wear consistent with age, no major tears or losses. Framing tips: Frame this engraving in a dark wood or black moulding featuring a gold inner edge to enhance its classi...

Their elegant compositions, surrounded by generous blank margins, create a remarkably modern presentation despite their 18th-century origin. Framed together, these engravings displa...

Some light toning and minor foxing near the edges. Blank verso. Framing suggestion: To highlight the engraving's refined detail, frame it with a simple dark wood or ebonized frame a...

The image is sharp with a strong impression. Framing tips: This engraving would look excellent in a dark wood or antique gilt frame with a cream or sand-colored mat to highlight its...

Unframed, sold as two separate folio sheets. Framing tips: These engravings work well as a pair.

Accompanied by the original descriptive text sheet. Framing tips: This engraving would be beautifully displayed in a dark wood or black frame, complemented by a cream or light grey ...

The edges have been trimmed and cleaned to present a uniform and visually balanced composition. Framing Tips To best showcase these historical engravings, consider framing them ...

Advice on presentation: 1. Frame the engraving in a classic wooden or antique-style frame to complement its historical charm and scenic beauty.

Print Dimensions: 16 3/4" H x 13 3/4" W Engraving is archivally framed in a custom-built wooden frame with acid-free mats and UV glass. 

The paper is well-preserved, maintaining the vivid clarity of the original engraving. Framing Tips: A classic black or dark wooden frame will highlight the stately elegance of this ...

The plate impression remains clear and strong with fine engraved details well preserved. Framing tips: Frame this engraving in a dark wood or black frame with gold inner lining to e...

It measures 30 by 40cm, and is professionally framed in a 58 by 44 cm white frame with glass. The engraving, as the frame, is in great conditions.

A classic black or dark wood frame will complement the engraving's historical and technical nature, drawing attention to its intricate details.

Overall, an excellent example of late 18th-century engravings. Framing Tip: Pair this engraving with a deep crimson or burgundy acid-free mat to complement the rich tones of the...

Marie Jules César Lelorgne de Savigny (French, 1777-1851) Offered is a framed hand-colored engraving by Savigny entitled “H.N.

The vertical composition lends itself well to a narrow rectangular frame. Technique: Engraving Maker: Anonymous, Dutch, circa 1750–1770

Framing tips: This engraving displays beautifully in dark walnut, ebonized, or black lacquer frames with wide ivory or warm cream mats.

Plate: No. 7028 Date: Circa 1870 Medium: Hand-colored steel engraving on paper Framed Measurements: 12 in. W x 9 7/8 in.

Accompanied by the original descriptive text sheet. Framing tips: This engraving would be enhanced in a dark wood or walnut frame, paired with a cream or soft beige mount to complem...

The hand-coloring is bright and well-preserved, enhancing the fine detail of the engravings. Framing tips: To emphasize both the historical and decorative value, frame with a soft i...

Advice on presentation: 1. Frame the engraving in a simple wooden or antique-style frame to enhance its timeless appeal. 2.

There are no tears or repairs and the plate marks remain clear. Framing tips: This engraving would display well in a classic walnut or dark wood frame with a cream or light ivory ma...

Light age-related toning and faint scattered foxing, primarily in the outer margin. Blank verso. Framing suggestion: To emphasize the engraving’s elegance, use a slender black or d...

- Fig. 5: A small wild cat, perhaps a European wildcat or a margay, with its sleek frame and intricate markings. Bertuch’s engraving reflects 19th-century efforts to catalog an...

Paper remains strong and stable. Framing tips: This engraving displays beautifully in a dark walnut, black, or ebonized frame with a wide ivory or cream mat.

Engraving Size - 8 3/4" Wide x 5 1/2" High. Frame Size - 12 3/4" Wide x 9 1/2" High x 3/4" Deep.

This is an antique county map of Shropshire. An English, framed atlas engraving by Richard Blome, dating to the 17th century and later.

Offered are two framed hand-colored stipple engravings of a scarcely depicted curly-haired Prince Henri D'Artois, Count of Chambord and Duke of Bordeaux and of Princess Louise d'Arto...

Please examine the photographs carefully as they form an integral part of the condition description. FRAMING: The four engravings are offered unframed.

Lower border a bit cut short, otherwise fine for framing. This exceptional engraving is a must-have for collectors of natural history, antique prints, or those seeking to own a ta...

"Globe Aerostatique" a gilt framed hand-colored Engraving, French circa 1787, after Claude Louis Desrais, (1746-1816.)

Plate mark visible. Framing tips: This engraving benefits from a wide mat in warm off-white or light grey, paired with a natural oak, walnut, or black frame.

Minor edge wear only; no significant tears or losses. Suitable for framing. Framing Tips: These grass engravings look excellent in thin natural-wood frames such as oak, ash, or birch.

Offered is a pair of framed stipple engravings on wove paper engraved by Francesco Bartolozzi (Italian, 1727-1815, "historical engraver to His Majesty” ) after original drawings by H...

A warm ivory mat paired with a simple dark oak or gilt frame will emphasize the engraving’s architectural precision and historical gravitas.

The image itself remains visually strong and highly suitable for decorative framing. Condition report: Hand-colored engraving on paper.

Singed on Right: Stefan Martin (American 1936-1994) image: 5 3/4" x 9 3/4" matt: 12" x 17" "ready for framing" An original wood engraving on paper by artist Stefan Martin depicti...

Paper remains firm and crisp. Framing tips: A warm cream or light stone mount will complement the sepia-grey tones of the engraving.

The paper is strong with wide margins preserved. Framing tips: This engraving would frame elegantly in a dark wood or ebonized frame with a light ivory or pale blue mount, highlight...