Sarah Bernhardt

clientele such as Sarah Bernhardt who followed him to his studio on rue du Faubourg Saint-Jaques following

1897. These pages feature a portrait of the actress Sarah Bernhardt as Ilsee and other linear art

inspired by the stage jewelry of Sarah Bernhardt, particularly in her role as Theodora. These jewelry

In the iconic 1896 revival of La Dame aux Camélias, Sarah Bernhardt portrayed the dying courtesan

to design a poster for Sarah Bernhardt in 1894. This provided the launch pad for Mucha's future

were actress Sarah Bernhardt and oil magnate Calouste Gulbenkian. In 1900, René Lalique achieved

great Sarah Bernhardt. Beginning in 1876, Renoir created dozens of portraits of Samary, and she also

clients were the actress Sarah Bernhardt and the oil magnate Calouste Gulbenkian. In 1900, René Lalique

elite. Among the most famous clients, we find the actress Sarah Bernhardt and the oil magnate Calouste

jewelry appeals to an intellectual elite. Among the most famous clients, we find the actress Sarah

1894, when he designed a poster for a play featuring Sarah Bernhardt, the leading actress of the day

Sarah Bernhardt and oil magna Calouste Gulbenkian. In 1900, René Lalique won an unequaled triumph at the

actress Sarah Bernhardt and the oil magnate Calouste Gulbenkian. In 1900, René Lalique won an unparalleled

clients, we find the actress Sarah Bernhardt and the oil magnate Calouste Gulbenkian. In 1900, René

clients are comedian Sarah Bernhardt and oil magna Calouste Gulbenkian. In 1900, René Lalique won an

, musicians and writers including French actress Sarah Bernhardt (1844-1923); the first Jewish judge of the

, musicians and writers including French actress Sarah Bernhardt (1844-1923); the first Jewish judge of the

, musicians and writers including French actress Sarah Bernhardt (1844-1923); the first Jewish judge of the

, musicians and writers including French actress Sarah Bernhardt (1844-1923); the first Jewish judge of the

clients were actress Sarah Bernhardt, courtesan Louise-Emilie Valtesse de la Bigne, and Albert Vieillard

poster advertising Sarah Bernhardt’s performance in Gismonda captured the Parisian public’s imagination

poster advertising Sarah Bernhardt’s performance in Gismonda captured the Parisian public’s imagination

poster advertising Sarah Bernhardt’s performance in Gismonda captured the Parisian public’s imagination

poster advertising Sarah Bernhardt’s performance in Gismonda captured the Parisian public’s imagination

Sarah Bernhardt. His desire to "create something that had never been seen before" earned him the

187). Also compare a mirror ‘Psyché de Sarah Bernhardt’ (Connaissance des Arts, N° 228, Paris, 2004

competitions, exhibited his work, and created jewelry for well-known entertainers like Sarah Bernhardt. His

wax ( Sarah Bernhardt , 1894-1901). He also began a series of conquerors sculptures, worked in gold

the Theatre Sarah Bernhardt and is one of two theatres in Paris built in the 1860s that are located

Trefusis (1976), and Sarah Bernhardt.

materials such as a Bellone , or by directly painting the stone using a tinted wax ( Sarah Bernhardt , 1894

materials such as a Bellone , or by directly painting the stone using a tinted wax ( Sarah Bernhardt , 1894

Barrada; Mária Bartuszová; Rana Begum; Nina Beier; Patricia Belli; Lynda Benglis; Lauren Berkowitz; Sarah

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand

(1889, oil on panel) Brussels (Mus. Royaux des Beaux-Arts): Portrait of Sarah Bernhardt (1888, oil on

the municipal theatre in Le Puy in 1893, and for Sarah Bernhardt designed sets and costumes for Edmond

creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first

Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah

creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first

-known entertainers such as actress Sarah Bernhardt. His desire to “create something that had never been

began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the

. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear

1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume

she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry

she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry

Sarah Bernhardt Theatre in Paris, where he studied with teachers such as Joshua Smith and Étienne

Sarah Bernhardt Theatre in Paris, where he studied with teachers such as Joshua Smith and Étienne

Sarah Bernhardt Theatre in Paris, where he studied with teachers such as Joshua Smith and Étienne

Sarah Bernhardt Theatre in Paris, where he studied with teachers such as Joshua Smith and Étienne