Felicien Rops

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Etching realized after Félicien Rops in 1908. Signed in the plate. Ref. 

Felicien Rops, Belgian (1833 - 1898) - La Lyre, Year: 1958, Medium: Etching, Image Size: 8.75 x 6 inches, Size: 12.5 x 9.75 in. (31.75 x 24.77 cm), Description: From the collection...

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Printed in 1908 for "Felicien Rops, l'homme et l'artiste" by Camille Lemonnier, and published in Paris by Henri Floury.

Félicien Victor Joseph Rops ( 1833-1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle.

Etching realized by Félicien Rops (1833-1898) for the Novel "L'Initiation Sentimentale" by Joseéphin Péladan. 

Etching on paper, laid down on mount Signed in the plate (lower right): Félicien Rops Printer’s inscription in the plate (lower margin): Nys. imp. de la Société A satirical etching b...

Nymph is an original lithograph on ivory-colored paper realized by Félicien Rops. In very good conditions. Specimen 1/2 handwritten note in pencil at the bottom.

Érastène Ramiro Ramiro, Félicien Rops, Paris, Pellet-Floury, 1905. Vol. in 8º, pp. 215, cm 26.5 x 3.5 x 20, in French.

Le Pot au Lait is a beautiful and rare engraving of the second half of the XIX century, realized with different techniques by the Belgian artist Felicien Rops. This is a Last State a...

The Hanged Man is an original etching realized by Félicien Rops in 1868, – 3rd state on 4, plate from “Uylenspiegel”, title "Le pendu, ou la mère grand et le fils Charles".

Good conditions. Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle.

Chute d’un Ange is an original drypoint on laid paper realized by Félicien Rops, hand monogrammed and inscribed "Ah!

An exceptionally well painted antique oil on board painting by Belgian artist Felicien Rops whom lived and was active during the 19th century.

Original Title: "Complaisance". Hand signed with red pencil. Artist's Proof. Reference: E.N.372  Rare and in very good condition.

Etching Héliogravure and drypoint. Signed with artist's monogram. Hand titled. Second state.  Good condition. Ref. Rouir 905; Exteens 411. 

Signed in the plate. Includes passepartout: 49x34 cm. Good conditions.

An impression of this work may be found in the permanent collection of the Musée Félicien Rops, Namur.

An impression of this work may be found in the permanent collection of the Félicien Rops Museum, inventory No. MA G E0147.

Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint.

An impression of this work may be found in the permanent collection of the Musée Felicien Rops, registration No. PER E0273.7.CF.

La Femme et la Folie Dominent le Monde I" (1886) 1886 French illustration from Felicien Rops (Belgian, 1833-1898) depicting a young partially nude woman.

Mat: 12"H x 9"W Paper: 7 1/2"H x 5 1/2"W Image: 5 3/4"H x 4 1/4"W Félicien Victor Joseph Rops was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle.

L’agonie is an original colored etching on paper realized by Félicien Rops in 1886, 3rd state of colours proof n°8, from Pellet éditeur, inscribed in pen by Pellet.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art.

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

"Rassenfosse has often been linked with Felicien Rops as a follower. This is perhaps unfair.

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...

With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, form...