Patrick Heron Prints and Multiples

Screenprint by Max Bill. From the portfolio "Kinderstern". No Title, 1989 76 x 58 cm Copy 61/100 Edition of 100 (approx.)

A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...

Biagio Civale, Italian/American (1936 - ) - Houses of 1954, Medium: Screenprint, signed and numbered in pencil, Edition: 50, Size: 27.25 x 19.5 in. (69.22 x 49.53 cm)

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grim...

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

An important 1934 WPA-era color serigraph by American modernist Hilaire Hiler (1898–1966), this dynamic work titled Native American Fox Costume exemplifies the artist’s bold synthesis of modernist abstraction, cultural symbolism, and avant-garde color theory. The composition depicts a stylized figure in ceremonial fox costume, poised with a bow and adorned with an elaborate feathered headdress, rendered in striking contrasts of black, red, and white. The result is a powerful visual rhythm that reflects both the graphic experimentation and cultural fascination characteristic of early twentieth-century American Modernism. Executed during the WPA period, this original serigraph demonstrates Hiler’s distinctive semi-abstract style, in which figuration is reduced to geometric structure and symbolic form. The flattened composition, bold outlines, and saturated palette create a sense of movement and ritual energy, reinforcing the work’s connection to mythic narrative and Native American-inspired themes common in WPA-era printmaking. The artist’s engagement with color theory and structural design is evident throughout, making this an especially strong example of his print oeuvre. Hilaire Hiler was a key figure in American modernism, known not only as a painter and printmaker but also as a color theorist and educator associated with WPA mural projects, including work for the Aquatic Park...

Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...

Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...

Very good impressions of these 4 color screenprints on white wove paper. Each signed, dated and numbered 15/25, 18/36, 15/39 or 6/40 in pencil.

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...

A very good impression of this color screenprint on white wove paper. Signed and numbered 248/250 in pencil by Davis. Based on a series of oil paintings made by Davis, completed afte...

Ray gun is one of Oldenburg’s most iconic motifs, and the artist’s tongue-in-cheek alter ego. Oldenburg took the name from a weapon used in the show “Buck Rogers in the 25th Century ...