Antique Portrait of Mary Stuart, Queen of Scots, 1618

Antique costume print titled 'Maria Stuart - Marie Reine d'Ecosse en 1570'. This print depicts Mary, Queen of Scots. She reigned over Scotland from ...

Antique print titled 'Mary Queen of Scots' Cabinet'. Chromolithographic plate originating from 'The Royal House of Stuart. Illustrated By a Series ...

Antique portrait titled 'Maria, Gemalinne van Willem de II. Prins van Oranje, enz. enz. enz'. Portrait of Mary, Princess of Orange; half-length dire...

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

Antique print titled 'Cap worked by Queen Mary Stuart'. Chromolithographic plate originating from 'The Royal House of Stuart. Illustrated By a Series of Fo...

Antique portrait titled 'Henricus Fridericus (..)'. Old portrait of Frederick Henry, Prince of Orange. This print originates from 'L'histoire des Pays-Bas d'Emanuel de Meteren. Ou re...

This antique portrait engraving of Philip of Hohenlohe-Neuenstein, created by the renowned engraver Emanuel van Meteren in 1618, is a remarkable piece of historical artwork. Van Mete...

A wonderful example of Mary Stuart (Mary, Queen of Scots) hand wrought commemorative embroidery with a central foliate cartouche surrounded by four smaller ones, each with metallic t...

A rare lithograph of a portrait of Queen Victoria in her later years, entitled “Her Majesty the Queen" in nice lemon gold period frame. Sight: 17 ½ by 21 ½ Frame: 23 ½ by 27 ¾

This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

The Prince of Great Britain (Portrait of James Stuart, the Old Pretender) G Kneller ad vivum pinx:', 'I Smith fecit'. Published by I Smith at ye go...

Large wool and glass beads needlework panel of Mary Queen of Scots Scottish, circa 1870 Panel: Height 107cm, width 150cm, depth 2cm Frame: Height 155cm, width 187cm, depth 20cm Handmade by a group of Scottish sisters from the Stark family around 1870, this needlework picture panel portrays an important scene from British history. Mary Queen of Scots is seen weeping over the dying George Douglas of Lochleven at the Battle of Langside in which she was defeated. This event was significant because it let to Mary’s imprisonment in England under the command of Elizabeth I in 1568. The piece is crafted in polychrome wool with detailing such as jewellery or shadows are highlighted in shining glass beads. Charles Landseer’s painting...