Nicolas De Stael

While Soyer acknowledges influence from Nicolas de Staël, this particular piece seems to channel more of the spontaneous energy found in Georges Mathieu's theatrical gestural works.

While Soyer acknowledges Nicolas de Staël's influence in his work, this particular piece leans more toward the dynamic expressionism of Hans Hartung, especially in its energetic mark...

Over the decades, his interest turned to the painting of Nicolas De Staël and Mark Rothko. From the 1960s, he was also interested in floral painting, especially Iris.

While Soyer acknowledges influences from Nicolas de Staël's structured abstraction, this particular work seems to lean more toward the spontaneous gesturalism of Georges Mathieu, esp...

While the influence of Nicolas de Staël can be observed in the bold architectural forms and color contrasts, the painting's dynamic movement and spontaneous execution also recalls th...

While the artist acknowledges influences from Nicolas de Staël and Georges Mathieu, this particular piece seems to draw more from the bold gestural abstractions of the 1950s American...

While Soyer acknowledges Nicolas de Staël's influence in his work, this piece seems to share more kinship with the gestural freedom of Hans Hartung, especially in its swift, decisive...

The painting's horizontal energy and bold color contrasts evoke the dynamic force found in Nicolas de Staël's landscape abstractions, while the gestural freedom recalls the spontaneo...

The painting's dramatic interplay between stormy greys and electric blues bears subtle resonance with Nicolas de Staël's architectural approach to color blocking, while the dynamic b...

Pictorial inspiration The work recalls the Mediterranean luminosity of Raoul Dufy, the chromatic simplification of landscape found in Nicolas de Staël, and the expressive freedom of...

In 1938 he founded a lithography atelier which will be attended by the artists of the École de Paris, including Russian painters such as Nicolas de Staël, Lanskoy, Charchoune, Poliak...

Examples of great colour field painters are Robert Motherwell, Mark Rothko and Nicolas de Staël. Véronique Simonet exhibited her work at the 'Cercle Royal des Beaux Arts' in Liege, ...

The research that followed in Frédéric Menguy's work initially brought him closer to abstract landscape painting and evoked Nicolas de Stael. His lithographic work began in 1964, bef...

The research that followed in Frédéric Menguy's work initially brought him closer to abstract landscape painting and evoked Nicolas de Stael. His lithographic work began in 1964, bef...

The research that followed in Frédéric Menguy's work initially brought him closer to abstract landscape painting and evoked Nicolas de Stael. His lithographic work began in 1964, bef...

Influenced by artists such as Nicolas de Staël and Lanskoy, Coquet’s work reveals a mastery of structure, color, and tactile surfaces, merging emotional resonance with refined abstra...

Influenced by artists like Nicolas de Staël and Lanskoy, Coquet’s work masterfully blends vibrant structure, earthy textures, and emotional depth within a refined abstract language.

While the artist acknowledges influence from Nicolas de Staël and Georges Mathieu, this particular work seems to channel more of the raw energy found in Hans Hartung's abstract expre...

The painting's horizontal composition and bold gestural marks echo the powerful abstractions of Nicolas de Staël, while the textural complexity achieved through combing techniques br...

Exhibited at – Sala Parés (Barcelona) – Sala Vayreda – Paris – London – Houston – Los Angeles Awards – Henri Forman Prize – Société Nationale des Beaux-Arts (Paris, 1980) Related A...

He studied under the famous artist Nicolas de Staël.Roger Muhl is best known for his landscape paintings of the South of France.

While Soyer acknowledges influences from Nicolas de Staël, this piece shows a unique approach to abstracted landscape that also resonates with the gestural freedom of Hans Hartung.

During this time he became friends with Nicolas de Stael and the two held an exhibition in 1948.

In 1944, Lanskoy exhibited at the Jeanne Bucher Gallery in Paris where he met Nicolas de Stael. In 1948, he showed at the Louis Carré Gallery and in 1951 at the Galerie Jacques Dubou...

In 1944, Lanskoy exhibited at the Jeanne Bucher Gallery in Paris where he met Nicolas de Stael. In 1948, he showed at the Louis Carré Gallery and in 1951 at the Galerie Jacques Dubou...

The thick impasto and textural reliefs, achieved through Soyer's characteristic use of large brushes and combs, give the piece a sculptural quality reminiscent of Nicolas de Staël's ...

While remaining independent, he worked with all the great names of twentieth-century French painting, from Deyrolle to Nicolas de Staël, passing through Bazaine, Bissière and Vasarel...

Coastal Reflections II by Fleur Park [2022] Coastal Reflections II is an original gestural abstract painting by Fleur Park, in this piece she is Influenced by artists such as Henri ...

Soyer's technique reveals clear influences from Abstract Expressionism and Lyrical Abstraction, particularly reminiscent of the bold chromatic assertiveness of Nicolas de Staël. Howe...

