Metal Relief

Hammered Copper metal cladding follows the carved forms, the metal pressed into the relief so the floral

each surface. The metal follows the carved relief precisely, preserving the depth of the carving

carving, the metal pressed into the relief to preserve the pattern beneath the surface. Four cupboard

cladding is fitted over the carving, the metal pressed into the relief to preserve the pattern beneath the

carving, the metal pressed into the relief to preserve the pattern beneath the surface. Four cupboard

the carving, the metal pressed into the relief to preserve the pattern beneath the surface. Four

Bronze metal. The relief is pressed into the wood before the cladding is applied; the metal follows the

Steve Bickley creates beautiful metal sculpture and wall reliefs, as well as color prints. In

carved floral surface that covers every exterior face in Fine Hammered Brass metal. The relief is pressed

Bronze metal. The relief is pressed into the wood before the Fine Hammered Antiqued White Bronze cladding

carving, the metal pressed into the relief to preserve the pattern beneath the surface. Three drawers with

metal pressed into the relief to preserve the pattern beneath the surface. Three drawers with curved

carved floral surface that covers every exterior face in Smooth White Bronze metal. The relief is pressed

floral surface that covers every exterior face in Smooth Copper metal. The relief is pressed into the

relief is pressed into the wood before the Fine Hammered White Bronze cladding is applied, the metal

floral surface that covers every exterior face in Smooth Brass metal. The relief is pressed into the wood

carved floral surface that covers every exterior face in Fine Hammered Copper metal. The relief is

relief is pressed into the wood before the Smooth Antiqued White Bronze cladding is applied, the metal

, all covered in the Fleur de Lis carving in Medium Hammered Copper metal. The relief pattern of

, all covered in the Fleur de Lis carving in Medium Hammered Brass metal. The relief pattern of stylised

, all covered in the Fleur de Lis carving in Medium Hammered White Bronze metal. The relief pattern of

full front, sides, and top, the relief pressed into the wood before the Fine Hammered Copper metal

front, sides, and top, the relief pressed into the wood before the Smooth Brass metal cladding is fitted

full front, sides, and top, the relief pressed into the wood before the Smooth White Bronze metal

front, sides, and top, the relief pressed into the wood before the Smooth Copper metal cladding is

full front, sides, and top, the relief pressed into the wood before the Fine Hammered Brass metal

the carved botanical surface, the metal pressed into the relief to keep the floral forms visible. At

carved botanical surface, the metal pressed into the relief to keep the floral forms visible. At 33

cladding follows the carved botanical surface, the metal pressed into the relief to keep the floral forms

Bronze metal cladding follows the carved botanical surface, the metal pressed into the relief to keep the

carving. The Smooth Copper metal cladding is fitted over the sculpted surface, the metal following the

Hammered White Bronze cladding is applied, the metal pressed into the relief to preserve the carving

Copper cladding is applied, the metal pressed into the relief to preserve the carving beneath the surface

surface, the metal following the relief. Four push-to-open doors sit within the carved front. The piece

Brass cladding is applied, the metal pressed into the relief to preserve the carving beneath the surface

carving. The Smooth Brass metal cladding is fitted over the sculpted surface, the metal following the

Medium Hammered Antiqued White Bronze cladding is applied, the metal pressed into the relief to preserve

relief requires the metal to follow compound forms; each section is secured with flush-set nails

the carving, the metal pressed into the relief to preserve the pattern beneath the surface. Three

cladding follows the carving, the metal pressed into the relief to preserve the pattern beneath the surface

White Bronze metal cladding follows the carving, the metal pressed into the relief to preserve the

cladding follows the carving, the metal pressed into the relief to preserve the pattern beneath the surface

the carving, the metal pressed into the relief to preserve the pattern beneath the surface. Three

follows the carving, the metal pressed into the relief to preserve the pattern beneath the surface. Three

, all covered in the Fleur de Lis carving in Medium Hammered Antiqued White Bronze metal. The relief

stylised heraldic lilies. The Medium Hammered Copper cladding follows the carved relief, the metal pressed

relief, the metal pressed into each form so the pattern reads through the surface. Cabriole legs carry

stylised heraldic lilies. The Medium Hammered Brass cladding follows the carved relief, the metal pressed

of stylised heraldic lilies. The Medium Hammered White Bronze cladding follows the carved relief, the

are pattern-cut and hand-fitted to each surface, working the metal carefully into the carved relief to

pattern across its full front, sides, and top, the relief pressed into the wood before the Fine Hammered

are pattern-cut and hand-fitted to each surface, working the metal carefully into the carved relief to

Medium Hammered Copper cladding is applied, the metal following the relief so the floral forms read

Medium Hammered Brass cladding is applied, the metal following the relief so the floral forms read

areas require careful fitting: the metal must be worked into the relief to preserve the depth of the

before the Medium Hammered White Bronze cladding is applied, the metal following the relief so the floral

. The Smooth Brass metal cladding is applied over the sculpted surface, the metal following the relief