Satyr Mask

The matching pair of four-light candelabra each have an urn-shaped white marble body mounted with finely chased ormolu, decorated with satyr masks flanked by floral wreaths and hangi...

The largest design at left integrates shields, satyr masks, urns, and cherubic figures amidst an interwoven web of acanthus and arabesque patterns on a stippled red background.

The central motifs include putti, satyr masks, and panels featuring mythological scenes framed by garlands and shells.

The mounts at the shoulder are pierced and adorned with three-dimensional satyr masks framed by scrolls and palmettes. The extensive use of foliage, floral motifs, and asymmetric scr...

Accompanied by a pair of five-light candelabras designed after vases filled with fresh cut flowers, the garniture is cast in form of roses set in white marble urns with applied satyr...

The handles of each vase are in the form of patinated bronze satyr’s masks. This important pair of candelabra are after the model attributed to the ciseleur-doreur François Rémon...

The shaped rectangular top enclosing a gilt tooled brown leather writing surface within a molded border above a long central drawer enclosing a fine modeled mask of Hercules wearing ...

The piece is further elevated by classical Roman-style bust portraits, angelic putti, fierce satyr masks, and full-length corner stiles featuring caryatid figures.

The bodies are painted with wide, continuous bands of richly colored flowers against a soft shaded brown ground, framed above and below by gadrooned and anthemion borders. Twin gilt ...

The base is decorated with foliage and rocks upon which sits a plinth with relief panels of mythological dancers and figures and stylized wave motifs, framing a central geometric med...

Directly in front of the goat is a pair of the boys, one making faces with his mouth, pulling at his lips to tease the goat while the other is crouched down within a satyrs mask tryi...

They were described, Lot 311, as ‘Ebony and ormolu-mounted three-door china cabinet.  2 Boule mounted glazed doors, Boule centre panel door.  Satyr mask ram's head and scroll decorat...

The catalogue described the table as: ‘A William Kent gilt wood centre table, with marble top, the frieze carved all round with satyr masks supporting swags of fruit and flowers, an...

Flanked by flowered baskets on conforming pierced capitols with shells, terminating in bold scrolling, floral and foliate corner pieces, centred with the mask of a satyr.  Two small...

The elongated frame crowned with a carved floral shell above an allegorical mask of a satyr and centered with an oil on panel painting depicting an outdoor romantic scene of two maid...

Common subjects include theatrical masks, satyrs, maenads, Silenus, Pan, erotes, animals, mythological creatures and Dionysiac attributes, as well as vegetal and ornamental motifs.

One with the figure of a triton with dolphin mask and rushes, and the other with a satyr decorated with goat mask and grape vines.

The elephant heads alternate with bronze classical or mythological figural masks on the apron, possibly a satyr or a bacchic mask.

The glass with four satyr or Bacchus masks surrounded by grapes, vines and leafage, the gold cap and removable gold base, serving as a convenient cup, further engraved with grapes an...

Very large and beautiful pair of Louis XVI style candelabra in griotte red marble with chased and gilded bronze mounts, with three arms of light in flowering branches of carnations a...

Immediately after the mask of a satyr. Italy circa 1840.

Above are two elegant female busts flanking the mask of a Satyr. The five scrolled arms are spread over two levels and showcase richly chased acanthus leaves at the top and bottom le...

A striking Victorian satinwood bureau plat, of shaped rectangular form inset with the original oval burgundy leather, with a disguised frieze drawers, decorated with purple heart and...

The salts are masterfully executed in a bold Mannerist style, distinguished by kneeling satyrs supporting grotesque masks at the corners of each.

Each lyre-shaped backplate topped with ribbon-tied cresting and garlands ending with the mask of a satyr. See "Vergoldete Bronzen" (1986), Vol.

The high-scrolling handles on either side are decorated with a combination of female mask-heads in small circular roundels, and large male heads, possibly grotesque masks or satyr-fa...

Surrounding this central tableau are over twenty smaller panels showcasing variations of grotesque ornament: winged cherubs, dolphins, sphinxes, fountains, floral scrolls, satyr head...

Supported by a base of powerful gadroons, it features a particularly expressive mask of a satyr with goat's horns on its main face.

The elongated frame crowned with a carved floral shell above an allegorical mask of a satyr and centred with an oil on panel painting depicting an outdoor romantic scene of two maide...

The flanking candelabra are of conforming style, each featuring a similar vase shaped body, painted instead with a fête galante scene and mounted either side with satyr head masks. F...

Roman marble figure of a Young Satyr wearing a Theatre Mask of Silenus which appeared in 2013 at Sotheby's New York (12 December 2013, lot 43), having been exhibited at the J.