Non Objective Paintings

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stip...

Dana exhibited at such national venues as the Art Institute of Chicago; the Museum of Non-Objective Painting (Guggenheim Foundation), New York, NY; the University of Michigan, Ann Ar...

Sennhauser was known to belong to groups supporting non-objective painting. He was a member of the American Abstract Artists and the Federation of Modern Painters and Sculptors.

His later work expanded into abstraction and non-objective painting as well as works incorporating elements of social commentary.

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where ...

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the US, New York , where h...

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where ...

Encounters with artists working in abstraction during the 1950s solidified his commitment to non-objective painting, while his study of Eastern philosophy and meditation would later ...

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where ...

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where ...

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where ...

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where ...

His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where ...

Rosenborg was the first to introduce and instruct Jackson Pollock on Abstract Expressionism while at the Non-Objective Painting Museum in the early 1940's, which became the Guggenhei...

A great, and early, non-objective ab-ex study by Erle Loran, most likely created in the 1940s, Erle Loran, (1905-1999), was an American painter and educator who painted for the enti...

Resonating with the Futurists and Constructivists, as well as with the language of early non-objective painting, Calder's mobiles (a term coined by Marcel Duchamp in 1931 to describe...

Bay Area Art; Many of the "First Generation" artists in this movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them abandoned non-objecti...

Sam was known for minimalist-non objective paintings and printmaking. About the Artist from Annex Galleries: Sam Tchakalian (1929 - 2004), painter, printmaker, and teacher, was bor...

Signed lower right: Stone 80 An abstract painter, Louis Stone settled in Lambertville, New Jersey from 1935 and taught classes in non objective painting including at New Hope, Pennsy...

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

Size: 5 inches tall by 5.25 inches wide (painting) 15.5 inches tall by 16 inches wide by 1 inch deep (frame) Provenance: Private collection, MD; Acquired from the above About the a...

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay was the co-founder of the Museum of Non-Objective Painting/ Sol...

In 1965 he began studies in non-objective painting where he pursued the spatial issues of contemporary painting.

In 1939, Guggenheim and Rebay opened the Museum of Non-objective Painting, later named the Solomon R.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

She studied figure and non objective painting. Her broad brush strokes and bold colors are in the style of San Francisco Figurative movement artist James Weeks and William Daw.

Rebay became enthusiastic about Grant's ideas, and began sending him a fifteen dollar monthly stipend to help with the cost of materials, and she arranged for Solomon Guggenheim to b...

In 1939, Guggenheim and Rebay opened the Museum of Non-objective Painting, later named the Solomon R.

During the 1930s and 1940s Scarlett was a leading practitioner of geometric abstraction, with sixty of his paintings in the collection of the Museum of Non-Objective Painting (later ...

Klein participated in exhibitions with the Museum of Non-Objective Painting and also exhibited at The National Academy of Design, The Brooklyn Museum, The Carnegie Institute, The San...

Klein participated in exhibitions with the Museum of Non-Objective Painting and also exhibited at The National Academy of Design, The Brooklyn Museum, The Carnegie Institute, The San...

Klein participated in exhibitions with the Museum of Non-Objective Painting and also exhibited at The National Academy of Design, The Brooklyn Museum, The Carnegie Institute, The San...

Many of the "First Generation" artists in this West Coast movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them abandoned non-objective ...

Many of the "First Generation" artists in this West Coast movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them abandoned non-objective ...

Many of the "First Generation" artists in this West Coast movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them abandoned non-objective ...

Shaw had two solo exhibitions at the Museum of Non-Objective Painting in 1940 and 1941 and served on the Advisory Board of the Museum of Modern Art from 1936 to 1941.

After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore n...

In 1939, Guggenheim and Rebay opened the Museum of Non-objective Painting, later named the Solomon R.

Beginning in the late 1930s Rosenborg took up work as a guard for Baroness Hilla Rebay’s Museum of Non-Objective Painting, a position shared by Jackson Pollock.

After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore n...

Dana exhibited at such national venues as the Art Institute of Chicago; the Museum of Non-Objective Painting (Guggenheim Foundation), New York, NY; the University of Michigan, Ann Ar...

Dana exhibited at such national venues as the Art Institute of Chicago; the Museum of Non-Objective Painting (Guggenheim Foundation), New York, NY; the University of Michigan, Ann Ar...

Another friend was of Stern’s was Baroness Hilla Rebay, director of the Museum of Non-Objective Painting in New York City (later to become The Solomon R.

Shaw had two solo exhibitions at the Museum of Non-Objective Painting in 1940 and 1941 and served on the Advisory Board of the Museum of Modern Art from 1936 to 1941.

He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began.

Dana exhibited at such national venues as the Art Institute of Chicago; the Museum of Non-Objective Painting (Guggenheim Foundation), New York, NY; the University of Michigan, Ann Ar...

Teaching 1977 - 1994: Faculty of Architecture and Town Planning, Technion, Haifa; Senior Lecturer Art Department, Bezalel Academy, Jerusalem; Sadna Workshop for Architecture and Des...

Dana exhibited at such national venues as the Art Institute of Chicago; the Museum of Non-Objective Painting (Guggenheim Foundation), New York, NY; the University of Michigan, Ann Ar...

Received a BFA from SUNY Purchase in 1986. Known for abstract non-objective painting and sculpture. Initial works focused on painted and constructed ladder and seesaw sculptures.

These associates encouraged him to contact Hilla Rebay of the Museum of Non-Objective Paintings and the Guggenheim Foundation.

These associates encouraged him to contact Hilla Rebay of the Museum of Non-Objective Paintings and the Guggenheim Foundation.