Patrick Heron Prints and Multiples

This is a large hand signed serigraph silkscreen, pencil numbered in Roman numerals. biographical info: The son of a rabbi, Agam can trace his ancestry back six generations to the f...

Utilizing a bold color palette of red, black, yellow, and blue-grey, Leger creates an abstract work in which shapes and forms appear to drift in space. The large, red central image h...

I've made a few Paint it Black themed images and this letterpress print was made especially for my New Clear Power show at AMUSEUM in Munich, Germany. Unfortunately, the topic r...

Medium: Print Condition Print in good condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand Signed and Numbered by the Artist in Pencil, CB HOYO. ...

Jose Parla "The Founders" Time Limited Edition of 1368 Dimensions: 20.5in x 32.7in Medium: Archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smoo...

Edward Landon 'River View, color serigraph, 1942, edition 50, Ryan 159. Signed in pencil in the image, lower right. Titled, dated, and annotated '9 COLORS – 50 PRINTS' in the screen,...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

A very good impression of this screenprint on BFK Rives wove paper. One of 7 numbered artist's proofs, aside from the edition of 30. Signed, dated, inscribed "AP" and numbered 5/7 in...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Intermesh Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 90 Ima...

"Postcard from Paris" Satirical Lithograph Humorous Screen Print by Charles Bragg (American, 1931-2017). Two nude individuals pose in a room partially covered by a piece of drapery and a flower vase. The woman wears a variety of costume jewelry and a crown and appears posed, while the man stands behind an old-fashioned camera and smiles. The surroundings are highly colorful, with pink wallpaper, blue curtains, and a variety of different plants. Both figures look towards the viewer, potentially nodding to the satirical nature of the piece. Numbered as "Artists Proof IX" in bottom left corner. Signed "Charles Bragg" in bottom right corner. Frame size: 20.88" H x 27" W Image size: 10.25" H x 17" W Charles Bragg (American, 1931-2017) was a painter, sculptor, and illustrator of commentary on human behavior, based out of Los Angeles, California. Bragg often injected his sense of humor and appreciation of satire into his subjects, many of which are cartoonish and seem half human and half animal. He also depicted serious subjects, ones that become poignant commentaries on the human condition. Bragg was born in St. Louis Missouri in 1931. His parents were vaudeville performers, and he spent most of his young life traveling on tour with them. During his teenage years, he went to New York's High School of Music & Art in Harlem. At 18, he ran away with his high school sweetheart, fellow artist Jennie Tomao...

The Third Eye Open letterpress incorporates the portrait I originally made for my Make Art Not War print back during the Iraq War. This print image also includes a third eye blooming like a flower, I believe that what the third eye represents: a dialogue with one’s inner self, higher consciousness...

Gottfried Honegger Concrete Geometric Abstract Composition with Yellow 3D-construction, Screenprint on Hahnemuhle Velvet 2015 Size: 20.9 × 21.1 on 24.2 × 23.8 inches Edition: E.A. of...