Felicien Rops

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Etching realized after Félicien Rops in 1908. Signed in the plate. Ref. 

Felicien Rops, Belgian (1833 - 1898) - La Lyre, Year: 1958, Medium: Etching, Image Size: 8.75 x 6 inches, Size: 12.5 x 9.75 in. (31.75 x 24.77 cm), Description: From the collection...

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Very good condition. Félicien Rops used his art to shock the 19th-century bourgeoisie, tearing down the era's rigid moral hypocrisy.

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Overall an exceptional, unwashed collector's copy. Félicien Rops occupies a pivotal position in European Symbolism.

Félicien Victor Joseph Rops ( 1833-1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle.

Etching realized by Félicien Rops (1833-1898) for the Novel "L'Initiation Sentimentale" by Joseéphin Péladan. 

A brilliant example of Félicien Rops’ sharp, darkly satirical visual wit, Le Médecine Expérimentale provides a biting critique of the 19th-century medical and scientific establishment.

An incredibly scarce, hand-illuminated original intaglio print by Félicien Rops, La Vrille stands as a definitive example of the artist's razor-sharp subversion of late-19th-century ...

The image remains clean with good tonal contrast. Félicien Rops occupies a pivotal position in European Symbolism.

Etching on paper, laid down on mount Signed in the plate (lower right): Félicien Rops Printer’s inscription in the plate (lower margin): Nys. imp. de la Société A satirical etching b...

Nymph is an original lithograph on ivory-colored paper realized by Félicien Rops. In very good conditions. Specimen 1/2 handwritten note in pencil at the bottom.

A striking impression after one of Félicien Rops' most provocative Symbolist compositions, Le Calvaire, from the celebrated portfolio Les Sataniques.

An evocative original etching by Félicien Rops, depicting one of the artist's most celebrated allegories of the deadly sin of Lust (Luxure).

Exsteens 732; Mascha 609; Ramiro 142 A major, iconic example of Félicien Rops’ sharp satirical wit and anti-academic subversion, La Peinture érotique functions as a brilliant parody...

Le Pot au Lait is a beautiful and rare engraving of the second half of the XIX century, realized with different techniques by the Belgian artist Felicien Rops. This is a Last State a...

The Hanged Man is an original etching realized by Félicien Rops in 1868, – 3rd state on 4, plate from “Uylenspiegel”, title "Le pendu, ou la mère grand et le fils Charles".

Good conditions. Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle.

Etching on paper. Image dimension cm. 24.5x15. Not signed. as issued. Etching. 310x175 mm. Sheet: 470x338 mm. "WL" on the plate at the top right. Title and "Je veux chanter Pallas ...

A remarkable impression after Le Bonheur dans le Vice, one of the most celebrated compositions by Félicien Rops, created as an illustration for Jules Barbey d'Aurevilly's Les Diaboli...

Chute d’un Ange is an original drypoint on laid paper realized by Félicien Rops, hand monogrammed and inscribed "Ah!

Héliogravure, etching and drypoint on Japan paper. Titled in pencil, not signed as issued. This piece captures a lighter, more pastoral side of Rops' provocative repertoire, exchan...

Héliogravure, etching and drypoint on Japan paper. Titled in pencil in the lower right. Not signed, as issued. The title "Présidente" refers to Bourgeois Satire: In 19th-century F...

Soft-ground etching on heavy paper. Image dimension 28x18. Signed in brown ink at the bottom right. Collector's notes in pencil on the mat. Work created as frontispiece for a col...

Etching and drypoint on paper. Hand monogrammed in red pencil. Titled in the plate and in pencil.. The title "Venus Militia" draws heavily on classical and literary satire, subver...

Exsteems 788; Ramiro 155 An exceptional example of Félicien Rops’ mastery of visual allegory and biting social parody, La Clef des Champs is an important piece from his acclaimed se...

Etching and drypoint on Japan paper. Image dimension 23.5x15 cm. Monogrammed and date in the plate. Hand titled in ink. Work alsoknown as "Sirène Ailée". Enclosed within an eleg...

Héliogravure, etching and aquatint on Japan paper. Image dimension 23.5x15 cm. Signed in the plate lower right. Very good condition. Ref. Exteens 364; Rouir 501. This rare print...

Etching and drypoint on paper. A beautiful proof of the second state, on Japan paper. Hand monogrammed in red pencil. The title refers to the Puszta, the vast Hungarian steppe that...

An exceptionally clean, velvety impression of plate III from Félicien Rops' masterfully eerie graphic suite illustrating Jules Barbey d'Aurevilly's Les Diaboliques.

Érastène Ramiro Ramiro, Félicien Rops, Paris, Pellet-Floury, 1905. Vol. in 8º, pp. 215, cm 26.5 x 3.5 x 20, in French.

An exceptionally well painted antique oil on board painting by Belgian artist Felicien Rops whom lived and was active during the 19th century.

Héliogravure, etching and drypoint on paper. Not signed and not numbered, as issued. Condition: A strong, early impression demonstrating rich plate tone and excellent tonal contras...

Original Title: "Complaisance". Hand signed with red pencil. Artist's Proof. Reference: E.N.372  Rare and in very good condition.

Etching Héliogravure and drypoint. Signed with artist's monogram. Hand titled. Second state.  Good condition. Ref. Rouir 905; Exteens 411. 

Etching and drypoint on Japan paper. Image dimension 17.5x13 cm. Titled in pencil lower right. The plate belongs to the acclaimed series "Série de Nues" or "Miroir". Beautiful pr...

Etching and drypoint on paper. Image dimension: 20x12 cm. Signed and dated in the plate. Composed during Rops' extensive travels through North Africa. Very good condition.

Signed in the plate. Includes passepartout: 49x34 cm. Good conditions.

Héliogravure, etching and drypoint on Japan paper. Titled in pencil, not signed as issued. The title references the Albayzín (traditionally spelled Alabaceyn or Albaicín in old Fre...

An impression of this work may be found in the permanent collection of the Musée Félicien Rops, Namur.

An impression of this work may be found in the permanent collection of the Félicien Rops Museum, inventory No. MA G E0147.

Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint.

An impression of this work may be found in the permanent collection of the Musée Felicien Rops, registration No. PER E0273.7.CF.

La Femme et la Folie Dominent le Monde I" (1886) 1886 French illustration from Felicien Rops (Belgian, 1833-1898) depicting a young partially nude woman.

Mat: 12"H x 9"W Paper: 7 1/2"H x 5 1/2"W Image: 5 3/4"H x 4 1/4"W Félicien Victor Joseph Rops was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle.

L’agonie is an original colored etching on paper realized by Félicien Rops in 1886, 3rd state of colours proof n°8, from Pellet éditeur, inscribed in pen by Pellet.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

"Rassenfosse has often been linked with Felicien Rops as a follower. This is perhaps unfair.

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...