Horses And Carts

The workers would have provided this by the cart load, moving the sand by horse and cart along the road through to town, to be sold for local use by building firms and in tile-making.

The scene displays houses with chimneys, village people in different shapes and sizes, plant foliage and trees, steps leading up to the village from the river side, a horse and cart,...

In the middle distance, a horse and cart become a focal point around which the crowd gathers, reinforcing the narrative of commerce and social exchange.

The aerial viewpoint is both innovative and disorienting, abstracting the familiar form of the horse and cart into rhythmic patterns of movement, shape, and shadow.

George Turner British, (1843-1910) Crossing the Ford Oil on canvas, signed, further signed & inscribed verso Image size: 15.5 inches x 25.5 inches Size including frame: 21.5 inches...

Oil on Panel, Signed with monogram showing timber framed houses and Horse and Cart in a rural setting. This is one of a Pair of Oil Paintings, please see a picture (below) of both ...

The painting showcases two powerful horses pulling a cart through shallow waters, steered by men harvesting seaweed from the shoreline.

The work depicts a view of the Pont Neuf bridge that runs over the River Seine in Paris, France. There is a horse and cart crossing the bridge with a small dog and a woman wrapped in...

Watercolor based on a sketch the artist completed in 1951. A figure on a horse is talking to a villager, and a horse and cart carrying people is about to cross the stream where a lit...

The work depicts a view of the River Seine as it runs through Duclair in the Normandy region of northern France. To the foreground a horse and cart is travelling along a road that ru...

A lively throng of figures animates the shoreline—fishermen, merchants, women in traditional Dutch attire, and children moving among barrels and crates, all set against a backdrop of...

That means that it would have been constructed effectively as a scale model in the workshop, using exactly the same painstaking methods as its full size counterparts, before being di...

Alongside these natural formations are human elements such as a lighthouse, a coastal town, a sailing ship and steamboat, a railway with a viaduct and a tunnel, and a country road wi...

Elegant figures walk below the almost bare trees and horse and carts travel along the street. Signature: Signed lower right and titled verso Dimensions: Framed: 20"x25" Unframed: 1...

Antoine Blanchard French, (1910-1988) Place de la Concorde Oil on canvas, signed Image size: 12.5 inches x 17.5 inches Size including frame: 18.5 inches x 23.5 inches A lovely Par...

The scene is dotted with citygoers and there are horses and carts and trams travelling along the street.

The last of the leaves have turned brown and several horses and carts and travelling along the street.

The scene is set in autumn - the few leaves left on the tree are brown and the ground is wet from the rain. Trams and horses and carts pass along the road. The sky glows an orange y...

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

So I depicted his famous Rokin painting with horse and cart in the back. All my life I simply adored this painting.

As other figures stop and chat behind them, a horse and cart tries to makes its way through the bustling crowd.

The composition shows the square leading up to the cathedral which is populated with figures dressed in their finery, many with parasols and even a horse and cart. One can just see a...

We see the historic buildings of the town partially destroyed, and the wreckage of a horse and cart in the bleak foreground. It is a pitiful sight.

The village buildings on the left, with their Flemish-style facades, add authenticity to the depiction, as do the expressive figures scattered throughout the scene. A convoy of ho...

Original watercolor on archival paper attributed to the very well known American realist artist Ogden Pleissner. Signed bottom right on unfinished watercolor verso. Unfinished wat...

Vraic was traditionally gathered by horse and cart in Grouville Bay and St Ouen's Bay, and in smaller quantities at Le Hocq and Havre des Pas.

In the foreground a group of children play marbles by a dog as two women chat by a log. Meanwhile, a horse and cart is shown entering the village alongside a barn.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.

In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention.