Pierre Coquet

rhythm." Pierre Coquet (1926–2021) Abstract Composition Oil on board, 44 x 64 x 2 cm (17.3 x 25.2 x 0.8

Abstract Composition, original painting by Pierre Coquet (1926 - 2021) Oil on paper laid on board

Pierre Coquet – Abstract Composition Reference number A217 Framed with a natural oak floated frame

Pierre Coquet – Abstract Composition Reference number A268 Framed with a natural oak floated frame

Pierre Coquet – Abstract Composition Reference number A256 Framed with a natural oak floated frame

Pierre Coquet – Abstract Composition Reference number A85 Framed with a natural oak floated frame

Pierre Coquet - Abstract Composition in white shades Reference number A202 Framed with a natural

Pierre Coquet (1926–2021) – Mushrooms (Champignons de Paris) Oil on canvas, circa 1970, 15 × 21⅝ in

Pierre Coquet - Abstract Composition Reference number A1 Framed with a natural oak floated frame 70

Blue chair, original painting by Pierre Coquet (1926-2021) Oil on paper laid on a board, signed in

Pierre Coquet (1926–2021) – The Cabbage Oil on hardboard, circa 1960, 18⅛ × 21⅝ in. (46 × 55 cm

Composition with jugs, oil painting by Pierre Coquet Reference number F486 Framed with a natural

Abstract Composition, original painting by Pierre Coquet (1926-2021) Oil on paper laid on a board

The roofs of Paris, oil painting by Pierre Coquet Reference number F205 Framed with a natural oak

Pierre Coquet - Still life with red peppers Reference number F286 Framed with a natural oak wood

Pierre Coquet (1926-2021) "La Royale" Oil on panel, circa 1960, 25⅝ × 19⅝ in. (65 × 50 cm) (70 x

Paris, rue des Solitaires, oil painting by Pierre Coquet Reference number F489 The painting is

Pierre Coquet (1926–2021) – "In the Studio Alcove", Oil on hardboard, circa 1960, 17¾ × 24 in. (45

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed

Pierre Coquet - Still life with a yellow tablecloth Reference number F380 The painting is not

Personnages au jardin du Luxembourg, original painting by Pierre Coquet (1926-2021) Oil on paper

Les mâts de bateaux, Cannes, France, oil painting by Pierre Coquet (1926-2021) Framed with a

Pierre Coquet - "Les pots gris"/"Grey pitchers" Reference number F438 73 x 54 cm The painting is

Pierre Coquet (1926-2021) Sitll life with a white and yellow cloth Reference number F283 50 x 60 cm

Pierre Coquet - Still life with bottles and an old iron Reference number F287 This is a oil on

right. Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors

lives is one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or

Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature

French artist Pierre Coquet features thick, rectangular brushstrokes applied diagonally across the canvas

-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on board, 44.5 x 65 x 2 cm (17.5

abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on canvas, 38 x 55 x 2 cm (15 x 21.7 x 0.8

French lyrical abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on board, 20 x 38 x 2 cm

-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on board, 48 x 48 x 2 cm (18.9 x

-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on canvas, 33 x 41 x 2 cm (13 x

-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on canvas, 50 x 61 x 2 cm (19.7

Pierre Coquet - Still life with peppers Reference number F48 Framed with a natural oak floated

Pierre Coquet - Tin cans Reference number F455 Framed with a natural oak floated frame 35 x 40 cm

Truphémus, André Cottavoz, Jean Fusaro, and Pierre Coquet who would become her husband in 1948. With the

Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter, she joined Sanzisme in

Fusaro, and Pierre Coquet who became her husband in 1948. With the latter, she joined Sanzisme in 1945

Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter, she joined Sanzisme in

, André Cottavoz, Jean Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter

she met several artists such as Jacques Truphémus, André Cottavoz, Jean Fusaro, and Pierre Coquet who

Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter, she joined Sanzisme in

as Jacques Truphémus, André Cottavoz, Jean Fusaro, and Pierre Coquet who would become her husband in

Cottavoz, Jean Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter, she joined

Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter, she joined Sanzisme in

, Jean Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter, she joined

as Jacques Truphémus, André Cottavoz, Jean Fusaro, and Pierre Coquet who would become her husband in

, André Cottavoz, Jean Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter

, André Cottavoz, Jean Fusaro, and Pierre Coquet who would become her husband in 1948. With the latter

bottom right. Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting

36 cm This work is painted with oil on a board. Pierre was very sensitive to abstract paintings. He

! Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes

to measure wood strectcher. It is signed in the bottom left. Still lives is one of Pierre favourite

44 cm This work is painted on a board. It is signed and dated 83 in the bottom right. Pierre was

. Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes