Mary Stuart

Large bronze sculpture with brown patina, depicting Mary Stuart: a young woman in elegant, refined attire, lace and jewels.

This remarkable antique cameo brooch is masterfully carved in hardstone, depicting Mary Stuart (Mary, Queen of Scots) in exquisite detail.

A wonderful example of Mary Stuart (Mary, Queen of Scots) hand wrought commemorative embroidery with a central foliate cartouche surrounded by four smaller ones, each with metallic t...

Antique portrait titled 'Maria Stuaert (..)'. Old portrait of Mary Stuart, Queen of Scots. This print originates from 'L'histoire des Pays-Bas d'Emanuel de Meteren.

TITLE: The Historie of the Life and Death of Mary Stuart Queene of Scotland. PUBLISHER: London: by John Haviland, and are to be sold by William Sheares, 1636.

Antique print titled 'Cap worked by Queen Mary Stuart'. Chromolithographic plate originating from 'The Royal House of Stuart.

8 x 10" vintage silver gelatin photograph of operatic soprano Beverly Sills in a multiple exposure in costume as Elizabeth I, Mary Stuart, three of her New York Opera roles in 1972.

Inspired by George Byrons's poem "Herod’s Lament for Mariane" Exhibited in Milan (Italy) in 2005. Exclusively on 1stdibs measures are referred to the painting. Passepartout is 50x35...

Mary Stuart’s practice is driven by a desire to give form to the immaterial so that we can experience encounters that are immeasurable.

Mary Stuart’s practice is driven by a desire to give form to the immaterial so that we can experience encounters that are immeasurable.

Mary Stuart’s practice is driven by a desire to give form to the immaterial so that we can experience encounters that are immeasurable.

Mary Stuart’s practice is driven by a desire to give form to the immaterial so that we can experience encounters that are immeasurable.

Mary Stuart’s practice is driven by a desire to give form to the immaterial so that we can experience encounters that are immeasurable.

Mary Stuart’s practice is driven by a desire to give form to the immaterial so that we can experience encounters that are immeasurable.

With a deep blue border and yellow painted over clear glass, the window is vibrant and detailed, especially when lit from behind. Mary Stuart, Queen of Scotland from 1542 til 1567, ...

At the centre is a distinguishable illustration of Mary Stuart, Queen of Scotland from 1542 til 1567, among scrolling foliage and a vibrantly coloured stained glass panels.

The latte style is fully embroidered with the gold-tone Dior Around the World motif by Pietro Ruffo, showcasing a star decorated with flowers in honor of Scottish heritage, the colle...

Painted by George Carr Drinkwater, this vibrant oil on canvas depicts the actress of stage and screen Cecily Byrne as Mary Stuart. Painted circa 1930 it is a stunning evocative portr...

Echoing the show’s romantic, historical spirit (with nods to Mary, Queen of Scots / “Mary Stuart” elegance), this jacket delivers true couture attitude through proportion and detail.

This does not mean with a certainty that this panel was created by Mary Stuart, but makes it an interesting possibility.

Antique print titled 'Purse sewed by Queen Mary Stuart'. Chromolithographic plate originating from 'The Royal House of Stuart.

This particular cut has become famous in history - in the 16th century, Mary Stuart sent a Heart Diamond Ring to the Queen Elizabeth of England.

Mary Billingsly Portrait of artist, Stuart Egnal, 1959.

Bought from Cobham Collection Rochester, Kent from the collection of the Earl of Darnley, July 1957 " (note: from wiki's article on the subject of " Earl of Darnley "I figured out t...

Antique costume print titled 'Maria Stuart - Marie Reine d'Ecosse en 1570'. This print depicts Mary, Queen of Scots.

MEDIUM: Gicleé on Canvas EDITION SIZE: 50 AP’s SIZE: 11" x 29" SIGNED BY: Mary GrandPré SKU: CP1446D ABOUT THE IMAGE: This image is taken from the deluxe book cover for “Harry Potte...

Antique portrait titled 'Maria, Gemalinne van Willem de II. Prins van Oranje, enz. enz. enz'. Portrait of Mary, Princess of Orange; half-length directed to right but looking at the v...

He maintained a consistently fine quality although his later work sometimes showed a very free hand, a departure from his more usual tight and finished technique. He married Eunice ...

