Maxs Kansas City

Fernando Natalici, Max's Kansas City photograph 1975: Medium: Inkjet Print. 13x19 inches.

Silkscreen and diamond dust on canvas Dimensions: 22" x 30" An edition of 25 Signed and numbered by the Artist Bob Gruen is one of the most well-known and respected photographers i...

Signed lithograph artist proof . In good condition measures 34x34. Signed and numbered Artist proof

Bob Gruen Debbie Harry (Blondie) Max's Kansas City, 1976, 2018 Limited Edition silkscreen and diamond dust on 320 gram coventry rag paper Signed, numbered 7/10 and dated in graphite ...

oil on canvas ( framed) in the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York...

oil on canvas board, signed verso in the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft ...

Oil on canvas board Signed Verso In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft i...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

Timm MFA In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while...

Timm MFA In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

Timm MFA In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

Image measures 13 x 17 In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

Image measures 12 x 13 Framed in a closed corner steel custom frame In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in ...

Image measures 16 x 18 Framed in a closed corner steel custom frame In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in ...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

The Offs had moved to NY and soon started handing out at The Mudd Club & Max's Kansas City. Basquiat, a fan of the band, was said to have auditioned before later being paid $500 for ...

At the time, the club scene had its own rigid hiearchy. CBGB was for punks; Max’s Kansas City, which had been for Warhol Superstars, was on its way out; the Mudd Club was for “No Wav...

Originally from San Francsico, The Offs had moved to NY and soon started handing out at The Mudd Club & Max's Kansas City. Basquiat, a fan of the band, created what looks like a holl...

Quite by coincidence, he found himself joining an original rock band that would have him in the eye of the punk rock storm that was fast becoming a scene in New York’s East Village, ...

Quite by coincidence, he found himself joining an original rock band that would have him in the eye of the punk rock storm that was fast becoming a scene in New York’s East Village, ...

Struggling in the art world, Schnabel worked as a short-order cook and hung out at Max’s Kansas City, the restaurant-nightclub in Greenwich Village, while he worked on his art.

Struggling in the art world, Schnabel worked as a short-order cook and hung out at Max’s Kansas City, the restaurant-nightclub in Greenwich Village, while he worked on his art.

Struggling in the art world, Schnabel worked as a short-order cook and hung out at Max’s Kansas City, the restaurant-nightclub in Greenwich Village, while he worked on his art.

Andy Warhol star and fashion designer Joan "Tiger" Morse is pictured here with her signature black lace and a feathered mask, with a cigarette and long holder. She was a regular at M...

She painted nonstop. She hung out at Max’s Kansas City, the famed night spot on Park Avenue South in Manhattan, where she befriended artists like Larry Poons, Brice Marden and Dan Ch...

During this period, he frequented Max's Kansas City, writing absurdist theater, poetry, and hanging with influential figures such as art dealer Dick Belamy, filmmaker/photographer Je...

He briefly attending the Kansas City Art Institute before returning to New York in November 1963.

He briefly attending the Kansas City Art Institute before returning to New York in November 1963.

The iconic exterior of Max's Kansas City in the early 1970s . Signed and numbered by the Photographer Image size 10" X 15" on 17" X 22" paper.

He quickly gained recognition from rubbing elbows with NYC scene-makers at Max’s Kansas City and CBGB to running the Dead Boys’ fan club to being a 19-year-old talent booker at the l...

He quickly gained recognition from rubbing elbows with NYC scene-makers at Max’s Kansas City and CBGB to running the Dead Boys’ fan club to being a 19-year-old talent booker at the l...

He quickly gained recognition from rubbing elbows with NYC scene-makers at Max’s Kansas City and CBGB to running the Dead Boys’ fan club to being a 19-year-old talent booker at the l...

He quickly gained recognition from rubbing elbows with NYC scene-makers at Max’s Kansas City and CBGB to running the Dead Boys’ fan club to being a 19-year-old talent booker at the l...

He would be quite patient and be with the work whereas when he got out of the studio, he was a wild man.” The infamous Max’s Kansas City was Williams’ watering hole of choice, as fre...

He would be quite patient and be with the work whereas when he got out of the studio, he was a wild man.” The infamous Max’s Kansas City was Williams’ watering hole of choice, as fre...

He would be quite patient and be with the work whereas when he got out of the studio, he was a wild man.” The infamous Max’s Kansas City was Williams’ watering hole of choice, as fre...

in the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in that time he had an Art studio loft in New York City and while working...

The Offs had moved to NY and soon started handing out at The Mudd Club & Max's Kansas City. Basquiat, a fan of the band, was said to have auditioned before later being paid $500 ...

Originally from San Francisco, The Offs had moved to NY and soon started handing out at The Mudd Club & Max's Kansas City. Basquiat, a fan of the band, created what looks like a holl...

Originally from San Francisco, The Offs had moved to NY and soon started handing out at The Mudd Club & Max's Kansas City. Basquiat, a fan of the band, created what looks like a holl...

At the time, the club scene had its own rigid hiearchy. CBGB was for punks; Max’s Kansas City, which had been for Warhol Superstars, was on its way out; the Mudd Club was for “No Wav...

Struggling in the art world, Schnabel worked as a short-order cook and hung out at Max’s Kansas City, the restaurant-nightclub in Greenwich Village, while he worked on his art.

Originally from San Francsico, The Offs had moved to NY and soon started handing out at The Mudd Club & Max's Kansas City. Basquiat, a fan of the band, created what looks like a holl...

Fernando Natalici, Max's Kansas City photograph 1975: Archival Inkjet Print. 13x19 inches.

Fernando Natalici, Max's Kansas City photograph 1975: Medium: Inkjet Print. 13x19 inches.

As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Max's Kansas City: A Brie...

Patti Smith at Max’s Kansas City: Vintage inspired graphic design print which re-imagines this original Patti Smith concert date to produce a stunning minimalist look inspired by mid...

Vintage inspired graphic design print which by heralded New York designer by Mike Joyce - who redesigned this original Patti Smith concert date to produce a stunning minimalist look ...

Vintage inspired graphic design print which re-imagines this original Patti Smith concert date to produce a stunning minimalist look inspired by mid century modernism Printed on ...

Related Categories Lou Reed. Max's Kansas City. Pop Art. Coca Cola. 1960s.

Related Categories Lou Reed. Max's Kansas City. Pop Art.