Old Photographs

Discoloration and Fading: There is a slight yellowing or sepia tone, which is typical for older photographs, but it seems evenly spread without noticeable spots or stains.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

The sepia-brown ink lends the image the atmosphere of an old photograph or a sheet by an earlier master, yet the vigorous scoring, wiping, and irregular tonal deposits make it emphat...

For decades, the exact, intricate layout of what has been lost lived only in the hazy memories of old photographs. Discovering the original architectural window plans completely cha...

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

In the last years of her life, Dora Maar resumed photography and reworked old photographs, evidently driven by inexhaustible creativity.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.

Warhol’s insistent link between fame and nostalgia, in fact, is the very basis of these works, which are often generated from old photographs; the one used to create present work, fo...

Warhol’s insistent link between fame and nostalgia, in fact, is the very basis of these works, which are often generated from old photographs; the one used to create present work, fo...

The large, over life-size figures were inspired by old photographs, which Kurz saw in the possession of an elderly aunt who lived in California.

In this series, titled Ghost Portraits, an individual, long deceased, is represented through a collection of “saved” items – old photographs, a lock of hair, a hymnal, and so forth.

In this series, titled Ghost Portraits, an individual, long deceased, is represented through a collection of “saved” items – old photographs, a lock of hair, a hymnal, and so forth.

In this series, titled Ghost Portraits, an individual, long deceased, is represented through a collection of “saved” items – old photographs, a lock of hair, a hymnal, and so forth.

In this series, titled Ghost Portraits, an individual, long deceased, is represented through a collection of “saved” items – old photographs, a lock of hair, a hymnal, and so forth.