Gucci Letter Opener and Pen Holder in Leather, 1960s Italy
By Gucci
Located in Los Angeles, CA
Elegant and chic vintage Gucci pen holder and letter opener desk set in black and navy leather with
Vintage 1960s Italian Desk Sets
Brass
Gucci Letter Opener and Pen Holder in Leather, 1960s Italy
By Gucci
Located in Los Angeles, CA
Elegant and chic vintage Gucci pen holder and letter opener desk set in black and navy leather with
Brass
Vintage Gucci Leather Letter Holder
By Gucci
Located in Los Angeles, CA
Petite leather letter holder by Gucci. Circa 1970s. This equestrian letter holder is in the shape
Brass
Gucci Vintage Brown Leather Travel Letter Holder Writing Set Cover
By Gucci
Located in Rome, Rome
Rare vintage travel letter holder/case by GUCCI, crafted in brown leather with green leather
Sold
H 5.75 in W 6.75 in D 6 in
Gucci, Italy - Vintage Equestrian Letter Holder / Desk Organizer c.1975
By Gucci
Located in Bath, GB
A fabulous vintage leather and gilt letter rack dating to c.1975, made in Italy by the iconic
Metal
GUCCI Vintage Silver Metal LETTER RACK Stirrup DESK ORGANIZER Document Holder
By Gucci
Located in Rome, Rome
- 3-sections desk letter/document holder - Silver metal stirrup silhouette - Leather base
Sold
H 2.56 in W 5.52 in D 4.93 in
Mid 20th Century Wolf Head Letter Holder or Paper Clip in the style of Gucci
By Gucci
Located in Roma, IT
about selling it. Usable as a Letter Holder or Paper Clip, it can, given the weight of the large Wolf
Metal, Silver Plate, Bronze
Vintage Gucci Leather and Brass Letter Holder
By Gucci
Located in San Diego, CA
Vintage Gucci stitched leather and brass letter holder. Stamped Gucci logo and Made in Italy on the
Brass
Long before trend-bucking creative director Alessandro Michele brought his hallucinatory “Utopian Fantasy” campaign to Gucci, it was a modest Italian leather shop. Today, it’s an internationally renowned luxury house with an iconic logo, and vintage Gucci clothing, handbags and shoes are among high fashion's most covetable goods.
Guccio Gucci (1881–1953) admired the stylish suitcases he saw wealthy guests arrive with at the Savoy Hotel in London, where he worked as a bellhop. So, in 1921, after a stint at Franzi, a luggage company in his hometown of Florence, he opened a leather goods shop of his own.
At first, Gucci’s Florence business specialized in equestrian accessories. But as its reputation flourished, particularly among the English aristocracy, so too did its footprint. In 1938, he brought three of his sons — Aldo, Vasco and Rodolfo — into the business and expanded it to Rome and later Milan. In the mid-1930s, a League of Nations embargo against Italy pushed Gucci to experiment with alternatives to imported leather. Its woven hemp fabric from Naples, adorned with the brand’s signature diamond print, was a hit, especially among A-list celebrities. The material was first used on suitcases before finding enduring popularity on handbags. (No list of revered designer purses would be complete without Gucci.)
In the 1950s, Elizabeth Taylor carried one of Gucci’s bamboo-handled tote bags, another adaptation to material rationing. After Jackie Kennedy was seen sporting a slouchy Gucci tote in 1961, it was renamed for the First Lady. Then Grace Kelly, on a visit to the boutique in Milan, inspired Rodolfo Gucci to work with Italian illustrator and Gucci textile designer Vittorio Accornero on the Flora print in 1966. Taking cues from Sandro Botticelli’s Primavera, with its pattern of flora and insects, it was painted entirely by hand and featured no fewer than 37 colors.
In 1953, just 15 days after opening his first store on New York’s 5th Avenue, Guccio passed away at 72. The early 1970s saw store openings in Tokyo and Hong Kong, but by the late 1980s, Gucci was floundering. Rodolfo Gucci took charge in 1982, but family drama and lawsuits ensued. In 1993, Rodolfo’s son, Maurizio, transferred his shares in the company to Investcorp, ending the family’s involvement in Gucci. Dawn Mello, then-president of Bergdorf Goodman, joined as creative director in 1989. But it was Tom Ford, who took over as creative director in 1994, who ultimately revived the brand.
Ford’s racy ads, shot by photographers such as Mario Testino, stirred controversy. And his potent vision of sexed-up femininity — with “jewel-toned satin shirts unbuttoned to there,” as Vogue described his breakthrough 1995 runway show — was wildly successful. The new millennium brought new ownership — Pinault Printemps Redoute in 2004 — and a more toned-down vision from Frida Giannini, who became sole creative director in 2006. Alessandro Michele was named creative director in 2015, and the storied brand took a giant leap forward.
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