A testament to Nicod’s connection to French post-war modernism, this work recalls the expressive freedom of artists such as Nicolas de Staël and Serge Poliakoff, while maintaining a ...

🌍 RELATED INTERNATIONAL ARTISTS Raoul Dufy – For his festive treatment of seaside scenes and chromatic vibrancy. Nicolas de Staël – For his blend of abstraction and landscape str...

Le Yaouanc studied at the École nationale supérieure des Beaux-Arts in Paris, where he was influenced by the work of artists such as Nicolas de Staël and Pierre Soulages. He began ex...

After taking refuge in Auvergne during the war, he enriched his palette while darkening it, following in the footsteps of Nicolas de Staël. In 1968, he moved to Paris and developed ...

The distinct fields of colour also hark back to the colour field style employed by Nicolas de Staël. All these elements give us the impression of a picture painted in the 1950s ( mid...

He was influenced by Nicolas de Stael and his early works reveal his origins in Alsace in his use of tints such as white and grey.

The painting’s jungle-like setting, rich in organic movement, reflects the influence of post-war European expressionism and artists such as André Derain and Nicolas de Staël, whose u...

During his early years in Paris, André Lanskoy enjoyed the artistic life with frequent visits to museums and galleries where he developed a close friendship with Serge Poliakoff, Jea...

Soyer's acknowledged influences from Nicolas de Staël are evident in the architectural quality of his color blocks, while the spontaneous, calligraphic gestures recall Georges Mathie...

While Soyer acknowledges Nicolas de Staël's influence in his work, this particular piece also resonates with the gestural freedom of Georges Mathieu's action painting and the energet...

While Soyer acknowledges Nicolas de Staël as an influence in his broader body of work, this particular piece seems to draw more heavily from the gestural freedom of Georges Mathieu, ...

While Soyer often cites Nicolas de Staël as an influence, this particular piece seems more aligned with the spontaneous gestural approach of Georges Mathieu, whose calligraphic mark-...

There's a fascinating tension between controlled technique and spontaneous expression that calls to mind the balanced compositions of Nicolas de Staël, though Soyer pushes further in...

One can detect the influence of Nicolas de Staël in Soyer's attention to textural elements and material presence, while the sweeping, calligraphic quality of the brushstrokes recalls...

During the 1950s Paul Cézanne and Henri Matisse were major influences, but most important was the art of Nicolas De Stael, who enabled Vaughan to reconcile figurative and abstract el...

The material sensitivity of the surface also resonates with European post-war abstraction associated with Antoni Tàpies, Nicolas de Staël and the broader School of Paris environment.

The abstract colour fields are reminiscent of the early landscapes by Nicolas de Staël. An painting with great energy which draws the viewer in to another world.

Very much under the influence of Turner, Nicolas de Stael, Boudin... The quest is a daily work, evolution compulsory and doubt permanent.

The interplay between color, shadow, and form invites comparison with the sun-drenched settings of Joaquín Sorolla, Henri Matisse, and Nicolas de Staël. WHY COLLECT THIS WORK? ✓ Bri...

Returning to Paris in 1943, he worked in the studio of Pierre Tal-Coat and frequented the Café de Flore, where he kept company with members of the first generation of the School of P...

Vlaminck’s bold gestural style and instinctive approach influenced generations of artists, from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning...

Soyer's technique bears subtle echoes of Nicolas de Staël's structured approach to abstraction, particularly in the way he builds textural elements that catch and reflect light.

While Soyer acknowledges Nicolas de Staël's influence in his broader body of work, this particular piece seems to draw more heavily from the gestural spontaneity of Georges Mathieu a...

This approach reflects influences from Nicolas de Staël's thick impasto technique, where paint becomes a physical presence rather than merely a colorful surface.

The gestural freedom and emphasis on movement echoes Georges Mathieu's calligraphic approach, while the bold contrasts and structural elements suggest an appreciation for Nicolas de ...

The painting reveals a dialogue between Soyer's contemporary vision and the rich legacy of abstract masters. While Nicolas de Staël's influence can be seen in the structured color bl...

The work evokes the gestural freedom and emotional intensity characteristic of Abstract Expressionism, while the bold color contrasts and dynamic movement suggest influences from bot...

Vlaminck’s bold gestural style and instinctive approach influenced generations of artists, from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning...

The chromatic structure of sea and mountain atmosphere also resonates with the broader legacy of Spanish coastal painting associated with Joaquín Sorolla and the post-impressionist l...

Vlaminck’s bold gestural style and instinctive approach influenced generations of artists, from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning...

Self-taught, he paints in his cellar, drawing inspiration from the painters Nicolas de Staël and William Turner . He sells his first watercolors on the quays of the Old Port of Marse...