Lindy Painted

In this artwork by Alec Montroy entitled “Lindy’s,” the artist paints the iconic Times Square in New York City and the numerous electronic signs above it.

Lindy Chambers says: "When I start to paint, the color is intuitive, and the process is spontaneous.

Shades of Purple and Gold and abstracts is a new direction for Texas artist Lindy Schillaci. Shades of Purple and Gold shows the warm colors of the Texas landscape on the road to th...

Additionally, the highly textural treatment of the paint helps underscore the turbulence of the work.

Additionally, the abstraction of the figures and gestural treatment of the paint across the canvas serve to highlight the transience of the moment captured within.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Additionally, the abstraction of the figures and gestural treatment of the paint across the canvas serve to highlight the transience of the moment captured within.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

In addition to the colors, the treatment of the paint across the surface of the canvas, and the lack of substantial detail help this work express a somber moment of time passing.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.

The Rhino aloe vase was designed by Zimele Original Ceramics in South Africa.Hand painted by Lindy Hand sculpted by Victor & Sello.The African Circus collection, in Victor's words: ...

Lindy Chambers says: "When I start to paint, the color is intuitive, and the process is spontaneous.

Lindy Chambers says: "When I start to paint, the color is intuitive, and the process is spontaneous.

Lindy Chambers began her trailer paintings in 2011, inspired by the rural “off the grid” lives seen in the region near her Bellville, Texas, home. Beginning with thumbnail sketches a...

Lindy Chambers began her trailer paintings in 2011, inspired by the rural “off the grid” lives seen in the region near her Texas home. Beginning with thumbnail sketches and tonal stu...

Hand-sculpted by Wandile and hand-painted by Lindy, it measures 2" high, 2" long, and 1" wide.

This ceramic flamingo ornament, created by Zimele Ceramics in South Africa, is a beautiful and unique piece of hand-sculpted art. Made by the talented Lindy, who both sculpted and pa...

Sculpted by Victor and meticulously hand-painted by Lindy, the piece measures 4 inches in height, 4 inches in length, and 2 inches in width.

Measuring 2 inches high, 3 inches in length, and 1 inch wide, the piece is meticulously hand-sculpted by Victor and hand-painted by Lindy, showcasing a blend of vibrant colors and fi...

Afterglow and abstracts is a new direction for Texas artist Lindy Schillaci. Afterglow shows the warm colors of the Texas landscape on the road to the Texas Hill Country. Afterglow ...

Dusk and abstracts is a new direction for Texas artist Lindy Schillaci. Dusk shows the warm colors of the Texas landscape on the road to the Texas Hill Country. Dusk is a mixture of...

Variations of Greens and abstracts is a new direction for Texas artist Lindy Schillaci. Variations of Greens shows the warm colors of the Texas landscape on the road to the Texas H...

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention.