1784 Engraved Elegance of Mary, Queen of Scots - Tragic Monarch

An original antique engraved portrait from Harrington's edition of "Rapin's History of England." The text identifies the subject as Edward the VI, King of England, France, and Irel...

Antique portrait titled 'Maria Stuaert (..)'. Old portrait of Mary Stuart, Queen of Scots. This print originates from 'L'histoire des Pays-Bas d'Emanuel de...

Antique costume print titled 'Maria Stuart - Marie Reine d'Ecosse en 1570'. This print depicts Mary, Queen of Scots. She reigned over Scotland from ...

Antique print titled 'Mary Queen of Scots' Cabinet'. Chromolithographic plate originating from 'The Royal House of Stuart. Illustrated By a Series ...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

A set of 4 lithographs depicting the Swedish Monarchs, Erik XIV, Christina, Carl XIII and Oscar I, circa 1900. sight: 6 ½ by 10 ¼ inches frame: 8 ⅜ by 12 inches

A wonderful example of Mary Stuart (Mary, Queen of Scots) hand wrought commemorative embroidery with a central foliate cartouche surrounded by four smaller ones, each with metallic t...

Large wool and glass beads needlework panel of Mary Queen of Scots Scottish, circa 1870 Panel: Height 107cm, width 150cm, depth 2cm Frame: Height 155cm, width 187cm, depth 20cm Handmade by a group of Scottish sisters from the Stark family around 1870, this needlework picture panel portrays an important scene from British history. Mary Queen of Scots is seen weeping over the dying George Douglas of Lochleven at the Battle of Langside in which she was defeated. This event was significant because it let to Mary’s imprisonment in England under the command of Elizabeth I in 1568. The piece is crafted in polychrome wool with detailing such as jewellery or shadows are highlighted in shining glass beads. Charles Landseer’s painting...

Twenty framed steel engravings of English monarchs and rulers from Illustrations of English & Scottish History, by Thomas Archer. Published 1880 in Lo...

A very rare and unusual pair of engravings from the 18th century out of Oslo, Germany. The first in the pair is an allegory of the Book of Daniel, C...