"Globe Aerostatique" a Hand-Colored Engraving, after Claude Louis Desrais

Set of 4 hand colored Antique Engravings of Garden Architecture by Van Laar, circa 1802. Prints are from "Magazijn van Tuinsieraden," Amsterdam, ...

Set of Three Hand Colored Copper Wheel Engraved Floral Prints by John Hill c1756. One print signed in the plate, "I Hill." Published in England and hand colored. From an edition of 6...

Hand-colored lemon botanical engravings attributed to Giovanni Battista Ferrari's "Hesperides, sive, De Malorum Aureorum culture etude Libri Quatuor." This was Giovanni's masterpiece publication of citrus published in Rome in 1646. It is considered to be one of most precise and decorative botanical works of 17th century Europe. Each copper plate print is protected by a hand-drawn and marbleized mat...

A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...

Large antique sheffield tray with Armorial Engraving on a silver cartouche with Bone Handles c1800. The silvering is not worn through.  

Terracotta after Clodion, A Bacchante Mounted on a Double Marble Pedestal. Signed on the back in the clay "Clodion." Claude Michel Clodion was a French R...

Set of Four Hand-Colored Engravings after Holbein in Giltwood Frames

Original antique print of opossums. Originates from Bertuch's 'Bilderbuch für Kinder'. In 1790 Friedrich Justin Bertuch started his biggest book-project ever. Issued in 12 volumes it...

Early 17th century, French hand colored equestrian engraving. After Antoine de Pluvinel (French, 1552-1620), "Henry IV, Mounted", figure 42 from "L'Instruction du Roy en l'Exercice de Monter a Cheval", c. 1625, matted and framed under UF-3 plexiglass (blocks approx. 97% of UV) , gallery label verso. Figures from this publication have sold at Christie's. Those were not hand colored. A highly detailed engraving with the French King Henry 1V the central figure. Mounted on horseback, Le Roy (the King) is watched by no less than 10 courtiers some of whom are mounted on horseback, all of which are named in the engraving. Antoine de Pluvinel (1552, Crest, Dauphine - 24 August 1620) was the first of the French riding masters, and has had great influence on modern dressage. He wrote L’Instruction du Roy en L'exercice de Monter à Cheval ("instruction of the King in the art of riding"), was tutor to King Louis XIII, and is credited with the invention of using two pillars, as well as using shoulder-in to increase suppleness. In 1594, Pluvinel founded the "Academie d'Equitation" near what is now Place des Pyramides. There, the French nobility was trained not only in horsemanship, but also in all the accomplishments (dancing, fashionable dressing, etc.) It can be said that Pluvinel's influence on the aristocracy lasted from the late 16th century to the 17th century. Richelieu, the future Prime Minister of King Louis XIII attended the Academie; so did William, Duke of Cavendish. Pluvinel's book was published posthumously by the Flemish engraver Crispijn van de Passe II and the royal valet de chambre...

An inside View of the Rotundo in Ranelagh Gardens, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754. Hand colored engraving, in original ebonized frame with...

Hand-colored copperplate engraving depicting an interesting old view of Copenhagen seen from Frederiksberg Castle Gardens, approximate. 1790-1800. Framed in a mahogany frame from sam...

A hand colored copper engraving print of an American steamship published by President Ackermann & Co, London, 1840 in a later frame under glass.