Two Faced

At the foot are the two faces of a gold medal (10), one with Leopold's head, the other with a cow standing beside a lancet.

Published in 1908: Volume I: Roderick Hudson Volume II: The American Volumes III and IV: The Portrait of A Lady Volumes V and VI: The Princess Casamassima Volumes VII and VIII: ...

By isolating the hands and separating them into two stacked panels, Surdo strips the original fresco of its full narrative setting and leaves only the charged essence of the gesture ...

This is an original antique wood engraving, colored by hand, showing Danish crosses and medals. At the top the two faces of a silver medal (7) hang from a red and white ribbon: one w...

This is an original antique chromolithograph, printed in color with gold, lettered "GRAND SCEAU EN OR, DE LOUIS XII ROI DE FRANCE." The two faces of the seal are shown side by side o...

At bottom left, on a green and white striped ribbon, are the two faces of a silver medal: one lettered, the other showing a cross within a laurel wreath.

Each base is carved from solid walnut into four slender, spire-like corner posts, tapered and hand-finished so that no two faces catch the light the same way, rising to cradle the te...

JANUS Inspired by the mythological character of the two faces Roman god, Janus by Atlasproject is a sumptuous mirror, that achieves a harmonious synthesis between essentiality and op...

JANUS Inspired by the mythological character of the two faces Roman god, Janus by Atlasproject is a sumptuous mirror, that achieves a harmonious synthesis between essentiality and op...

JANUS Inspired by the mythological character of the two faces Roman god, Janus by Atlasproject is a sumptuous mirror, that achieves a harmonious synthesis between essentiality and op...

JANUS Inspired by the mythological character of the two faces Roman god, Janus by Atlasproject is a sumptuous mirror, that achieves a harmonious synthesis between essentiality and op...

JANUS Inspired by the mythological character of the two faces Roman god, Janus by Atlasproject is a sumptuous mirror, that achieves a harmonious synthesis between essentiality and op...

JANUS Inspired by the mythological character of the two faces Roman god, Janus by Atlasproject is a sumptuous mirror, that achieves a harmonious synthesis between essentiality and op...

The mirror reflections, the brass brightness, and the suede fabric softness harmonize with an adjustable structure. A decorative two-faced panel thanks to which the game of the shap...

The main body is depicting two male faces in very high relief with headdress, all accented with geometric collars at the base.

At the foot the two faces of a bronze medal hang from a yellow and light blue ribbon (11), one with the date 1815 in a wreath, the other with the bust of a duke in a cap.

With the incredible satiric and caustic touch of the illustrator of the Italaina review Il Selvaggio, this contemporray artwork depicts a sort of optical illusion: two palettes with ...

In the bottom row, items 5 and 6 are the two faces of a silver medal on a light blue ribbon edged in white: a portrait head in profile on one side and a lettered inscription within a...

For a Gemini born in June, the moonstone, the moon's two faces caught in a single stone, was the Victorians' natural choice.

The composition is structured around symmetry and duplication. The two faces appear almost interchangeable, while subtle differences invite closer observation.

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

An oak parquetry two-tier console table with mirrored herringbone oak parquetry on its top and drawer faces.

This issue becomes even more evident in the pastel and charcoal Dos Mujeres de Pie (1977). Two nudes stand slightly off center from each other and face to face.

And yet there are modern elements to the piece in the two faces incised into the opposing edges. When hung against a wall the ceramic casts a subtle shadow of these faces harking bac...

The artist signed it on the back. This piece depictts two faces in the lower left, two figures in the upper left, a city in the upper right, and a lone figure in the lower right. 3...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...