Liminal Space

In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a materia...

In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a materia...

In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a materia...

Aeling has long been drawn to the liminal spaces where forest interiors give way to open meadows.

The staircase appears to float in a liminal space, further emphasizing its symbolic and otherworldly qualities.

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

John Rush's Hermes presents the messenger god as a liminal figure navigating the space between opposing worlds.

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

Across these works, forms shift and dissolve into a liminal, indeterminate space, with fragments occasionally reappearing as recognizable figures—owls, crabs, hands.

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

shipped in roll A wandering figure in a liminal dream space, suspended in memory and lingering.

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

The shutter speed is slow as fauna ranging from zebras to dolphins teeter in their liminal, confined spaces. Many stand on beaches or dangle in marshy estuaries at low tide, caught i...

The shutter speed is slow as fauna ranging from zebras to dolphins teeter in their liminal, confined spaces. Many stand on beaches or dangle in marshy estuaries at low tide, caught i...

The shutter speed is slow as fauna ranging from zebras to dolphins teeter in their liminal, confined spaces. Many stand on beaches or dangle in marshy estuaries at low tide, caught i...

"Between Here and There" is an exploration of liminality—the threshold between spaces, emotions, and realities.

Measuring 30 x 25 cm (11.81 x 9.84 in), Entrance and Exit is a contemplative work that distills Narazyan’s vision of reality as a liminal, ever-shifting space shaped by memory and me...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...

A simultaneity of interior and exterior space describes the liminal in-between. This falling away of form opens up the paintings to a dynamic landscape with a sense of forces moving ...