Pate Sur Pate

The baluster shaped bodies display a wonderful celadon color while embellished with richly detailed off white Pâte-sur-Pâte decorations of blossoming flower bouquets with foliage.

Large glazed porcelain vase from the Sèvres manufactory, decorated in 1880 by Taxile DOAT, one of the most renowned ceramic artists of his time, celebrated for his mastery of pâte-su...

Behind the seated putti is a portrait of a man in relief similar to the pate-sur-pate technique. Germany, Circa: 1870.

Minton’s was the only English china factory of the 19th century to employ a Sèvres technical process called pâte-sur-pâte (q.v.; painted decoration in white clay slip instead of enam...

Exquisite details, meticulously hand-painted in vibrant blue, white, greens, and pale pink enamels, adorn the surface in high relief using the pâte-sur-pâte technique. While unmarke...

Phanolith is a kind of porcelain that combines the characteristics and benefits of jasperware and pâte-sur-pâte. It was developed at Villeroy & Boch in Mettlach, Germany, at the end ...

Celadon with blue & white pate-sur-pate motifs of a scholar's table, vase of peonies & good fortune bats.

Made in Limoges and bearing the mark of Tharaud – Limoges, France on the reverse, the plaques are executed in the highly prized pâte-sur-pâte technique. Delicately modeled white cher...

Exceptionally elegant, note the pâte-sur-pâte sweeping gently across creating the effect of moving ocean water across the shells.

The body of the vase is beautifully decorated with flowering and fruiting stems set within tube lined borders with a pate sur pate style finish to some of the elements The designs ap...

1st quarter 19th century English bone china handled basket. Elegant with pâte-sur-pâte band of white "pearls" on gilt above a wide band of vining cornflowers after the 18th century F...

The all finely ornated with playing putti "pâte sur pâte" porcelain medallions. A similar clock made circa 1780, now displayed in the Royal palace in Madrid, is reproduced in the ...

The body features four medallions in white pâte-sur-pâte relief on a gray background, illustrating Olympic disciplines including fencing, equestrian sports (polo), gymnastics (parall...

Many such lamps also featured the "pâte-sur-pâte" technique, where translucent white slip was layered to create delicate floral or figurative reliefs that appear to float upon the su...

In this way Jean-Baptiste Stahl achieves mastery of the so-called pate sur pate style in that his rather flat reliefs of his mature period demonstrate the three-dimensional illusion ...