John Everett Millais

; "My Aunt Mrs William Evamy Sir John Everett Millais Bt PRA 1829-1896 Presumably painted for the

Sir John Everett Millais R.A (1829-1896); engraved by Thomas Oldhams Barlow R.A. (1824-1889), an

(1901-1999) : Born in Horsham, Sussex in 1901, Raoul Millais was the grandson of the artist Sir John

design, influenced in part by their association with the Pre-Raphaelites particularly Sir John Everett

time in the studio of John Everett Millais (q.v.) and served in the Remount Service (1914 -1916) during

Everett Millais. The lush teal green of the indicolite reminded me of the vegetation in the painting

A chromolithograph after John Everett Millais's (1829-1896) painting 'Cherry Ripe' (1879), used as

A painting after John Everett Millais's (1829-1896) painting 'Bubbles' (1886), originally titled 'A

depicts Ophelia, a known persona in one of John Everett Millais' iconic paintings "Ophelia." This piece

A charming oil scene by the artist Raoul Millais (1901-1999), grandson of Sir John Everett Millais

in Paris with ease, and effect. Raoul was the grand-son of the Pre-Raphaelite John Everett Millais

in a wild garden or in a lightly wooded setting in the manner of John Everett Millais. It bears the

-Raphaelite painter John Everett Millais. Provenance: GE Corporate Collection

features. Highly reminiscent of works such as 'Sophy Gray' by John Everett Millais and 'In the Grass' by

Frederic Watts 'Found Drowned' (c.1850) and anticipates works such as John Everett Millais's 'The Martyr of

, lending the work both movement and atmosphere. Millais, grandson of Sir John Everett Millais and himself

: Good Edition: 1st Edition. Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt. These

stunning giltwood frame. The original was painted by John Everett Millais, and was given away with the

Everett Millais and William Powell Frith. Between 1839 and 1896 he exhibited 121 paintings at the Royal

relaxed poses, reminiscent of Dante Gabriel Rossetti and John Everett Millais. In this stunning

hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented

Everett Millais' 'Christ in the House of His Parents'. Watherstons mirrors both Millais expansive

dress and relaxed poses, reminiscent of Dante Gabriel Rossetti and John Everett Millais. In this

principal members were William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti. After initial

by the Pre-Raphaelite Brotherhood. Reminiscent of the paintings of Sir John Everett Millais and

Everett Millais, and William Powell Frith. Between 1839 and 1896 he exhibited 121 paintings at the Royal

a close friend of John Everett Millais and painted with Dante Rossetti at the Oxford Union. He was

William Holman Hunt (1827-1910), Dante Gabriel Rosetti (1828-1882) and John Everett Millais (1829-1896

of John Everett Millais. O’Neil’s most famous subject picture ‘Eastward Ho!’ captures British troops

Delacroix (1798-1863), John Everett Millais (1829-1896), and William Holman Hunt (1827-1910). Amongst

, founder of the Grosvenor Gallery and John Everett Millais. She achieved fair success in her career: her

artistic movement he co-founded in 1848 alongside John Everett Millais and William Holman Hunt. As both

came under the influence of the Pre-Raphaelites and in particular John Everett Millais (1829-1896) who

realism, with Frederick Walker (1840-1875) a particular inspiration. Sir John Everett Millais described

John Everett Millais, 1st Bt (1871, oil on canvas); Dante Gabriel Rossetti (c. 1871, oil on canvas

, George I and George II) and in 1715 was the first artist to be made a Baronet (the next was John Everett

Ready For Church, 19th Century John Everett Millais (1829-1896) Large 19th Century portrait of a

A fine oil study of the Pears print 'Bubbles' by John Everett Millais. The artwork is indistinctly

A chromolithograph of John Everett Millais's (1829-1896) painting 'Bubbles' (1886), originally

SIR JOHN EVERETT MILLAIS, Bt., PRA (1829-1896) The Baby House Signed in the plate Etching and

brook, with waterlilies; interpretation of the original by Pre-Raphaelite painter, John Everett Millais

, and mystery in the suburban landscape of America. The image, drawing on John Everett Millais

Victorian period after a painting by Sir John Everett Millais noted to be in the collection of Sir Andrew

type is the well-known “The Black Brunswicker” (1860) by John Everett Millais (1829-1896). It was

is very similar to the work of Sir John Everett Millais and the subject is also something the artist

he was taught by Sir John Everett Millais (1829-1896); amongst other renowned artists. McGhie then

John Everett Millais, Dante Gabriel Rossetti, and Edward Burne-Jones. From gracious princesses in

William Holman Hunt (1827-1910), Dante Gabriel Rossetti (1828-1882) and John Everett Millais (1829-1896

Girl in a bonnet German Mezzotint of a work by the artist Sir James Everett Millais and print by

, where, through James McNeill Whistler and Sir John Everett Millais, Fantin-Latour found a patron in

Rossetti, John Everett Millais and William Holman Hunt, Waterhouse's work is currently displayed at several

of John Everett Millais. O’Neil’s most famous subject picture ‘Eastward Ho!’ captures British troops

as "Bubbles" by John Everett Millais to promote its products. Lever's response was to acquire

inspiration for John Everett Millais' painting The Ruling Passion. The Gould League, founded in Australia in

Everett Millais' painting The Ruling Passion. The Gould League, founded in Australia in 1909, was named

Everett Millais, P.R.A.; and ‘The Spanish Letter-Writer,’ after J. B. Burgess, R.A. Stocks died at 9

Dickinson made the acquaintance of the artist Ford Madox Brown (1821-1893), the painter John Everett Millais

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England, third quarter of the 19th century On two scrolling foliate feet with casters, above which a rectangular two-side glazed frame, with on top a two-sided shield with initial...

A beautiful art nouveau casket made by Erhard and Sohne in Germany in c. 1905. The casket is exquisitely executed with foliate detailing, made in the Gothic revival style in both p...

French artist, circa 1800 Study of a male nude Oil on canvas Size 24 x 49 cm Frame 34 x 59 cm

Oil on Board realized by Jules Victor Génisson (1805-1860) in the mid-19th Century. Hand signed lower left. Good condition.

Safe box. Iron. XIX century. Rectangular safe made of iron, with a rectangular base, two handles on the sides and classicist-influenced molding decorations on the fronts and top. It...

A very fine and impressive European walnut monopodia library armchair, upholstered in a Rosie Uniacke cotton velvet moss, an almost identical armchair having been published in ‘Engli...

A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne Carr, Lady Russell, an estee...

Matthew Durante's "Figure 1 2021" is an original, handmade acrylic painting that depicts a blue-toned nude female model superimposed over a pink and purple background.

An extremely decorative Italian 18th century Giltwood and Fresco wall decor/panel. This highly detailed piece of wall decor is set within a Giltwood frame with a handsome Greek key d...

Luigi Massoni for Poltrona Frau, ‘Dilly Dally’ vanity set, leatherette, mirrored glass, plastic, brass, lacquered wood, metal, Italy, 1968 Outstanding Italian dressing table designe...

Each image is hand-printed by the artist on archival paper Signed Edition of 17/ 3AP Ask about other sizes Renée Jacobs is one of the most celebrated photographers of the female nud...

All that Glitters ain't Gold - 2017, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inven...

"Featherstep IV" Nude Photography 20" x 16" inch Edition 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist ...

'Oblivion' part of the series 'The crazy Adventures of David C.' - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and...