Below the main scene, a detailed legend identifies fifteen individuals present, including Prince Frederik Hendrik’s wife Amalia van Solms, his son William II, his daughter-in-law Mar...

For Karl Lagerfeld, the starting point was an imagined meeting between Mary Stuart and Coco Chanel. Two women from very different worlds, both defined by presence and influence.

Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange.

After his marriage in 1879, he and his wife, Eunice Mary Stuart, moved to Croydon where Paice painted most of his horses and dogs, although he did paint some point-to-point landscape...

The most prestigious commissions came from the court and the high nobility, where his mythological themes were used to elevate the status of his patrons through parallels with classi...

The Mauchline Ware Tea Caddy comes complete with a working lock and key. Mary, the Queen of Scots Mary (1542-1587) known as Mary Stuart or Mary I of Scotland, was the only surviving...

The show drew on the romance and gravity of Marie Stuart (Mary, Queen of Scots) — a woman forever framed between pageantry and power — and translated that narrative into silhouettes ...

1 Volume. John Skelton. Mary Stuart.Bound in full green morocco by Tapley.

Polychrome lobed dish with Queen Mary II Stuart Delft, circa 1690 The polychrome lobed dish is composed of twenty-seven double lobes and painted in blue, green and yellow with a de...

The color scheme of blue, yellow and green is frequently found on lobed dishes from the sixteen-nineties, especially with images of King William III and his wife Queen Mary Stuart. I...

The colour scheme of blue, yellow and green is frequently found on lobed dishes from the sixteen-nineties, especially with images of King William III and his wife Queen Mary Stuart. ...

The colour scheme of blue, yellow and green is frequently found on lobed dishes from the sixteen-nineties, especially with images of King William III and his wife Queen Mary Stuart. ...

The colour scheme of blue, yellow and green is frequently found on lobed dishes from the sixteen-nineties, especially with images of King William III and his wife Queen Mary Stuart. ...

The colour scheme of blue, yellow and green is frequently found on lobed dishes from the sixteen-nineties, especially with simplified images of King William III and his wife Queen Ma...

The border decoration on this bowl often features on lobed dishes with the images of William III and his spouse Mary Stuart II. These lobed dishes were made on a large scale around 1...

Verkolje also created portrait prints of international celebrities such as Hortense Mancini, Duchess of Mazarin, King James II of England, Willem III, Prince of Orange, and his wife,...

Verkolje also created portrait prints of international celebrities such as Hortense Mancini, Duchess of Mazarin, King James II of England, Willem III, Prince of Orange, and his wife,...

Verkolje also created portrait prints of international celebrities such as Hortense Mancini, Duchess of Mazarin, King James II of England, Willem III, Prince of Orange, and his wife,...

The painting probably depicts the moment when Mary Stuart landed at Leith port, returning to Scotland.

AUTHOR: SKELTON, John. TITLE: Mary Stuart. PUBLISHER: London: Goupil & Co., 1898.

This moody painting depicts a sombre interior scene with Mary Stuart, better known as Mary Queen of Scots (1542-1587), reflecting near a window; the artist contrasts light and shadow...

William and Mary, 1689-1702. This period was named after the marriage of the English Mary Stuart, the daughter of James II to the Dutch William of Orange.

Dressed in her familiar vêtements de deuil Mary Stuart is pictured during her final days of captivity at Fotheringhay Castle.

From a martyr to a siren to a traitor to a woman lacking dignity, representations of Mary Stuart remain wide and complex. The inspiration for our painting originates from a painting...

What to do with the politically sensitive, decapitated body of Mary Stuart, Queen of Scots. Peterborough Cathedral, with Bob Scarlett, now eighty-nine years old and still at his post...

He maintained a consistently fine quality although his later work sometimes showed a very free hand, a departure from his more usual tight and finished technique. He married Eunice ...

A fine and rare Charles II / William and Mary 17th-century olive oyster lace box of small proportions with parquetry star inlay. C.1670-1700. England The cross-grain moulded and h...

A rare pair of original late 1600's chairs from the joint reign of King William III (House of Tudor) & Queen Mary II (House of Stuart). The chairs having arched tops and ribbed back ...

The magnificent, detailed crystal produced by Stuart would have many great stories to tell. It was aboard the Titanic when she sunk, and it sailed with the Queen Mary in the 1930s.