Road Trip

The shop window is brightly lit and captures the attention, while the viewer's keen eye can pick out details like the woman closing up shop near the front door. Taken during a road...

A woman sitting by the base screen turns around to watch the band. Taken during a road trip across the United States in 2014, Silk’s project ‘Nightwalks’ captures the cities and pe...

David Yarrow's narrative on "Castle on Sunset": "It was always my intent to shoot somewhere on Sunset Boulevard as part of our American Road trip series. It is such an iconic stretc...

photography, oil paint, french art, landscape, water, female, journey, palm trees, pool, America, road trip, female, west coast, wonder, nostalgia, motel, vacation, happy, palm sprin...

Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects.

Her project Polaroad: A Polaroid Road Trip traces its origins to a family visit in Utah in 2016.

The ease of rail access allowed Parisians and other city dwellers to escape into nature without the burden of long road trips. During the early 1950s, France’s railway system invest...

America is the home of the road trip and Route 66 is its poster child. Much of the road that ran from Santa Monica through California, Arizona, New Mexico and then north to Chicago ...

David Yarrow's narrative on "Chateau Marmont": "It was always my intent to shoot somewhere on Sunset Boulevard as part of our American Road trip series. It is such an iconic stretch...

America is the home of the road trip and Route 66 is its poster child. Much of the road that ran from Santa Monica through California, Arizona, New Mexico and then north to Chicago ...

Morgan Silk poses the question in this portrait from the series Nightwalks. Taken during a road trip across the United States in 2014, Silk’s project ‘Nightwalks’ captures the citi...

Thinking can get in the way sometimes so simply going out with a camera in this way is more about photographing by feel and less about thinking.” Taken during a road trip across the...

Her project Polaroad: A Polaroid Road Trip traces its origins to a family visit in Utah in 2016.

Her project Polaroad: A Polaroid Road Trip traces its origins to a family visit in Utah in 2016.

Her project Polaroad: A Polaroid Road Trip traces its origins to a family visit in Utah in 2016.

Her project Polaroad: A Polaroid Road Trip traces its origins to a family visit in Utah in 2016.

Her project Polaroad: A Polaroid Road Trip traces its origins to a family visit in Utah in 2016.

photography, oil paint, French art, landscape, water, female, journey, palm trees, pool, America, road trip, female, west coast, wonder, nostalgia, motel, vacation, happy, palm sprin...

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

photography, oil paint, French art, landscape, water, female, journey, palm trees, pool, America, road trip, female, west coast, wonder, nostalgia, motel, vacation, happy, palm sprin...

From Roy’s looking east, the Mother Road stretches straight to the horizon in a way that plays to our preconceptions of Americana road trips.

From Roy’s looking east, the Mother Road stretches straight to the horizon in a way that plays to our preconceptions of Americana road trips.

Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects.

Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects.

Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects.

Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects.

Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects.

Her project Polaroad: A Polaroid Road Trip traces its origins to a family visit in Utah in 2016.

We text instead of sending a letter; fly instead of taking a road trip; order online instead of going to a store.

We text instead of sending a letter; fly instead of taking a road trip; order online instead of going to a store.

We text instead of sending a letter; fly instead of taking a road trip; order online instead of going to a store.

We text instead of sending a letter; fly instead of taking a road trip; order online instead of going to a store.

We text instead of sending a letter; fly instead of taking a road trip; order online instead of going to a store.

I am drawn to filming road stories as the road can direct the viewer and the implicit journey is an allegory of the journey of life; we are all on our own road trip.

I am drawn to filming road stories as the road can direct the viewer and the implicit journey is an allegory of the journey of life; we are all on our own road trip.

I am drawn to filming road stories as the road can direct the viewer and the implicit journey is an allegory of the journey of life; we are all on our own road trip.

I am drawn to filming road stories as the road can direct the viewer and the implicit journey is an allegory of the journey of life; we are all on our own road trip.

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

Far away in the distance, the apartment blocks of Coney Island residences punctuate the dusky sky with window-shaped dots of light. Taken during a road trip across the United State...

Following my instincts, I embarked on a road trip with my trusty paintings in tow. Colorado has always held a special place in my heart, with its majestic mountains serving as a cons...

Following my instincts, I embarked on a road trip with my trusty paintings in tow. Colorado has always held a special place in my heart, with its majestic mountains serving as a cons...

Following my instincts, I embarked on a road trip with my trusty paintings in tow. Colorado has always held a special place in my heart, with its majestic mountains serving as a cons...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his ow...

The ghosts of American iconography—the road trip, the drifter, the neon-lit escape—are present, yet they flicker like echoes of a past that may never have existed as we remember it.

One Night in Tlaxcala 40.0 x 60.0 x 2.0, 15.0 lbs Oil Paint Hand signed by artist Artist's Commentary: "On a recent road trip I had the opportunity to spend an evening at an eco...