Maurice Andre

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

The works of the Fauvist (Fauve) painters - Andre Derain, Maurice Vlaminck as well as Chaim Soutine, Oskar Kokoschka, Lovis Corinth, Gen Paul, and especially Vincent Van Gogh have al...

The works of the Fauvist (Fauve) painters - Andre Derain, Maurice Vlaminck as well as Chaim Soutine, Oskar Kokoschka, Lovis Corinth, Gen Paul, and especially Vincent Van Gogh have al...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

More broadly, the expressive handling of structure and color relates to European modern cityscape traditions developed by Maurice Utrillo, André Derain and Raoul Dufy, while the arch...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

In the years that followed the war, he endured severe financial problems but managed to regain a steady income, thanks to his friends André Derain, Maurice Wlaminck and André Dunoyer...

In the twentieth century we see how Van Gogh used it to ‘express the turbulent emotions of his artist’s mind'.  Also Fauvists like Maurice de Vlaminck or Andre Derrain brought the te...

In the twentieth century we see how Van Gogh used it to ‘express the turbulent emotions of his artist’s mind'.  Also Fauvists like Maurice de Vlaminck or Andre Derrain brought the te...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

Others who accepted the invitation were Charles Despiau, Paul Landowski, André Dunoyer de Segonzac, and Fauve artists Kees van Dongen, Maurice de Vlaminck, and André Derain.

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

Some photographers pushed the boundaries of conventional imagery by incorporating the visions of surrealism or futurism into their work. Man Ray, Maurice Tabard, André Kertész, Curt...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees...

Kostia Terechkovitch was a key member of the loose alliance of colourists known as La Réalité Poètique; the others included Roland Oudot, Maurice Brianchon, André Planson, Jules Cava...

Credenza by Maurice Rinck circa 1940. Stunning streamlined composition with brass mounts and lockable cabinets, each with two shelves (key not included). A highly polished and well p...

Tapestry woven in the Saint-Cyr workshop, France. With signed label. Circa 1970. Size US: 59 9/10 x 82 7/10 in Size Europe: 152 x 210 cm A rare tapestry by an artist known as a ...

André Maurice Durenceau was born in France in 1904, and at age 24 he emigrated to United States, acquired U.S. citizenship, made his career as an illustrator, muralist in Hollywood ...

Including: Plate 2 Office - Paul Follot Plate 5 Dining Room - Maurice Dufrene Plate 18 Bedroom - Andre Frechet Plate 29 Salon - Emile-Jacques Ruhlmann Provenance: Barbra Streisand, ...

Suzanne Guiguichon, Maxime Old, Maurice Dufrene, Jules Leleu, Leon & Maurice Jallot and Andre Arbus, among others.

Published by Editions d’Art Charles Moreau, Paris, 1927 48 plates (complete) 9 7/8" X 12 ¾" Includes interior designs from the Salon des Artistes Decorateurs, 1927, including des...

Published by Editions d’Art Charles Moreau, Paris, 1929 48 Plates (complete 42 black & white and six pochoirs) – 9 7/8” X 12 ¾” Includes interior designs from the Salon des Artis...