Theophile Gautier

." Théophile Gautier compared Decamps' role as a discoverer of the Orient to that of Jean-Jacques Rousseau, who

latter two works were exhibited at the Paris Salon of 1850, causing Théophile Gautier to observe: "The

renowned writers, painters and critics such as Arsène Houssaye, Émile Zola and Théophile Gautier. Édouard

and Théophile Gautier. Édouard Manet felt Chaplin knew "the smile of a woman". It was his portraits of

-Napoleon, made Detaille, at twenty, an envied celebrity known to Sainte-Beuve, Théophile Gautier, the

', Theophile Gautier's romantic novel of a love triangle.

became celebrated for his winning works in the Paris Salon. The crisis Théophile Gautier commented: “The

Princess Mathilde. The critic Theophile Gautier in 1861 recognized Rousseau as a member of the Realist

Théophile Gautier remarked that the artist’s work had “a liveliness and touch that would charm Velàzquez

Théophile Gautier remarked that the artist’s work had “a liveliness and touch that would charm Velàzquez

Théophile Gautier remarked that the artist’s work had “a liveliness and touch that would charm Velàzquez

Charles Baudelaire and others. The sculpture's beauty was praised by Théophile Gautier: « Clésinger has

, daughter of the writer Théophile Gautier. It is she who tries to divert her from artistic studies that she

shows with an annual public auction sale of his work. Théophile Gautier wrote catalog introductions for

such as Arsène Houssaye, Émile Zola and Théophile Gautier. Édouard Manet felt Chaplin knew "the

A magnificent set of 24 volumes, The Works of Theophile Gautier, in English, "Bibliophiles Edition

Erich Raspe (March 1736 – 16 November 1794) and translated in French by Théophile Gautier (Tarbes, 1811

referred to him in the Women of Algiers (1834), and the Fanatics of Tangiers (1838). Théophile Gautier

TO THE VIOLET (A VERSE BY THEOPHILE GAUTIER IS VISIBLE HERE) ! - SUPERB TETRAGONAL UNIQUE VASE

d'Aurevilly, Charles Baudelaire, Charles De Coster, Théophile Gautier, Joris-Karl Huysmans, Stéphane Mallarmé

d'Aurevilly, Charles Baudelaire, Charles De Coster, Théophile Gautier, Joris-Karl Huysmans, Stéphane Mallarmé

are colored by the fantasy of the Orient dear to the romantic writers Gérard de Nerval and Théophile

illustrations for Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster, Théophile Gautier, Joris-Karl

Charles Baudelaire and others. The sculpture's beauty was praised by Théophile Gautier: Clésinger has

Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster, Théophile Gautier, Joris-Karl Huysmans

customs of the countries and regions visited. These documentary works were praised by the critic Théophile

de Balzac's "Splendeurs et misères des courtisanes" (1897), Théophile Gautier's "Émaux et camées

1862, alongside the artists Charles Baudelaire, Théophile Gautier, Baron Taylor, and the painters

by art critics with his painting “The Attic”. Théophile Gautier praised it and this large painting

, playwright and actor. He was a friend of Alexandre Dumas , Théophile Gautier , Stendhal , Eugène Sue

short notice of Grandville appears in Théophile Gautier's Portraits contemporains.

Théophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and

. At the Salon of 1842, he was criticized by Théophile Gautier for a painting of Christ's head

near Geneva where he received his friends, among whom, Camille Corot, Théophile Gautier and Eugène Sue

Grandville appears in Théophile Gautier's Portraits contemporains.

Grandville appears in Théophile Gautier's Portraits contemporains.

“. Théophile Gautier wrote about Tigre Devorant un Gavial noting “what energy, what ferocity, what a thrill of

Théophile Gautier in 1868-70, much of his work was cast by and promoted by the Ferdinand Barbedienne foundry

burning heat and the brilliance of these beautiful sun-drenched regions" Théophile Gautier. Literature

Théophile Gautier wrote in a sonnet to the nineteenth-century enamel painter Claudius Popelin. This

, after the Romantics claimed the figure as their own. For Jules Janin and Théophile Gautier, Pierrot was

: Curiosités esthétiques, v. 2, édité par Théophile Gautier, Paris, Calmann-Lévy, [s.d]. Attached to the

Théophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and

catalogue with Théophile Gautier in 1868-70, much of his work was cast by and promoted by the Ferdinand

himself. He was a friend of the Romantic poets Alfred de Musset, Victor Hugo, Théophile Gautier, and the

then on, the artist received critical acclaim for the following Salons, in particular by Théophile

market his own works, organizing public auctions and publishing a catalogue with Théophile Gautier in

was a friend of the Romantic poets Alfred de Musset, Victor Hugo, Théophile Gautier, and the young

. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). In December of that year he married

study was "the strongest and most significant work of the entire Salon". Théophile Gautier wrote about

. In 1848 he exhibited The Winnower (now lost), which was praised by Théophile Gautier and purchased by

: Napoleon III, Renan, Thiers, Grévy, Arago, Théophile Gautier, Honoré Daumier, among others. He also modeled

latter two works were exhibited at the Paris Salon of 1850, causing Théophile Gautier to observe: "The

L'Homme qui Rit, Han d'Islande and Les Misérables by Victor Hugo, Princesses by Théophile Gautier and

illustration for "Le Roman de la Momie" by Théophile Gautier. Hand-signed on the lower right. The state of

Ivan Turgenev, Théophile Gautier, J.S. Mill, Charles Darwin and Alfred, Lord Tennyson. Rajon was

books of Gustave Flaubert and Théophile Gautier, as well as the travelogues of his contemporaries, such