Napoleon Egypt

These copper engravings originate from the French first edition of Denon’s monumental publication, produced directly in the aftermath of Napoleon Bonaparte’s Egyptian campaign. Note...

As interest in Egypt grew—especially during and after Napoleon’s campaign in Egypt—such plates were frequently consulted by designers aiming to emulate Egyptian motifs in European bu...

Dominique Vivant Denon was known for his role in accompanying Napoleon’s expedition to Egypt and was one of the early figures responsible for documenting the country’s antiquities.

Denon’s legacy extends beyond administration—he accompanied Napoleon on the Egyptian campaign and was instrumental in documenting and collecting antiquities, contributing to Europe’s...

At a result of Napoleon’s Campaign in Egypt there was a renewed interest in classical antiquity.

Set of four coloured etchings from Description de l'Égypte French, 1809-1822 Mount: Height 41cm, width 56cm, depth 0.5cm Sheet: Height 32cm, width 49cm The sheets in this set o...

Models influenced by the ancient world pervaded interior design and the decorative arts of the 19th century. Interest in Egyptian art was already high after Napoléon's 1798 campaign ...

In the "Retour d’Egypte” style that became quite the hot thing following Napoleon’s - ahem! - incursion into Egypt in 1798, where he’d been sent by the Directory.

The columns with capitals decorated with palm leaves and papyrus flowers showing the Egyptian influence that became popular in the Regency and Empire periods after Napoleon's expedit...

The candleholders are in the Egyptianizing style that was popular at the time, referencing Napoleon's campaigns in Egypt.

Original imperial folio engraving from the first edition of Description de l’Égypte (1809–1829), published in Paris following Napoleon Bonaparte’s Egyptian campaign. Titled “Thèbes,...

The catalog showcases exceptional craftsmanship, including a Napoleon III Neo-Egyptian ormolu and bronzed copper-mounted acajou mouchete bas d'armoire, fine Italian white marble figu...

The Mamelukes of the Imperial Guard originated from Egyptian cavalrymen encountered by Napoleon during the Egyptian Campaign of 1798–1801.

The distinctive design, most striking in profile, reflects the contemporary fascination with Egyptian motifs following Napoleon’s campaigns around the turn of the century.

The carved lotus buds and flowers on the supports of this table are Egyptian motifs, introduced into the French decorative arts by Percier & Fontaine following Napoleon's expedit...

Buffet, French, in the “return from Egypt” Empire style. After the Egyptian campaign Napoleon asked his “ebenistes“ to incorporate stylistic elements in their creations (sphynx, cary...

His fascination with Arabian horses, Mameluke riders, and Oriental military imagery strongly influenced European taste during the early 19th century. Following Napoleon’s campaigns i...

Worked as a diplomat in Naples (1779-85), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting...

Obelisks and all things Egyptian come into fashion after Napoleon's unfortunate campaign in Egypt.

Napoleon's famous bodyguard Roustam Raza was also a Mamluk who had been sold in Egypt.

Tobacco - Military - Advertisement Napoleon in Egypt - Rolling paper Moullot son elder Marseille

One glass eye was replaced at another time and does not match the other eyes exactly. The first Egyptian revival unfolded after Napoleon’s conquest and exploration of Egypt in the 17...

France 1805-1812, pair of rare original prints by Etienne Geoffroy de Sant-Hilaire (15 April 1772-19 June 1844) The French zoologist who accompanied Napoleon Bonaparte on his Egyptia...

Though there had been prior interest in the 17th century with the “Orient.” It was with Napoleon Bonaparte’s expedition to Egypt in 1798 that the cultural madness for all things Orie...

This Hommage a Egypte pair were made at the time of Napoleon's unsuccessful foray into Egypt. The shaped bases, winged feet and triangular columns are surely inspired by the campaign.

It is influenced of the wars by Napoleon to Egypt. The mantel is in perfect condition and ready to be installed.

The ornamental designs so fashionable during the 18th century were then taken up again throughout the Empire period until the beginning of the 19th century, especially the sphinxes, ...

The typical Palm motive on the jambs is the symbol for the return of the Emperor Napoleon Bonaparte from Egypt. A real collectors item.

Worked as a diplomat in Naples (1779-85), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting...

Worked as a diplomat in Naples (1779-85), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting...

Worked as a diplomat in Naples (1779-85), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting...

Princeton University Art Museum: "Napoleon in Egypt, c. 1863." Jean-Léon Gérôme's legacy continues through his captivating works, which are cherished in prominent museums and private...

Worked as a diplomat in Naples (1779-85), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting...

From 1833 to 1835, he painted a scene from Napoleon's expedition to Egypt on one of the ceilings at the Louvre.