George Stubbs

"Koufax" is a Photorealist oil on canvas painting. The piece features a portrait of a warm reddish brown horse painted with a simple black background, allowing the beauty of the hors...

"Rio" is a Photorealist oil on linen painting. The work features a portrait of a white horse with dappled grey accents painted with a simple black background, allowing the beauty of ...

Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape.

John Henry Fock, 2nd Baron de Robeck (1753-1817) is the sitter in a painting dated 1791 by George Stubbs George Stubbs, 1724-1806 ‘Portrait of Baron de Robeck riding a Bay Hunter’.

Shelley Reed recontextualizes imagery gleaned from art historical sources, typically combining elements from the work of such artists as Alexandre-Francois Desportes (1661-1743), Jea...

Seymour, like his chief rival John Wootton, was in the vanguard of British sporting artists, creating a genre and style that enormously influenced the greatest British sporting artis...

Other notable artist working in this genre were Arthur Devis, William Hogarth, Johann Zoffany, and George Stubbs. The original is in the National Gallery London.

He copies, among others, Rembrandt, de Heem and George Stubbs.

Horse in landscape circle George Stubbs 18th century oil, old master Fantastic study of a Hunter in an elegant landscape with a country house in the distance, circle of the renowned ...

But in Liverpool-born George Stubbs (1724-1806) we have someone who took more of hands-on approach.

A fine 19th-century study of George Stubbs' (1724-1806) delightful depiction of Pomeranian Fino and Terrier Tiny, companions to the Prince of Wales, later to be George IV.

After George Stubbs (1724 - 1806) A Pair Of Horse Equestrian Paintings in original Giltwood Frames, late 19th century.

A nineteenth-century study of a dog against a natural landscape background. Monogrammed "CA" to the lower right. Well presented in a vintage gilt-effect frame. On canvas on stretchers.

George Stubbs, (born Aug. 24, 1724, Liverpool, Eng.

The work is based on the earlier masterpiece by George Stubbs, circa 1770's. Superb painting.

Daniel Clowes is known for horse and landscape, figure painting.His work is in a similar manner to that of George Stubbs and he may have been influenced by Stubb's work.

Daniel Clowes is known for horse and landscape, figure painting.His work is in a similar manner to that of George Stubbs and he may have been influenced by Stubb's work.

He copies, among others, Rembrandt, de Heem and George Stubbs.

The Arabian Stallion Italian School, circa 1970's indistinctly signed lower left oil painting on canvas, framed canvas: 30 x 37 inches framed: 37 x 44 inches provenance: from a priva...

His work is in a similar manner to that of George Stubbs and he may have been influenced by Stubb's work.

Huggins is ofen compared to fellow Liverpudlian artist George Stubbs.

He copies, among others, Rembrandt, de Heem and George Stubbs.

He copies, among others, Rembrandt, de Heem and George Stubbs.

He copies, among others, Rembrandt, de Heem and George Stubbs.

He copies, among others, Rembrandt, de Heem and George Stubbs.

Early on his career, Wootton’s works were patronized by royals such as King George II. As one of the first examples of a British landscape and animal painter, he was a major influen...

He was often compared to George Stubbs, an animal painter of the 18th century.William Huggins first exhibited at the Royal Academy in London and made some successful entries with the...

The work is reminiscent of 18th century animal portraits such as those by George Stubbs who depicted prized or noble wild animals against the English landscape.

The most famous sporting artist in the world was Liverpool's son, George Stubbs. Although William Huggins did paint landscapes and portraits, his great love was animal painting and h...

They’ve worked in a manner associated with well-known 18th-century equine painters such as George Stubbs, John Wootton and John Nost Sartorius.

He enjoyed a lifelong friendship with the artist, George Stubbs. Title: Portrait of a naval captain in a wooded cliffside coastal setting, his Royal Navy brig in the background, at ...

Although his rendition of horses was stylised, he is regarded as one of the great British equine artists, second perhaps only to George Stubbs. Ferneley's paintings depicted hunting ...

In his early work, his drawing is charmingly naive and provincial, and shows an awareness of the contemporary work of Thomas Stringer and, ultimately, George Stubbs, both of whom wer...

In his early work, his drawing is charmingly naive and provincial, and shows an awareness of the contemporary work of Thomas Stringer and, ultimately, George Stubbs, both of whom wer...

In his early work, his drawing is charmingly naive and provincial, and shows an awareness of the contemporary work of Thomas Stringer and, ultimately, George Stubbs, both of whom wer...

Like the great horse painters George Stubbs and Frederic Remington, Jenness Cortez is first and foremost a draftsman.

He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Tho...

It is now clear that Stringer is a more solid and sophisticated painter than Sartorius, and his works shows an awareness of the work of the great George Stubbs. Stringer's style is ...

Echoing the spirit and tradition of masters like George Stubbs, Theodore Gericault, Rosa Bonheur and Sir Alfred Munnings, she also incorporates her own contemporary style, perspectiv...

Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th ...

While Gilpin has often been overshadowed by his incomparable contemporary George Stubbs, he nevertheless stands out as a leading painter of horses and animals in his own right.

Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th ...

One can imagine him excited to catch a glimpse of an engraving after George Stubbs (1724-1806). Inspired by the old English master and keen to hone his skills.

Superb examples, in fine impressions, of these celebrated large mezzotints, scarce in colour and in this fragile condition. They show: A Lion with Snake, A Tigress, a Tyger and Lione...

This royal patronage acknowledged Verschuur’s status as a continuation of the proud international tradition of horse painting set forth by Rubens, Van Dyck, and George Stubbs, celebr...

Superb large scale oil painting of the famous horse Whistlejacket, which was made famous by the British painter George Stubbs. This excellent version of the painting, by the Brit...

The work is based on the earlier masterpiece by George Stubbs, circa 1770's. With his unsurpassed knowledge of anatomy, George Stubbs became the foremost painter of animals during ...

He copies, among others, Rembrandt, de Heem and George Stubbs.

Pair of two mezzotint engravings entitled "Pangloss Belonging to Lord Grosvenor" and "Bandy belonging to Lord Grosvenor." London, Robert Sayer, 1777. Each print ...

Large horse portrait in landscape, an oil painting on stretched canvas in its original frame after Victorian artist, George Stubbs. This is an exceptionally attractive large oil por...

Large horse portrait oil painting, horse in a landscape. This is an exceptionally attractive large size oil portrait on stretched canvas in its original frame. It's signed in the low...

Painted around 1800 by a follower of George Stubbs, the work pays tribute to the celebrated master’s naturalistic precision and his deep understanding of animal anatomy and spirit.

The work is either based on an earlier work by George Stubbs or very much painted in that style.