George Stubbs

'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings.

Portrait of a King Charles Spaniel, 18th Century CIRLCE OF George STUBBS (1724-1806) Large 18th Century English School portrait of a King Charles Spaniel, oil on canvas.

George Stubbs was a famous English painter of the horse and some wild animals.

Paper Size: 26.25 x 27.25 inches ( 66.675 x 69.215 cm ) Image Size: 17.775 x 22 inches ( 45.1485 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling ...

His work is characterized by technical mastery, tonal depth, and a poetic sensitivity to nature — qualities that made him one of the leading figures of the “golden age” of British pr...

His work is characterized by technical mastery, tonal depth, and a poetic sensitivity to nature — qualities that made him one of the leading figures of the “golden age” of British pr...

His works, characterized by technical brilliance and tonal richness, remain benchmarks of 18th-century British engraving. George Stubbs (1724–1806) George Stubbs is regarded as one...

Circle of George Stubbs The Lions Den Oil on canvas Canvas Size 11 x 14 1/2 in Framed Size 17 x 21 in George Stubbs, one of the most celebrated animal painters of the 18th century, ...

George Stubbs (1724-1806) A King Charles Spaniel in a landscape Oil on canvas Signed lower right With labels verso Provenance: Arthur Ackermann & Sons, London; Major P G G Shuter, c...

This painting is based in composition and subject matter, on an earlier painting by George Stubbs.

He copies, among others, Rembrandt, de Heem and George Stubbs.

Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis Mabel Holla...

He copies, among others, Rembrandt, de Heem and George Stubbs.

A pupil of the renowned sporting painter John Frederick Herring and influenced by the traditions established by George Stubbs, Laporte exhibited regularly at the Royal Academy, the B...

There is a long tradition of British horse portraiture, from the clarity of George Stubbs to the more intimate sporting studies of the 19th and 20th centuries.

Indeed, this painting was painted in 1792 when he was living and working in London and it shows influences of George Stubbs and his harvest scenes on panel. He died there 5 years la...

Though less flamboyant than his contemporary George Stubbs, Marshall brought warmth and immediacy to his work.

In his early work, his drawing is charmingly naive and provincial, and shows an awareness of the contemporary work of Thomas Stringer and, ultimately, George Stubbs, both of whom wer...

He is especially noted for his racehorse portraits, often shown within expansive landscapes rather than isolated in strict profile, marking a significant development in the genre tha...

In his early work, his drawing is charmingly naive and provincial, and shows an awareness of the contemporary work of Thomas Stringer and, ultimately, George Stubbs, both of whom wer...

He is especially noted for his racehorse portraits, often shown within expansive landscapes rather than isolated in strict profile, marking a significant development in the genre tha...

Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th ...

NY A descendant of British artist George Stubbs, Harold Hitchcock(1914-2009) painted his first portrait at age 14.

George Townley Stubbs (British, 1756-1815) Published by: S W Fores The Inconvenience of Dress, 1786 Etching and Engraving with Hand Coloring Site Size: 9 1/4" x 7 1/4" Housed i...

His approach reflects the Victorian taste for realism, clarity, and formal presentation, aligning him with the long British tradition of sporting art established by artists such as G...

Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th ...

Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th ...

Towne also made copies of George Stubbs' two paintings exhibited there, 'Harvesters' and 'Reapers'.

Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th ...

Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th ...

Like the great horse painters George Stubbs and Frederic Remington, Jenness Cortez is first and foremost an extraordinary draftsman.

She lectured widely on the “History and Work of the Royal Academy” and on George Stubbs. Her book “Mr. Stubbs the Horse Painter” was published in 1971.

Barret is known to have collaborated with George Stubbs and Sawrey Gilpin for animals in his works, as well as Philip Reinagle and Francis Wheatley for figuration.

She lectured widely on the “History and Work of the Royal Academy” and on George Stubbs. Her book “Mr. Stubbs the Horse Painter” was published in 1971.

Huggins shared many characteristics with George Stubbs, revealing a precocious talent for drawing and painting.

Stylistically, Dupont’s work reflects the continuing influence of earlier British sporting artists such as Lionel Edwards, George Stubbs, and the Alken family, while also displaying ...

Finally, the British landed gentry used animals as status symbols in, for example, the equine paintings of George Stubbs. In my opinion, Disney’s animations capture well the use of a...

She lectured widely on the “History and Work of the Royal Academy” and on George Stubbs. Her book “Mr. Stubbs the Horse Painter” was published in 1971.

Finally, the British landed gentry used animals as status symbols in, for example, the equine paintings of George Stubbs. In my opinion, Disney’s animations capture well the use of a...

James Seymour died in 1752, but his work continued to influence later sporting artists such as George Stubbs. Today, Seymour is remembered as one of the earliest English painters to ...

Finally, the British landed gentry used animals as status symbols in, for example, the equine paintings of George Stubbs. In my opinion, Disney’s animations capture well the use of a...

Huggins shared many characteristics with George Stubbs, revealing a precocious talent for drawing and painting.

Finally, the British landed gentry used animals as status symbols in, for example, the equine paintings of George Stubbs. In my opinion, Disney’s animations capture well the use of a...

Stylistically, Lyne combined the observational precision associated with earlier British sporting artists such as Lionel Edwards and George Stubbs with a freer, more modern handling ...

Regarded as one of the finest British bird painters before George Stubbs, Cradock became celebrated for his naturalistic portrayals of domestic fowl, exotic birds, and game pieces ar...

Wheeler came from a distinguished artistic family; his father, James Wheeler, was also an animal painter, and Alfred developed his skill within the strong English tradition of sporti...

In many ways, he can be seen as a precursor to later British animal painters such as George Stubbs and the sporting artists of the Georgian era.

She lectured widely on the “History and Work of the Royal Academy” and on George Stubbs. Her book “Mr. Stubbs the Horse Painter” was published in 1971.

The painting recalls the tradition of monumental equine portraiture, from George Stubbs’s anatomical precision to Rosa Bonheur’s spirited vitality, yet White approaches the subject w...

Stylistically, Spencer’s work stands midway between the more formal equestrian traditions of the Baroque period and the increasingly naturalistic sporting imagery later perfected by ...

These are often displayed alongside the 18th-century masterpieces of George Stubbs, illustrating the estate's continuous history as a patron of the finest equine art.

In 1769 Mortimer was appointed a director of the Maiden Lane Academy by the Society of Artists and was required to set the life model along with Ozias Humphry, Robert Edge Pine, Geor...