Stone Figural

Isaac is shown bound upon a stone altar, his figure sensitively modeled. Opposite the altar, a grove of trees shelters the ram, its presence alluding to the divine substitution.

Its eyes are set with cabochon red stones, which give the figure an expressive, lifelike quality.

It is 18K and marked on the verso. This well carved stone depicts a three dimensional figure with very fine detail in the face and the headdress.

Extremely decorative, fully sculpted representation of a naked young beauty with her hair tied back, covering her nakedness after her bath with a softly draped cloth, which she holds...

The present work is unsigned but is reminiscent of Horatio Stone's life-size marble figure of John Hancock in the U.S.

Olley ( British, 20th Century, 1908-1996), 1993, signed to the front and inscribed verso Title - Rochester Cathedral, Deanery Gate - depicting the coat of arms on the grand gates an...

This charming piece depicts a seated girl in a contemplative pose, rendered with exquisite detail from her hair to the folds of her dress, showcasing Lapini’s ability to breathe life...

At the center, a Moses-like figure clutches a stone tablet inscribed with mocking verses, proclaiming absurd political revelations.

This bracelet has 20 stones, a figure 8 clasp to open and close, the width of the bracelet is 4 mm, has a length of 7 inches, and a total weight of 10.18 grams.

One is mounted on a stone base. The tallest figure is 8 inches tall.

From the Romans, I borrow the combining of different stones in one figure . Lately I have been creating full figure images from cypress and stone.

From the Romans, I borrow the combining of different stones in one figure . Lately I have been creating full figure images from cypress and stone.

From the Romans, I borrow the combining of different stones in one figure . Lately I have been creating full figure images from cypress and stone.

Atop the Sultan's head, a finely crafted hat is adorned with colorfully set stones all around, creating a play of light and color that adds majesty to the figure.

Some chips/age cracks to stone piece figure is standing on. Size 235mm high and 130mm wide Period 19th century 20th century Meiji Periode (1867-1912) Taisho Periode (1912-1926).

Signed at the base. Bronze figure on a stone base depicting a lady wearing sandals, adjusting a draped garment (called a chiton), raising her arms to put on a brooch.

Description of the work The statue "L'EFFORT" or "THE MAN LIFTING A STONE" Attributed to Gustave Louis Buchet depicts a man in full action, crouched and leaning on a spear to lift a ...

The current owner acquired this remarkable example from Shultz Auctioneers, Clearance, New York, from consigner Kenneth Dukoff collection, an important Buffalo, New York antiques dea...

The lapis lazuli is a semiprecious stone already known in the seventh millennium BC., found in deposits from the Caucasus to Mauritania.

The megaliths are cast in a golden light, giving them an orange hue, and against each stone, a shadow figure adopts a ritualistic pose.

In the foreground on the right, behind a curtain and raised by three stone steps, sits the figure of a king with an arm raised in the act of command: it is the Emperor Diocletian as ...

A fine original French Art Deco polished nickeled bronze and black Belgian marble statue by Amadeo Gennarelli; signed Gennarelli in the stone base. The figure called "Le messager",...

A composition stone figure of a gentleman, standing in long coat and knickers and wearing a wide-brim hat, his proper left hand grazing his chin, his pensive countenance with downwar...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...

Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-obje...