Rome Engraving

Six 18th century engravings on views Venice and Rome. Frames early 20th century. Mahogany and metal

Set of Three Hand Colored Engravings with Hand Painted French Mats and Antique Faux Burl Frames

Fuga (1799-1830) Engraver Venanzio Monaldini (1765-1819) Publisher Rome, 1843 Hand-Colored Engraving

This engraving by Giovanni Battista Piranesi shows an architectural rendering of of Doric columns

"ROME 1890" -- rare, original bird's eye view of Rome published in May 24th 1890 by The Graphic

the Pantheon in Rome. This engraving was printed by Piero and Francesco Piranesi, the two sons and

in Rome. This engraving was printed by Piero and Francesco Piranesi, the two sons and collaborators

1825 original engraving by Luigi Rossini. "Avannzi dell' Anfitreatro creduto Marittimo in Villa

of Vespasian, was built in Rome in 71 AD under Emperor Vespasian in honour to Pax, the Roman goddess

today at the Capitol in Rome. An engraving of the vase was produced in 1778 in Piranesi’s studio. It

CARLOS ANTONINI Manuale di Vari Ornamenti Rome, 1781-1790 Engraving. 100 Illustrations. Late

. This cylindrical structure was once the tallest building in Rome. This engraving was printed by Piero

Corinthian pilaster of the Pantheon in Rome. This engraving was printed by Piero and Francesco Piranesi, the

. Copperplate engraving printed in Rome, 1867. Plate size: 7 3/8 x 9 1/4 in. In an archival mat and framed.

CARLOS ANTONINI Manuale di Vari Ornamenti Rome, 1781-1790 Engraving. 100 Illustrations. Late

CARLOS ANTONINI Manuale di Vari Ornamenti Rome, 1781-1790 Engraving. 100 Illustrations. Late

won many awards, including awards including the very first Exhibition of Engravings in Rome. In the

won many awards, including awards including the very first Exhibition of Engravings in Rome. In the

won many awards, including awards including the very first Exhibition of Engravings in Rome. In the

of Engravings in Rome. In the 1960s, a fruitful collaboration started: Brotto together with glass

Roman architecture and excavations in Rome and its environs, and rendered in exquisite detail classical

Lovely engraving of the city of Rome in a giltwood frame

Engraving of the Colosseum by A. Moschetti. Rome, 1843. Unsigned. Presented in an archival mat

A letterpress and engraving print by Salvador Dali on Japon paper, made in 1973. Numbered as 7/250

palazzi and churches in Rome. This copperplate engraving is presented in a gold-colored wood frame with

Antique architectural Grecian / Roman aquatint engraving "Plate 11 - Ponte Lucano" engraved by

buildings in Rome and its vicinity. Beautifully matted with giltwood frames. Ready to hang. Provenance; The

engraving was printed directly on the Formica. Fine quality throughout with amazing attention to detail a

shows the Mausoleum of Augustus and its remnants in Rome, Italy. This original old antique print / plate

Spectacular Italian Screen beginning of the 20th century "Rome" Made of wood with engravings with

“Family Marocaine”. Recorded. FORTUNY MARSAL, Mariano (Reus, 1838-Rome, 1874). 19th century

engravings and painted paper panels are engraved by Giovanni Ottaviani (Rome 1735-1808) after the designs of

Statue Antiche." Rome, 1780-1792. Copper engraving on laid paper. Unframed. Francesco Piranesi was an

Statue Antiche." Rome, 1780-1792. Copper engraving on laid paper. Unframed. Francesco Piranesi was an

Set of eight engravings by Giovanni Battista Galestruzzi of Roman intaglio from Leonardo Agostini's

half centuries later in Rome (1772-1777). There were 13 engravings in Volume I ( issued in 1772) and

"Raccolta di Statue Antiche." Rome, 1780-1792. Copper engraving on laid paper. Unframed. Francesco Piranesi

These three copperplate engravings on paper engraved by Giovanni Ottaviani (Rome 1735-1808) after

untraceable. At age 18, however, he switched to engraving. He died in Rome. The engravings he made depicting

Applein Four Volumes] Hermanni Scheus, Rome: 1646 Hand-colored engravings.

-18th century circa 1750, etching with engraving, Rome edition, 3rd state with publisher's Strade Felice

stipend to study in the Academy of Fine Arts in Rome. He still relayed engravings for sale by the

stipend to study in the Academy of Fine Arts in Rome. He still relayed engravings for sale by the

Grand Prix de Rome in engraving in 1898 and entered the Villa Medici in Rome. This prestigious prize

PRIZE, THE SUZZARA PRIZE, THE VERONA PRIZE AND THE FIRST PRIZE AT THE EXHIBITION OF ENGRAVINGS IN ROME

childhood. he studied at the School of Fine Arts in Paris. He won his first prize of Rome in engraving

Paris. He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy

Piranesi, published in Rome in 1778. It is plate 88 from Piranesi's monumental work "Vasi, Candelabri

childhood. he studied at the School of Fine Arts in Paris. He won his first prize of Rome in engraving

the School of Fine Arts in Paris. He won his first prize of Rome in engraving intaglio in 1948, then

the School of Fine Arts in Paris. He won his first prize of Rome in engraving intaglio in 1948, then

. he studied at the School of Fine Arts in Paris. He won his first prize of Rome in engraving intaglio

and Louis-Pierre Henriquel-Dupont. In 1868, he won the Prix de Rome in engraving. After creating small

prize of Rome in engraving intaglio in 1948, then gained much success in Italy. He also produced postage

. he studied at the School of Fine Arts in Paris. He won his first prize of Rome in engraving intaglio

Paris. He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy

. He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy. He

England, third quarter of the 19th century On two scrolling foliate feet with casters, above which a rectangular two-side glazed frame, with on top a two-sided shield with initial...

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

FINE ORIGINAL ANTIQUE 18th CENTURY BRITISH OIL PAINTING MAN O WAR IN HARBOUR Description Good Condition canvas but very old with some browning in places (see picture). Cleaned ,re-...

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...

The art is signed AB..6. lower right corner Albert Bierstadt, a luminary of 19th-century American landscape painting, was born on January 7, 1830, in Solingen, Prussia (now Germany)...

This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was...

This lyrical landscape entitled Dance of the Nymphs was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work c...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91) Portfolio: Vitruvius Britannicus; or The British Architect, Contain...

The Venetian Backwater British School, c. 1850's circle of Joseph Mallord William Turner (British 1775-1851) oil painting on panel, framed panel: 23cm x 18cm Very fine quality perio...

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...

Lake Constance c 1850. Watercolor on cream wove paper mounted on thin card stock, 10 x 12 1/2 inches (255 x 320 mm), wide margins. Adhesive residue around the perimeter of the sheet...