Wax Resist

Vintage wheel thrown studio pottery pitcher - wax resist floral decoration - speckled olive green

. Upholsted in an unusual muted pink and purple batik wax resist fabric, with metallic fringing on carved

meticulously hand drawn wax resist painting by canting on cotton, of an aquatic theme Supit Urang (shrimp clip

Mid-Century stoneware planter by Wishon-Harrell. Green glaze with a wax resist abstract design

with wax resist impressed pattern and ash glaze drip interior. The second, a salt glazed Yunomi, with

original hand painted floral motifs adding to its charm. Batik is a technique of wax-resist dyeing applied

folds. Includes frame. Batik is an Indonesian technique of wax-resist dyeing applied to the whole

alternating pattern of black and white semi-gloss enamel stripes achieved through a wax resist technique. This

employed a complex, multi-media technique, using casein, wax resist and random markings to create an

Gallery at the Smithsonian Institution. Perfect original condition. Clyde Burt's modernist wax resist

wax-resist dyeing applied to the whole cloth.

colors with wax resist; a light soga brown and indigo blue on an unbleached cotton white reserve ground

imported from China. The diagonal patterned stripes design created by hand in wax resist in Indonesia with

inspired by Batik textiles of Indonesia. Batik is an Indonesian technique of wax-resist dyeing applied to

Indonesian Vintage Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional hand drawn wax

shoulder cloth, hand dyed in two colors: red and blue painted over a wax resist design, created by a

a poured tenmoku slip and green celadon wax resist decorations, now mounted as a lamp. Height

technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java

and leaf decor in the wax resist method. Fully signed on the reverse, R.P., Vieux Moulin (Old Mill

shoulder cloth, hand dyed in three colors of rust brown, indigo and a dark blue painted over a wax resist

drawn wax resist painting by canting on cotton of an Udan Liris pattern of lyrical diagonal decorative

drawn wax resist painting by canting on cotton, dyed in two colors; a fine line of indigo blue and soga

. Executed in the batik technique—a centuries-old wax-resist dyeing method—the artwork beautifully merges

drawn wax resist painting by canting on cotton of a Udan Liris pattern of diagonal decorative bands

, blue, soga brown and ecru. Designs are applied using the wax resist-dye method. Typical of those made

painted over a wax resist design, created by reserve hand drawn canting for the frame of tendril vines and

Vintage Pernakan Kain Panjang Batik Tulis, Cirebon, Java 1950. A fine hand drawn wax resist

drawn wax resist painting by canting on cotton of a spirited phoenix pattern interspersed with leaves

imported from China. The flora & fauna design created by tjaps with wax resist in Indonesia with vertical

want. Charles Pulsford ARSA (1912-1989) Abstract Landscape in Brown and Blue Watercolour with wax

and was probably made in Alsace. Wax-resist printed cotton for the black and green background and

Edizione, 199 Centrepiece by Aldo Londi Form made on the potter’s wheel in refractory red clay. Wax-resist

applied with wax-resist technique on white glaze. Year of original production: 1966–1967. Reissue year

and was probably made in Alsace. Wax-resist printed cotton for the black and green background and

Antique Batik Tulis Kemben Cloth – Tiga Negri Style – Hand-Drawn Wax Resist Textile, Indonesia

fabric art in long and rich textile tradition. It is a wax-resist type of dyeing operation where certain

, West Java having blue and white "Mega Mendung" or "Chinese Cloud" wax resist dyed pattern. Rare to

accomplished by coupling wax resist with the reduction copper glaze. The depth and scale of the bowl makes it

drawn wax resist painting by canting on cotton of a traditional flora and fauna pattern of indigo blue

wax resist painting by canting on cotton of a traditional Javanese multi-colored bouquet theme that is

". Artist Julian Meredith created this print using a giant plank of elm, handmade rice paper and a wax

is finished in a rich reduction-fired copper red glaze, overlaid with expressive wax resist

using traditional wax-resist techniques from Java, Indonesia—a region whose batik heritage has been

Moulded form in white clay. Safari decoration applied with wax-resist technique on white glaze

world. It is a wax-resist type of dyeing operation where certain sections of a textile are pigmented

and rich folk textile tradition around the world. It is a wax-resist type of dyeing operation where

and rich folk textile tradition around the world. It is a wax-resist type of dyeing operation where

printing the resist with a copper stamp called a cap. The applied wax resists dyes and therefore allows the

batik has a hand-drawn design on cotton by wax resist canting. The traditional ceremonial design format

Pulsford ARSA (1912 - 1989) Abstract Figure in Yellow and Blue Watercolour and ink with wax resist 56 x 38

grey blue and mushroom brown palette with wax resist abstract motifs. The light brown color of the cord

'Ankara' décor in 1963 during a stint with CARSTENS; an example of the "wax resist" technique, it was

swirls, waves and spirals, reinforced by the utilization of the wax resist effect in his line-work of

spirals, reinforced by the utilization of the wax resist effect in his line-work of crayon and oil pastel

had the vision that she had. She worked in oil, watercolor, wax resist, casein, and pastel, exploring

had the vision that she had. She worked in oil, watercolor, wax resist, casein, and pastel, exploring

oil, watercolor, wax resist, casein, and pastel, exploring new avenues, developing new techniques